Weekend links 204

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RIP Steve Moore. We never met, unfortunately, but I was very pleased he asked me to create a cover for his unique occult novel, Somnium, in 2011. Prior to this we’d been connected by shared acquaintances, colleagues, and membership in the informal cabal that was (and maybe still is) The Moon & Serpent Grand Egyptian Theatre of Marvels. Steve’s long friendship with Alan Moore (no relation) is well-documented, not least by Alan himself who made Steve the subject of his Unearthing project. One surprising connection for me was that Steve also had a link to Savoy Books. In the late 1960s he was working for comics publisher Odhams where he was able to copy for David Britton some Ken Reid comic art which Odhams had refused to print. Dave published the forbidden pages in his first magazine, Weird Fantasy, in 1969. In 2011 Steve talked to Pádraig Ó Méalóid about Somnium, and also to Aug Stone at The Quietus. Aug Stone penned a few memorial words here.

• “People love using the word ‘porn’ as long as there’s a partner for it. Pair ‘porn’ with something else and it’s usually a good thing. A celebration of style and culture. But that word on its own? Well.” Porn star Conner Habib asks why people have such a problem with porn actors.

Dave Maier‘s Russian cinema recommendations. Several favourites there including the magical and remarkable Shadows of Our Forgotten Ancestors (1964) which, as Maier notes, isn’t really Russian but should be seen in any case.

Shakespeare uses verbal magic, cantrips and ditties, nonsense songs and verses throughout the plays, but in Othello he gives a glimpse of how powerful a spell becomes when it’s no longer oral, but fixed in material form. The fatal handkerchief is no ordinary hanky; it’s a love spell, and it was made with gruesome and potent ingredients (mummified “maiden’s hearts”) by a two-hundred-year-old sibyl in Egypt—Egypt being the birthplace and pinnacle of magic knowledge.

Marina Warner on magic.

• Mixes of the week: an hour of electro-acoustics and contemporary classical recordings sequenced by Laurel Halo, and (from 2010) 36-minutes of “umbral electronic hypnagogia” by The Wyrding Module.

• “This is the book that, 10 years later, inspired Richard Hollis’s landmark design for John Berger’s Ways of Seeing.” Rick Poynor on Chris Marker’s Commentaires.

• Is the Linweave Tarot the grooviest deck ever made? Dangerous Minds thinks so.

• Bobby Barry talks to Holger Czukay about his 1969 audio collage, Canaxis 5.

• “What Happened to Experimental Writing?” asks Susan Steinberg.

Aldous Huxley‘s lectures on visionary experience at MIT, 1962.

Laura Palmer will see Agent Cooper again in just a few hours.

Callum found a copy of The Gay Coloring Book (1964).

Metal Cats

Moonshake (1973) by Can | Lunar Musick Suite (1976) by Steve Hillage | Dark Moon (1993) by Holger Czukay | Boy In The Moon (2012) by Julia Holter

Weekend links 193

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A Problem Glyph by Eliza Gauger. Problem Glyphs are “symbolic illustrations … drawn in response to problems sent in by tumblr users”.

Kosmische Night takes place at the Museum of Bath at Work, Bath, Somerset, on January 25th (Rescheduled to February 22nd).  “…a celebration of all things Teutonic for anyone who enjoys Neu!, Can, Tangerine Dream, Stockhausen and Kraftwerk,” say the organisers. Also on the bill, The Electric Pentacle, a Carnacki-esque collaboration between Narco Lounge Combo and The Levels.

• Shock Headed Peters’ Fear Engine II: Almost As If It Had Never Happened. Joe Banks on Karl Blake, “…one of the most fascinating and colourful characters to emerge from the fertile loam of the post-punk scene”.

• “The great question in the film and the tale is not the existence of the ghosts but the way the governess understands their no-longer-lived lives and desires.” Michael Wood on The Innocents.

Nobody, however, is a greater authority on the intersection of porn and alternative spirituality than Annie Sprinkle. Beginning as a prostitute in the 1960s and 70s, she entered porn in the pre-AIDS era and made over two hundred films. She then jumped into a career as a sex-positive author and educator, which brought her into close conflict not only with feminists like Andrea Dworkin and Catharine MacKinnon, but also right-wing patriarch Jesse Helms, who denounced one of her sex magick performance pieces on the floor of the Senate. For Sprinkle, both sexuality and performance are explicitly spiritual and magical, part of her role as a cultural shaman.

In the Valley of the Porn Witches by Jason Louv.

Stars of the Lid and Wordless Music Orchestra playing for two hours last month at the Basilica of Our Lady of Perpetual Help in Sunset Park, Brooklyn.

Rick Poynor on the late Martin Sharp’s contributions to People, Politics and Pop: Australians in the Sixties (1968) by Craig McGregor.

Maggie Greene on The Woman in Green: A Chinese Ghost Tale from Mao to Ming, 1981–1381.

• “TED actually stands for: middlebrow megachurch infotainment,” says Benjamin H Bratton.

Geoff Manaugh on how corpses helped shape the London Underground.

Tony White on Eduardo Paolozzi at New Worlds by David Brittain.

• Mix of the week: Secret Thirteen Mix 102 by Frank Bretschneider.

• At Dangerous Minds: film of Syd Barrett‘s first psychedelic trip.

NYPL Wire: a New York Public Library Tumblr.

