Fourteen views of Himeji Castle

himeji01.jpg

Himeji Castle, Evening (1926) by Hiroshi Yoshida.

If you’ve ever seen Akira Kurosawa’s Ran then you’ve seen Himeji Castle inside as well as out, a memorable sight not only for its vast size—the castle is the largest in Japan—but also for its brilliant white facade. Despite the building’s great age and importance it doesn’t seem to have been a popular subject for ukiyo-e prints which makes me wonder if there was ever a prohibition against this. Or were castles an unpopular subject compared to the more familar views of shrines and temples? Whatever the reason, all the prints here are from 20th- and 21st-century artists showing the place in a variety of seasons and weathers. The castle also appears in Kurosawa’s Kagemusha, a film I haven’t seen for many years. Time for a re-viewing, I think.

himeji02.jpg

Himeji Castle (1930) by Hasui Kawase.

himeji03.jpg

Himeji Castle (1942) by Toshi Yoshida.

himeji04.jpg

Himeji Castle (1948) by Hasui Kawase.

himeji05.jpg

Himeji Castle (c.1950s) by Tomikichiro Tokuriki.

Continue reading “Fourteen views of Himeji Castle”

Hiroshi Yoshida’s India

yoshida12.jpg

Morning Mist in Taj Mahal (Taj Mahal series no. 5) (1932).

Views of countries other than Japan are uncommon in the world of ukiyo-e printmaking but such views do exist. The works of Hiroshi Yoshida (1876–1950) include plenty of traditional Japanese subjects–Mount Fuji, views of Tokyo, etc–but his prints also reflect his travels to India, Egypt, Europe, the United States and elsewhere. As with Japanese prints, temples are a recurrent theme, together with views of the natural world, which in this case includes the Himalayas.

yoshida01.jpg

Morning at Darjeeling (1931).

yoshida07.jpg

Elephant (1931).

yoshida04.jpg

Victoria Memorial (1931).

yoshida09.jpg

High Gate in Ajmer (1931).

Continue reading “Hiroshi Yoshida’s India”