The art of Katsuyuki Nishijima

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The Sixty-nine Stations of the Kiso Kaidō is a ukiyo-e print series by Keisai Eisen and Utagawa Hiroshige depicting notable places on one of the main roads leading from Edo (Tokyo) to Kyoto. A modern-day version of the series by Katsuyuki Nishijima follows a similar route (as much as it still exists) showing some of the old buildings seen along the way.

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Nishijima’s prints have heavier lines than you find in their 19th-century equivalents but few of his scenes look immediately contemporary. In these and other prints he favours architectural views or details: thatched farmhouses, inns and shops, most of which are traditional timber buildings. What you don’t see in his prints of villages is recent buildings or even modern details like the electricity lines that follow Japanese roads. The Kiso Kaidō series is unusual for including a pre-war brick building, one of a handful still standing in Tokyo’s Nihonbashi district. People are also absent from these scenes. Hiroshige’s views of the Kiso Kaidō all feature groups of travellers but in Nishijima’s pictures any human activity is taking place out of our sight.

Nishijima at Ukiyo-e.org

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Previously on { feuilleton }
Thirteen views of snow
Koho Shoda’s nocturnes
Cats and butterflies
Twenty-four octopuses and a squid
Seventeen views of Edo
The art of Yuhan Ito, 1882–1951
Eight Views of Cherry Blossom
Fourteen views of Himeji Castle
One Hundred Views of Mount Fuji
The art of Kato Teruhide, 1936–2015
Fifteen ghosts and a demon
Hiroshi Yoshida’s India
The art of Hasui Kawase, 1883–1957
The art of Paul Binnie
Nineteen views of Zen gardens
Ten views of the Itsukushima Shrine
Charles Bartlett’s prints
Sixteen views of Meoto Iwa
Waves and clouds
Yoshitoshi’s ghosts
Japanese moons
The Hell Courtesan
Nocturnes

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