Weekend links 838

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Amethyst geode by Sheila Sund.

• RIP Tony Rayns: A Supreme Cinephile Remembered – notes and observations by Geoff Andrew. The remembrance mentions Rayns’ Cinema Rising, a short-lived magazine he was editing in the 1970s. I posted an extract from the first issue here.

• The week in photo competitions: Hasselblad Masters 2026; ZWO Astronomy Photographer of the Year 2026 shortlist; International Aerial Photographer of the Year.

• At Colossal: Veks Van Hillik suspends fish, insects, and other objects in surreal murals.

• New music: The Crystal Suite by Paul Schütze; Vestiges by Olivier Alary.

• At AnOther: Inside James Turrell’s most ambitious Skyspace to date.

Off With His Head: A short story by David Rudkin.

The Cosmic Dope

The Crystal Ship (1967) by The Doors | Among Fields Of Crystal (1980) by Harold Budd / Brian Eno | Crystal Clear (1992) by The Grid

Weekend links 835

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Kites of Fukuroi and Distant View of Akiba in Totomi Province, from the series One Hundred Famous Views in the Various Provinces (1859) by Utagawa Hiroshige II.

• Coming soon from Strange Attractor: International Freak: Robin Farquharson and the Dream of Psychedelic Revolt by M. Syd Rosen.

• At the Daily Heller: the Brooklyn Botanical Garden looks back at the psychedelic Sixties with Flower Power.

• At the BFI: Sophia Satchell-Baeza selects 10 great queer American underground features of the 1970s.

• At Colossal: “Surreal Figures Step from Leonora Carrington’s Paintings into Shape of Dreams”.

• At Unquiet Things: The Surreal Paperback Visions of Richard Powers.

• The Reinvention of the Guitar in 13 Albums by Simon Reynolds.

• At Public Domain Review: The Art of Kite Flying (1430–1929).

• Mix of the week: DreamScenes – June 2026 at Ambientblog.

• New music: Cloud Machines by Berndt / Schmidt.

Kites (1967) by Simon Dupree And The Big Sound | Kites I (1999) by Brian Eno | Nuclear Kites (2023) by Hawksmoor

Weekend links 829

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In the Constellation of Pisces by Adolf Hoffmeister.

• “Comb through many of the numerous ‘greatest post-punk albums of all time’ lists that you’ll find dotted around the internet and one fairly continual omission is Thirst, which is something of a travesty. It’s difficult to think of many albums that embody the more pioneering and progressive elements of the post-punk spirit than Thirst.” Daniel Dylan Wray on the early, anarchic performances of Clock DVA.

• Warner Brothers have decided at long last to allow the world to see a complete print of Ken Russell’s The Devils, a film they’ve effectively been censoring since 1971.

• A psychedelic Texas company powered hippie culture—then vanished. Gwen Howerton explores the history of the Houston Blacklight & Poster Company.

• “What is the world made of?” A long read by Felix Flicker looking at the nature of reality via the properties of fundamental and emergent entities.

• “My body ached from the volume”: Makoto Kubota remembers his time with the enigmatic and fearsome Japanese rock band Les Rallizes Dénudés.

• New music (and a psychedelic video by Robert Beatty): Introit / Prophecy At 1420 MHz by Boards Of Canada.

Stellar Iris, a new short film by Thomas Blanchard.

• Steven Heller’s font of the month is Puffery.

• At Dennis Cooper’s it’s Zoetrope Day.

This Website Cannot Save You

Der Prophet (1982) by Rolf Trostel | Prophecy Theme (1984) by Brian Eno, Daniel Lanois & Roger Eno | Prophecy Of The White Camel / Namoutarre (2011) by Master Musicians Of Bukkake

Ambagious Tactics

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Ambagious Tactics is a box containing 120 small white cards, most of which show a short aphorism, suggestion or piece of advice for the creatively-minded. A few cards at the end of the box feature line drawings instead of words; there are also three blank cards for the user’s own contributions. Anyone familiar with  Brian Eno and Peter Schmidt’s Oblique Strategies will recognise the form: “over one hundred worthwhile dilemmas” which artists, writers (and anyone else) can use as a prompt to jolt a creative endeavour away from familiar ruts or to provide a solution to an impasse or problem.

