The art of Jean-Michel Nicollet

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French artist Jean-Michel Nicollet isn’t really known as a comic artist but one of his strips appeared in the Métal Hurlant Lovecraft special in September, 1978, and was reprinted in the Heavy Metal Lovecraft special a year later. Nicollet’s three-page story, H.P.L., is a slight thing which you can read below but his paintings present more of the atmosphere of Lovecraft’s fictional worlds than many of the other strips in those issues, including the equally slight contribution from Moebius. Prior to this, Métal Hurlant had been using some of Nicollet’s paintings for cover art, as a result of which one of the same illustrations appeared on the cover of the very first issue of Heavy Metal magazine in 1977. The winged Lovecraft from his comic strip turned up again on the cover of a Robert Bloch story collection for French publisher Nouvelles Éditions Oswald (NéO) in 1980.

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Nicollet seems to have retired now from cover work but during the 1970s and 80s he was a very prolific illustrator, especially for NéO. NooSFere has a gallery of his covers which are mostly for reprints of early 20th-century horror, fantasy and adventure tales, also a few detective stories. He seems to have enjoyed illustrating classic detective fiction (photos show him posing with a large Holmesian pipe) so there may well be more covers which aren’t included in the NooSFere list.

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The selections I’ve chosen here match my own preferences for cosmic horror and weird fiction, and represent another attempt to look further afield for this type of illustration. French cover design can be unsympathetic to cover illustration, crowding the paintings with poor type choices and purposeless graphics. The uniform layouts of NéO treat the artwork with more respect.

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Continue reading “The art of Jean-Michel Nicollet”

Weekend links 785

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A 1933 poster for the second of Fritz Lang’s Mabuse films.

• Good news for those who missed the original run (from 2002–2013), Arthur Magazine is now available for the first time as a complete set of free PDFs. I was laterally involved with the magazine from the outset, mostly as a remote supporter, but I also did several covers and interior illustrations for the early issues.

• Among the new titles at Standard Ebooks, the home of free, high-quality, public-domain texts: Dr. Mabuse, the Gambler by Norbert Jacques (translated by Lilian A. Clare); and two books by J. Sheridan Le Fanu: Short Fiction, and a novella, The Room in the Dragon Volant.

• New music: Spilla by Ensemble Nist-Nah; and Sea-swallowed Wands by Jolanda Moletta and Karen Vogt.

With his compulsions for systems and architecture, his command of shadows and symbolism-imbued sets and props, Lang is never less than arresting. Yet few of the films make complete statements; Lang’s art, in this period, is seemingly as much a fugitive as are his archetypal characters. That is, until the moment that his long journey to the direct subject matter and cultural framework of the 1950s United States, addressed in the terms and by the means available to him in Hollywood, abruptly comes to superb fruition with The Big Heat.

Jonathan Lethem on Fritz Lang in Hollywood and one of the greatest noir pictures of the 1950s

• This week in the Bumper Book of Magic: an enthusiastic review at The Joey Zone. My thanks to Mr Shea!

• Mixes of the week: A mix for The Wire by Nina Garcia; and Isolated Mix 133 by Pentagrams Of Discordia.

• At Colossal: David Romero’s digital recreations of Frank Lloyd Wright’s unrealised buildings.

• At Smithsonian magazine: John Last investigates the history of the Tarot.

• At Planet Paul: An interview with artist Malcolm Ashman.

• At the Daily Heller: A porno gag mag with attitude.

Hodgsonia

Das Testaments Des Mabuse (1984) by Propaganda | (The Ninth Life Of…) Dr Mabuse (1984) by Propaganda | Abuse (Here) (1985) by Propaganda

Weekend links 693

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Imaginary (no date) by Sidney Sime.

• Victor Rees was in touch this week to alert me to a one-off screening of The Gourmet (previously), a cult TV drama from 1986 written by Kazuo Ishiguro and directed by Michael Whyte. The screening, which will take place at Swedenborg House, London, on 16th October, is one of a series of retrospective events based around an exhibition from 1974, Albion Island Vortex, by Brian Catling and Iain Sinclair. The film, which is connected to Sinclair’s oeuvre by its use of one of the Hawksmoor churches, will be followed by a Q&A session with Sinclair and Michael Whyte. The screening is free but places are limited so prior booking is required.

• “Alongside his thieves and vagabonds, Hotten includes religious slang, public schoolboy slang, pirate slang, equine stable slang, phrases coined by Dr. Johnson, the slang of softened oaths, workmen’s slang, stagehand slang, shopkeeper’s slang, and dozens of other argots.” Hunter Dukes on A Dictionary of Modern Slang, Cant, and Vulgar Words (1860) by John Camden Hotten.

The Night Land, William Hope Hodgson’s “Dying Earth” doorstop, is republished in an abridged version as part of MIT Press’s Radium Age series, “proto–science fiction stories from the underappreciated era between 1900 and 1935”. All the reprints come with new introductions, the one for Hodgson being by Erik Davis.

• “My partner wanted me to stop buying lava lamps. It was an expensive hobby, and we were running out of room in our apartment.” Nora Claire Miller on the lure of the lava lamp. I only own a single one but I appreciate the obsessive attraction.

• Rambalac takes his roaming camera for a walk through teamLab Planets, Tokyo, a labyrinthine exhibition featuring plenty of water (and wet feet), and a moss garden filled with large silver eggs.

• At Strange Flowers: An examination of the connections between the self-mythologising Marie Corelli and her fictional counterparts in the Mapp and Lucia novels of EF Benson.

