Weekend links 53

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Ancient Egyptian capitals from The Grammar of Ornament (1856) by Owen Jones at Egyptian Revival.

• Golden Age Comic Book Stories has been pulling out all the stops recently with entries for Will Bradley, Alphonse Mucha’s Documents Decoratifs (a companion volume to Combinaisons Ornementales), and pages from My Name is Paris (1987) illustrated by Michael Kaluta, an Art Nouveau-styled confection which features scenes from the Exposition Universelle of 1900. Related: Alphonse Mucha in high-resolution at Flickr.

The Sinking Of The Titanic by Gavin Bryars at Ubuweb, the first release on Brian Eno’s Obscure label in 1975. Bryars’ Titanic is an open composition which has subsequently been reworked and re-recorded as more information about the disaster has come to light. The accompanying piece on that album, Jesus’ Blood Never Failed Me Yet, is the only version you need unless you want Tom Waits ruining the whole thing in the later recording.

• Hayley Campbell claims to have the worst CV in the world but she has a better way with words than most people with bad CVs. She’ll be giving a talk with Tim Pilcher entitled Sex, Death, Hell & Superheroes at The Last Tuesday Society, 11 Mare Street, Bethnal Green, London, on April 8th. Just don’t shout “Xena!” if you attend.

Monolake live at the Dis-Patch Festival Belgrade, Serbia, 2007; 75 minutes of thumping grooves. Related: A video by Richard De Suza using Monolake’s Watching Clouds as the soundtrack.

• “I preached against homosexuality, but I was wrong.” Related: Gay Cliques, a chart, and Sashay shantay épée at Strange Flowers, the last (?) duel with swords fought in France.

• Mixtapes of the week: Electronica from John Foxx and Benge at The Quietus, and Ben Frost mashing up early Metallica, Krzysztof Penderecki, and late Talk Talk for FACT.

• A 40 gigpixel panorama of the Strahov Philosophical Library, Prague, described by 360 Cities as the world’s largest indoor photo.

How Hollywood Butchered Its Best Movie Posters; Steven Heller on Saul Bass.

• Back issues of Coilhouse magazine are now available to buy in PDF form.

Absinthe minded: The ruin of bohemians is back in all the best bars.

Fade Into You (1993) by Mazzy Star.

Weekend links 52

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Three Seekers (2009) by Kelly Louise Judd.

Kevin Sessums talked to Elizabeth Taylor in 1997 about Tennessee Williams, her AIDS activism and related matters. Other related matters: Catholics lead the way on same-sex marriage and Mahatma Gandhi was in love with a German body-builder named Hermann.

• Cray porn (the computer, that is) at Barnbrook Design as the CD package for Interplay by John Foxx and The Maths is unveiled.

Michael Rother and Friends Play the Music Of Neu! A stream of an hour-long concert from August 2010.

One of the tragedies of drug prohibition is that we have never developed a culture in which young people can learn how to use powerful drugs properly from older, wiser and more experienced psychonauts. I count myself lucky to have encountered such good teachers to guide me with such drugs as LSD, psilocybin, DMT, MDMA and mescaline.

Dr Susan Blackmore on using LSD.

Another Dispatch in a World of Multiple Veils, a new release by Arkhonia.

Micromachina by Scott Bain “examines what makes the insect world tick”.

Down with art!: the age of manifestos. Related: The Manifesto Manifesto.

• John Patterson: “We’re all living in the future as seen by Philip K Dick.”

Music To Play In The Dark: A Wake For Peter ‘Sleazy’ Christopherson.

Albert Einstein, Radical: A Political Profile.

Was “God’s Wife” edited out of the Bible?

Porn made for women, by women.

Hallogallo (1972) by Neu! | Opa-Loka (1975) by Hawkwind | Jenny Ondioline (1993) by Stereolab | Hallogallo (1997) by Porcupine Tree.

Weekend links 45

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That essential journal of esoteric culture, Strange Attractor, announced a fourth number this week sporting a psychedelic cover which may be the work of Julian House (no credit is given on the SA site). As to the contents:

From Haiti and Hong Kong to the fourth dimension and beyond: discover the secrets of madness in animals; voodoo soul and dub music; ancient peacock deities; Chinese poisoning cults; the history of spider silk weaving; heathen mugwort magic; sentient lightning; Jesuit conspiracy theories; junkie explorers; Dali’s Atlantis; the resurgence of Pan (in London’s Crouch End); anarchist pirates on Madagascar; an ancient Greek Rip Van Winkle; French anatomical waxworks; Arthur Machen’s forgotten tales and Alan Moore’s unpublished John Dee opera.

Further details and the means to order a copy can be found here.

• Resonance FM’s Weird Tales For Winter has returned beginning with a presentation of The Gateway of the Monster, one of the better Carnaki tales by William Hope Hodgson. The story is read by Moon Wiring Club‘s Ian Hodgson (no relation) and the musical atmospheres are provided by The Advisory Circle. I ought to have posted this news yesterday since you’ll have missed the broadcasting of the first half but the second half will go out at midnight (UK time) on Monday. Details here, and the next release on the Café Kaput label in February will be the soundtrack, Music for Thomas Carnaki (Radiophonic Themes & Abstracts).

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• The Keep Calm and Carry On Image Generator lets you work your own variations on the ubiquitous poster. It wouldn’t work for me, however, so I rolled up my sleeves and made my own. This may be good as a CafePress design, yes?

Interplay is an album by John Foxx and The Maths due to be released on March 21st. As with last year’s collection of Foxx instrumental pieces, DNA, the package design is by Jonathan Barnbrook. John Foxx first came to prominence as the lead singer in Ultravox (do I need to say “of course”? Okay…“of course”) and Ultravox’s debut album was part-produced by Brian Eno. It’s been painfully obvious recently (and it pains me to say it) that Foxx’s DNA was a far more accomplished and engaging work than Eno’s recent collection of over-hyped instrumentals. Related: Barnbrook Design’s albums of 2010.

