Eight Views of Cherry Blossom

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Chion-in (Sanmon) Temple Gate.

My favourite season is here at last although we haven’t had much spring sunshine here today, just a lot of rain. I like the spring, as do the Japanese who have good reason to celebrate when the cherry blossom is in bloom at this time of year. I had an idea of making of post of ukiyo-e prints devoted to cherry blossoms but this raised the question of where to begin…and where to stop when ukiyo-e.org lists nearly 1,800 prints on the subject. Instead of looking for a selection of prints by different artists this is a series by a single artist, the very adept Hiroshi Yoshida whose views of India were featured here last year. The Eight Views of Cherry Blossom date from 1935, and like most ukiyo-e prints there’s considerable tone and colour variation in each print in the series depending on the aging of the paper or the quality of the printing. All of these prints may be seen in lighter/darker copies on the print-selling sites.

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Arashiyama.

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Hirosaki Castle.

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In a Temple Yard.

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Sankeien Garden.

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Fourteen views of Himeji Castle

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Himeji Castle, Evening (1926) by Hiroshi Yoshida.

If you’ve ever seen Akira Kurosawa’s Ran then you’ve seen Himeji Castle inside as well as out, a memorable sight not only for its vast size—the castle is the largest in Japan—but also for its brilliant white facade. Despite the building’s great age and importance it doesn’t seem to have been a popular subject for ukiyo-e prints which makes me wonder if there was ever a prohibition against this. Or were castles an unpopular subject compared to the more familar views of shrines and temples? Whatever the reason, all the prints here are from 20th- and 21st-century artists showing the place in a variety of seasons and weathers. The castle also appears in Kurosawa’s Kagemusha, a film I haven’t seen for many years. Time for a re-viewing, I think.

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Himeji Castle (1930) by Hasui Kawase.

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Himeji Castle (1942) by Toshi Yoshida.

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Himeji Castle (1948) by Hasui Kawase.

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Himeji Castle (c.1950s) by Tomikichiro Tokuriki.

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Hiroshi Yoshida’s India

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Morning Mist in Taj Mahal (Taj Mahal series no. 5) (1932).

Views of countries other than Japan are uncommon in the world of ukiyo-e printmaking but such views do exist. The works of Hiroshi Yoshida (1876–1950) include plenty of traditional Japanese subjects–Mount Fuji, views of Tokyo, etc–but his prints also reflect his travels to India, Egypt, Europe, the United States and elsewhere. As with Japanese prints, temples are a recurrent theme, together with views of the natural world, which in this case includes the Himalayas.

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Morning at Darjeeling (1931).

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Elephant (1931).

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Victoria Memorial (1931).

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High Gate in Ajmer (1931).

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