• Coming soon from Strange Attractor: Cabarets of Death, a book about the otherworldly cabarets of Montmartre by Mel Gordon, edited by Joanna Ebenstein.

• Among the new titles at Standard Ebooks, the home of free, high-quality, public-domain texts: The Secret Glory by Arthur Machen.

10 essential Japanese reggae releases selected by Kay Suzuki.

• Mix of the week: A Fact Mix by Venus Ex Machina.

Modern Art in Mid-Century Comics.

• RIP Michael Gambon.

Planet Caravan (1970) by Black Sabbath | Planet Queen (1971) by T. Rex | Oszillator Planet Concert (1971) by Tangerine Dream

Foreign affairs

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A Czech edition of Something from Below by ST Joshi, 2022.

A few of my illustrations and cover designs have been reprinted on foreign editions over the past couple of years so I thought I’d note them here. All the books are cosmic horror of one kind or another which isn’t too surprising when I’m known more for this than for my work in other genres. Seeing your cover art reused in other countries (or in your own country, for that matter) happens less often than you might think. The music business goes in the opposite direction in this regard. Books, for a variety of reasons, tend to be reprinted with new covers whereas album releases will sail through the years packaged in whatever cover they were fortunate (sometimes unfortunate) to have received when first released. Consequently, you can’t predict which design or illustration might end up being used for a reprint or a new edition.

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A Swedish edition of The Call of Cthulhu and other stories, 2022. The cover art is from the series of illustrations I produced for Lovecraft’s Monsters, a story collection edited by Ellen Datlow.

This list isn’t necessarily all that may be out there. Another peculiarity of the publishing world is that you can be told a foreign edition is being planned then, after various agreements have been made, never hear about it again. This is partly a result of the Babel-like nature of the internet, in which we navigate our own language zones while remaining ignorant of the other zones which exist close by. If nobody tells you the book was published then you’re unlikely to encounter it by accident. Publishing is also a slow business, so that you might agree to a reprint, send off the artwork then forget all about it until somebody contacts you a year later asking where they should send a complimentary copy. (And publishers don’t always send complimentary copies…) Missing from this list are a Russian edition of Under the Pendulum Sun by Jeannette Ng, and a Chinese edition of The King in Yellow by Robert W. Chambers. In both cases I sent the publishers the artwork and was paid a small fee as a result but I’ve yet to discover whether the books were published using my cover art, or even published at all.

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The above is a Turkish edition of The House on the Borderland published by the Karanlik Kitaplik imprint of Ithaki. The imprint title translates as “Dark Bookshelf” although “Dark Library” seems more likely, with the other books in the series being horror novels that feature similar cover designs using tinted monochrome artwork. My illustration is from the interior of the Swan River Press edition which I would, of course, recommend to all Anglophone readers. The Turkish publisher said they planned to reprint some of my other Hodgson illustrations inside their edition but I don’t know whether they’ve done this. Ithaki also have another edition of the novel which reuses the Ian Miller cover art from the old Panther paperback.

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French edition of The Last Ritual by SA Sidor, 2021.

Asmodee has tentacles in many countries so the spin-off books published by the company’s Aconyte imprint have generated a number of foreign editions, one of which has already been mentioned here. I’m pleased to see the reworked covers using fonts sympathetic to the Deco-style design. There are more books in this series (the most recent being The Ravening Deep) so there may be more foreign editions in the future.

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Italy, 2021.

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South Korea, 2022.

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Spain, 2022. This one comes with a postcard of the cover design.

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Spanish edition of Litany of Dreams by Ari Marmell, 2022.

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South Korea, 2022.

Previously on { feuilleton }
Das Letzte Ritual
Litany of Dreams
The Last Ritual
Something from Below
Lovecraft’s Monsters

Weekend links 571

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Habit d’Astrologue (c. 1700) by Gerard Valck.

• “The Appointed Cloud begins with the high-pitched, keening sound of many bagpipes noisily playing at once—and then the music slowly coalesces, approaching a peaceful, tranquil hum. This gives way to fast-paced repetitive pulses, reminiscent of the minimalist works of composers such as Terry Riley and Philip Glass. Then the bagpipes join in once more, in a ferocious swarm of energy.” Geeta Dayal on the music of Yoshi Wada.

• “How can we conceive of the time of climate change, the time of planetary death? The House on the Borderland tried to conceive of exactly this a century ago. Yes, the narrator’s acts are fruitless. He gets haplessly carted about the universe to witness the end of time, which never really ends, is always at the edge, nearing an asymptote, on the borderland.” Namwali Serpell journeys through space and time with William Hope Hodgson.

• The Bureau of Lost Culture: DJ Food hosts a podcast discussion with Tony Bennett, founder and publisher of Knockabout Comics.

• Mixes of the week: Isolated Mix 111 (plus interview) by Ian Boddy, and a Wire mix (plus interview) by Teresa Winter.

• Fantastic visions and unknown worlds: Edwin Pouncey on Van Der Graaf Generator’s sleeve art.

• At Spoon & Tamago: Sculptor Kenichi Nakaya reconfigures ubiquitous Japanese rural crafts.

• My Bloody Valentine’s Kevin Shields: “We wanted to sound like a band killing their songs.”

• At Wormwoodiana: More earth mysteries are explored in Northern Earth magazine.

• New music: Black Horses Of The Sun by Dave Bessell.

The Exotica Project: One Hundred Dreamland 45s

• At Dennis Cooper’s: Hans Richter Day.

Mdou Moctar‘s favourite music.

Earth Floor (1985) by Michael Brook | Earth Tribe (1993) by Transglobal Underground | Earth Lights (2012) by Belbury Poly