The art of Katsuyuki Nishijima

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The Sixty-nine Stations of the Kiso Kaidō is a ukiyo-e print series by Keisai Eisen and Utagawa Hiroshige depicting notable places on one of the main roads leading from Edo (Tokyo) to Kyoto. A modern-day version of the series by Katsuyuki Nishijima follows a similar route (as much as it still exists) showing some of the old buildings seen along the way.

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Nishijima’s prints have heavier lines than you find in their 19th-century equivalents but few of his scenes look immediately contemporary. In these and other prints he favours architectural views or details: thatched farmhouses, inns and shops, most of which are traditional timber buildings. What you don’t see in his prints of villages is recent buildings or even modern details like the electricity lines that follow Japanese roads. The Kiso Kaidō series is unusual for including a pre-war brick building, one of a handful still standing in Tokyo’s Nihonbashi district. People are also absent from these scenes. Hiroshige’s views of the Kiso Kaidō all feature groups of travellers but in Nishijima’s pictures any human activity is taking place out of our sight.

Nishijima at Ukiyo-e.org

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Thirteen views of snow

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Lingering Snow at Asukayama, from the series Eight Views of the Environs of Edo (1837–38) by Utagawa Hiroshige.

We’ve had one of our mild falls of snow this week, hence the subject. Snow is a very common theme in Japanese prints, a part of the cultural interest in all the different aspects of the yearly seasons. There are many more examples out there.

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Mountains and Rivers of Kiso (1857) by Utagawa Hiroshige.

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Plovers Flying Across a River above Snow-Laden Reeds, from the series Worlds of Things (1909–10) by Kamisaka Sekka.

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Snowy Ravine at Harinoki, from the series Twelve Scenes in the Japan Alps (1926) by Hiroshi Yoshida.

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Snow at Shiba Park, Tokyo (1930) by Kawase Hasui.

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