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The first deck of Oblique Strategies was published in an edition of 500 copies 50 years ago which makes Ambagious Tactics an anniversary celebration as well as “An Oblique Tribute Act—A choir of over 100 versatile enigmas”. The main difference between the Strategies and the tributes is that the Strategies were mostly the work of Eno and Schmidt, although I think Eno says somewhere that the pair asked friends and colleagues for contributions. For the tributes Alistair Fruish has collected a single suggestion from many different people, myself included:

Some of these creatives are connected to Eno and Schmidt, and some are folk who regularly used Oblique Strategies, others are members of Arts Labs around the country, and some people were asked for the hell of it.

I’m very familiar with Oblique Strategies, mostly via their recent manifestations as online editions or freeware applications. The only physical deck I’ve seen is Alan Moore’s heavily-used first edition, and Alan happens to be one of the contributors to this deck.

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My own contribution may seem a little glib or obvious at first: when you’re creating something you’re invariably on the lookout for things you don’t like. The question is intended to have a wider reach than this, and refers to something Jon Hassell used to talk about with regard to his own creations: the question of what you really like in a fundamental sense, and how this can be distilled into your own creative activities. Asking yourself what you really like helps you avoid falling into the slipstream of prevailing trends (unless that’s what you really like…), or doing something solely to fulfil other people’s expectations. Hassell couldn’t be involved with the project so this was my attempt to bring some of his own thinking to the tribute act. My original idea—”Do the washing up”—was one I had to reject after I confirmed that it’s one of the suggestions you’ll find in Oblique Strategies. (It’s one I recommend all the same. Try it.)

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Ambagious Tactics has been published by the Northampton ArtsLab and Alan Moore’s Mad Love imprint. I don’t know how much you might have to pay if you want a set of the cards but there’s an email address on this page for those requiring further details.

Before I started writing this post I thought I’d see what random suggestion the Oblique Strategies application on my phone might have to offer. The advice is suitably oblique and rather fitting as well:

Revaluation (a warm feeling)

Previously on { feuilleton }
Jon Hassell, 1937–2021
Imaginary Landscapes: A film on Brian Eno

Weekend links 799

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A Night Alarm: The Advance! (1871) by Charles West Cope.

• At Spoon & Tamago: Meet the artist creating humorous, nihonga-style images of daily life with their rescue cat.

• The thirteenth installment of Smoky Man’s exploration of The Bumper Book of Magic has been posted (in Italian) at (quasi).

• New music: I Remember I Forget by Yasmine Hamdan; Clearwater by Maps And Diagrams.

His boss was a cards-to-his-chest type named Boynt Crosstown—and here I admit to having dropped that in as the merest excuse to revel right now in more of Pynchon’s christenings: Dr. Swampscott Vobe, Wisebroad’s Shoes, Connie McSpool, Glow Tripworth de Vasta, Cousin Begonia, “child sensation Squeezita Thickly”—for this author’s longstanding genius there on that private swivel chair of the Department of Character Appellations matches long-gone Lord Dunsany’s for imaginary gods and cities.

William T. Vollmann reviews Shadow Ticket, the new novel by Thomas Pynchon

• At Colossal: Twelve trailblazing women artists transform interior spaces in Dream Rooms.

• At Public Domain Review: Ballooning exploits in Travels in the Air (1871 edition).

• At the BFI: Josh Slater-Williams on where to begin with the films of Satoshi Kon.

Colm Tóibín explains why he set up a press to publish László Krasznahorkai.

• At Print Mag: Ken Carbone on a pool of perfection in Paris.

• Mix of the week: Bleep Mix #310 by Rafael Anton Irisarri.

• Steven Heller’s font of the month is OTC Textura.

Ron Mael’s favourite albums.

Shadowplay (1979) by Joy Division | Shadow (1982) by Brian Eno | Shadows (1994) by Pram