Word Horde 2.0, “a substantial archive of manuscript material, correspondence, and books and printed matter, mostly signed” from the William Burroughs archives can be yours for $260,000. Related: William Burroughs’ Wild Boys photos. Also: Rudy Rucker on David Cronenberg’s Naked Lunch.

• “Nabokov described how ‘a modern taxonomist straddling a Wellsian time machine with the purpose of exploring the Cenozoic era’ would encounter the following series of events in the evolution of these butterflies…” The Royal Society confirms that a contentious theory of Vladimir Nabokov’s concerning the descent of butterfly populations was accurate.

• The work of Gérald Bertot aka Thomas Owen, a Belgian author of weird fiction, is explored at A Journey Round My Skull.

The Other Side of the Wind, Orson Welles’ unfinished film from 1972, may finally be given a release.

• Jon Savage celebrates Roy Harper and his extraordinary Stormcock album.

Philip Pullman wants the Tory philistines to leave our libraries alone.

• Rick Poynor takes a dérive through the arcades of Paris.

Space music new and old.

Young Savage (1977) by Ultravox | Clicktrack (2010) by John Foxx & Jonathan Barnbrook.

Weekend links 32

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Red Quechquemitls (2010) by Sylvia Ji.

• The Blackout Mix, a pay-what-thou-wilt 49-minute mixtape, “specially designed to accompany (or simulate) a human-plant interaction”. Art by Arik Roper, music selection by Jay Babcock.

An ode to the many evolved virtues of human semen: “the penis is capable of dispensing a sort of natural Prozac” says Jesse Bering.

• The new John Foxx CD & DVD release, D.N.A., has a Jonathan Barnbrook cover, a new collaboration with Harold Budd and a disc of short films.

• “I have been copying Margaret Hamilton my whole life, and I am proud to admit it. The Wicked Witch of the West, the jolie laide heroine of every bad little boy’s and girl’s dream of notoriety and style, whose twelve minutes of screen time in The Wizard of Oz can never be topped … I’m a big butch-lesbian hag. I love the ones with chips on their shoulders and heavy attitude. They’re my real favorites.” John Waters always gives great interviews.

• Listen to a track from the forthcoming Brian Eno album while you’re reading Kristine McKenna’s interview with the man himself at Arthur mag. Includes an appreciation by Alan Moore.

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Atropa Bella Donna (2009) by Sylvia Ji.

• Steven Severin is touring the UK this month, performing a live accompaniment to screenings of Jean Cocteau’s The Blood of a Poet. He’s at the Tyneside Cinema this Tuesday. Other dates can be found on his website.

• “I know it’s a very emotive subject and you’re either for it or against it but for a jobbing self-employed musician such as me – bootlegging (CD copying) is just killing us.” Finding The Spaces Between: musician Chris Carter (Throbbing Gristle, Chris & Cosey, et al) interviewed.

Mile End Pugatorio (1991), a one-minute film-poem by Guy Sherwin and Martin Doyle. Related: four one-minute movies by The Residents.

• Gijs Van Vaerenbergh installed an Upside Dome at the St. Michiel Church in Leuven, Belgium.

• Sidney Sime illustrates Lord Dunsany at Golden Age Comic Book Stories.

Europe according to gay men. There’s more at Mapping Stereotypes.

• There’s never a dull moment in the High Desert.

• Generative art by Leonardo Solas.

Weekend links 18

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Rogomelec (1978) by Leonor Fini. Via.

Moving Through Old Daylight: A recording of Mark Fisher, Jim Jupp and Julian House of Ghost Box Recordings and Iain Sinclair in conversation at the Roundhouse, Camden, London, 5 June 2010. Topics under discussion included Nigel Kneale, TC Lethbridge, John Foxx, BBC Radiophonic Workshop, alchemies of sound, the homogenisation of culture, imagining space and the impersistence of memory.

The Surreal House, “a mysterious dwelling infused with subjectivity and desire” at the Barbican, London.

Ars Homo Erotica at the National Museum of Warsaw. Related: “(Gothenburg) Museum stops exhibition about homosexuality in religion“.

• A lot of people still arrive here looking for art by Zack aka Oliver Frey. Bike Boy, 96 pages of Frey’s exuberantly homoerotic comic strips, is published in August by Bruno Gmünder.

• “EM Forster was a virgin until the age of thirty-nine, when he had his first ‘full’ sexual experience (a ‘hurried sucking off’, Wendy Moffat informs us) with a passing soldier on a beach in Alexandria.”

• JG Ballard’s archive is accepted by the British Library, or “saved for the nation” as they rather grandiloquently describe the process. Samples from the documents to be preserved at the BBC and the Guardian.

• Shades of Ballard’s singing sculptures, Sun Boxes is a solar-powered audio installation by Craig Colorusso. There’s more at Designboom.

• Nathalie visited the MAXXI, Rome’s new museum of contemporary art designed by Zaha Hadid.

Stephen Pinker wants everyone to stop fretting over the alleged distractions of electronic media.

• “It basically comes from love”: John McLaughlin in conversation with Robert Fripp, 1982.

• More collections of print ephemera: Agence Eureka and Ephemera Magica.

The Serpent and the Sword, an Alan Moore rarity from 1999.

Gulliverovy Cesty (1968) at A Journey Round My Skull.

Within the Without: a new Thombeau Tumblr.

The Hidden Posters of Notting Hill Gate.

The Letters of Sylvia Beach reviewed.

• It’s Kubrick Season in St Albans.

Riot In Lagos (1980) by Ryuichi Sakamoto still sounds futuristic thirty years on.