Microbial art by Eshel Ben-Jacob and others.

Interstellar Rock: Kosmische Musik (1974) by The Cosmic Jokers | I, Bloodbrother Be (1984) by Shock Headed Peters | Obscene and Pornographic Art (1991) by Bongwater

Weekend links 192

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“Chloromgonfus detectis, a dragonfly that can detect volatile pollutants.” A speculative insect by artist Vincent Fournier.

• “…a modern taxonomist straddling a Wellsian time machine with the purpose of exploring the Cenozoic era…” Butterflies tied together Vladimir Nabokov’s home, science, and writing, says Mary Ellen Hannibal.

• More ghosts: Kira Cochrane on the Victorian tradition of the Christmas ghost story, and Michael Newton on why Jack Clayton’s The Innocents (1961) remains one of the very best ghost films. No argument there.

• Should you require further persuasion, Daniel Barrow reviews I Am The Center: Private Issue New Age Music In America 1950-1990, an album still receiving heavy rotation in these quarters.

Swords, daggers—weapons with a blade—retained a mysterious, talismanic significance for Borges, imbued with predetermined codes of conduct and honor. The short dagger had particular power, because it required the fighters to draw death close, in a final embrace. As a young man, in the 1920s, Borges prowled the obscure barrios of Buenos Aires, seeking the company of cuchilleros, knife fighters, who represented to him a form of authentic criollo nativism that he wished to know and absorb.

The Daggers of Jorge Luis Borges by Michael Greenberg

The Junky’s Christmas (1993): a seasonal tale from William Burroughs turned into a short animated film by Nick Donkin and Melodie McDaniel.

• Mixes of the week: Secret Thirteen Mix 101 by Jan Jelinek, and The Conjuror’s Hexmas by Seraphic Manta.

• Meet the 92-year-old Egyptian [Halim El-Dabh] who invented electronic music.

The Mysterious Lawn Home of Frohnleiten, Austria.

The Peacock Room at Sammezzano Castle in Italy.

The Quay Brothers’ Universum.

Alan Bennett‘s diary for 2013.

Butterfly (1968) by Can | Butterfly (1974) by Herbie Hancock | Butterfly (1998) by Talvin Singh

Weekend links 146

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A Chinese postage stamp celebrating the Year of the Snake.

Cyclopean is a collaboration from Burnt Friedman, Jono Podmore and Can founding members Jaki Liebezeit, and Irmin Schmidt. The Quietus has a preview of all the tracks from their forthcoming EP. Great stuff.

Ten Things You (Possibly) Don’t Know About Kraftwerk. Related: a Speak & Spell emulator, and Atomium, a new single by Karl Bartos.

• In 1975 Barney Bubbles designed an inner sleeve for Hawkwind’s Warrior on the Edge of Time album, and this scarce recipe booklet.

• “We should all use language carefully. That is an obligation on the literate. But carefully doesn’t mean fearfully,” says Jenny Diski.

• Faber’s car-crash of a cover design for the 50th anniversary edition of The Bell Jar by Sylvia Plath caused an outbreak of parodies.

• At Strange Flowers: Ancient dreams and antique corruptions, Salomé via Gustave Moreau and Huysmans.

• FACT Mix 368 is a very varied collection of recent music and older pieces curated by Holly Herndon.

• At Ubuweb: eleven out-of-print recordings of Harry Bertoia’s sound sculptures.

Laurie Anderson and Brian Eno in conversation at Interview magazine.

Michael Chabon on Wes Anderson’s Worlds.

Snake Rag (1923) by King Oliver’s Creole Jazz Band | Rattlesnake Shake (1969) by Fleetwood Mac | Snakes Crawl (1980) by Bush Tetras | Ananta Snake Dance (1980) by Suns of Arqa | Snakeblood (2000) by Leftfield

Seven Songs by 23 Skidoo

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Along with Elemental 7 by CTI, this was another Doublevision video release that I never got to see in its original videocassette form. Seven Songs is the first and arguably the best of the 23 Skidoo albums, released in 1982 on Fetish Records in a great sleeve by Neville Brody. Production was by “Tony, Terry & David” aka Ken Thomas, Genesis P-Orridge & Peter Christopherson. The latter two were still in Throbbing Gristle at the time so there’s a further connection with the CTI release. The video director was Richard Heslop who can be seen with his Super-8 camera on the inner sleeve of 23 Skidoo’s second album. Seven Songs is his first credited film work.

The videos are very much of their time, layered and cut-up images mixing footage from numerous sources—tribal rituals, totalitarian politics, animation, medical or scientific films, shots of the group performing, and so on—with the whole mélange processed through a video synthesiser. While it may look outmoded now, thirty years ago this degree of intensity and fragmentation was still radically unlike anything being offered by broadcast television. Pop video directors and ad agencies weren’t slow to adopt similar techniques for far more commercial ends. Richard Heslop went on to work with Derek Jarman, and recently directed a feature of his own, Frank. Low-quality bits of Seven Songs have been on YouTube for a while but Heslop posted the whole thing to Vimeo a few months ago along with the Tranquiliser footage that rounded out the original cassette release. 23 Skidoo are still active, and are playing a gig in London next Sunday with the former singer from Can, Damo Suzuki. Details about that event here.

Previously on { feuilleton }
Elemental 7 by CTI
Neville Brody and Fetish Records