Weekend links 133

woods1.jpg

Lower Manhattan (1999) by Lebbeus Woods.

RIP Lebbeus Woods, an architect and illustrator frequently compared to Piranesi not only for his imagination and the quality of his renderings but also for the way both men built very little from a lifetime of designs. Lots of appreciations have appeared over the past few days including this lengthy piece by Geoff Manaugh at BLDGBLOG. (Geoff interviewed Woods in 2007.) Elsewhere: A slideshow at the NYT, Steven Holl remembers Lebbeus Woods and Lebbeus Woods, visionary architect of imaginary worlds. See also: Lebbeus Woods: Early Drawings and this post about Woods’ illustrations for an Arthur C Clarke story collection. Woods was at his most Piranesian with Gothic designs for an artificial planet that would have been the principal location in Vincent Ward’s unmade Alien 3.

Arkhonia draws to the end of a year of blogging about and around the Beach Boys’ errant masterwork, Smile (1967). Witty, discursive and frequently scabrous accounts of how Brian Wilson’s magnum opus was derailed and marginalised until it became convenient for commercial interests to exploit its reputation. Anyone following those posts won’t have been surprised by Wilson’s sacking from his own group by Mike Love in September.

• “We’ve been underground for 27 hours now. Everyone is caked in mud, with grit in their hair.” Will Hunt explores the catacombs and sewers of Paris.

I think the only remotely interesting drug was acid. I had a slightly peculiar attitude towards it I think. Just about everything about hippydom I hated. I liked the 60s up to about ’65 or ’66. I liked the mod clothes, I liked the look. I wasn’t a keen taker of speed because I didn’t like the comedown from it. Then everything changed and became looser, I didn’t like the clothes at all. I felt rather out of step with it. The acid thing was interesting though. I come from Salisbury and from the age of 12 I had a friend who was 30 years older than I was who I saw regularly up until when he died a couple of years ago, whose obituary I wrote in The Times. This man was called Ken James and he was deputy head at the chemical warfare unit at Porton Down [the MOD’s Defence Science and Technology Laboratory]. He then became head of the scientific civil service; he was the man who introduced computing into the civil service and he had taken acid as early as 1950. This was long before Aldous Huxley.

Sharp Suits And Sparkle: Jonathan Meades On Acid, Space And Place by John Doran. Marvellous stuff. Meades’ new book is Museum Without Walls.

• In New York later this month: A Cathode Ray Séance – The Haunted Worlds of Nigel Kneale.

• More acid: Kerri Smith talks to Oliver Sacks about his drug experiences.

• “It starts with an itch”: Alan Bennett (again) on his new play, People.

nymag.jpg

Lower Manhattan last Wednesday. Photo by Iwan Baan.

• Back issues of OMNI magazine can now be found at the Internet Archive.

• Alan Moore & Mitch Jenkins present their new film, Jimmy’s End.

• At BibliOdyssey: Atlas title pages part one & part two.

• Raw Functionality: An interview with Emptyset.

Athanasius, Underground

Vintage Caza

Stormy Weather (1979) by Elisabeth Welch.

Weekend links 77

farmer.jpg

Art by Tessa Farmer.

• An exhibition of Tessa Farmer’s art is running at Viktor Wynd Fine Art, London, until October 30th. On Saturday, October 1st, Strange Attractor hosts Good Neighbours: Faeries, Folklore and the Art of Tessa Farmer also at Viktor Wynd.

Unearthing The Psychedelic Harp: “David Moats talks to harpist and songwriter Serafina Steer about her work with John Foxx and Patrick Wolf, being classically trained, the difficulties of doing live soundtracks and psychedelia.”

• And speaking of psychedelia, Arkhonia is still blogging up a storm here, here and here about the lost Beach Boys album, Smile, the farthest Brian and co. ventured into the tripped-out weirdness of 1967. The complete original recordings will finally be released in November.

• “‘We’ve arrived at a level of commodification that may have negated the concept of counterculture,’ Gibson says in the Paris Review.” William Gibson profiled by Thomas Jones.

One of the qualities I always stress when talking about this design work influenced by Surrealism is its enormous boldness and creative freedom, which is something of a paradox in many cases, since the Czech and Polish designs were created under communist regimes. So, while Uncanny documents a significant current in the history of 20th-century visual culture, the show also has a polemical intention aimed, quite deliberately, at our circumstances now. Students who encounter these images in lectures sometimes feel constrained by their conception of what they — or their teachers — regard as acceptable in today’s marketplace. At times, this has struck me as being a form of insidious self-censorship. (more)

Rick Poynor: Jan Svankmajer and the Graphic Uncanny.

• The exhibition curated by Mr Poynor last year, Uncanny: Surrealism and Graphic Design, is now showing at the Kunsthal in Rotterdam until early December. Related: MizEnScen’s somber, surrealist collages.

Howard Pyle’s Book of Pirates (1921) at Golden Age Comic Book Stories, the Urtext of buccaneer imagery.

bonnat.jpg

Another of those homoerotic religious pictures: Jacob Wrestling with the Angel (1876) by Léon Bonnat. Via Babylon Baroque.

• Celebrating the 250th anniversary of Laurence Sterne’s marbled page: Emblem of My Work.

John Martin’s Pompeii painting finally restored after 1928 Tate flood damage.

The Spectral Dimension: “where the paranormal and popular culture collide”.

The Writing of Stones (1970) by Roger Caillois at 50 Watts.

Mercury Arc Rectifiers.

• When silliness was an avant garde strategy: video from 1974 of Brian Eno performing China My China and (in better quality) The Seven Deadly Finns. (Go here for lyrics of the latter.)

Weekend links 57

softmachine.jpg

A 1973 Ballantine edition of William Burroughs’ novel with a cover illustration from Metamorphosis of Narcissus (1937) by Salvador Dalí. Via the Burroughs Book Covers archive.

The Sel Publishing House, Turkey, published a new translation of The Soft Machine by William Burroughs in January, an edition which is now under investigation by the Istanbul Prosecutor’s Office following a report by the (deep breath) Prime Ministry’s Council for Protecting Minors from Explicit Publications. The Council lodged a number of complaints, among them assertions of “lacking unity in its subject matter,” “incompliance with narrative unity,” “using slang and colloquial terms” and “the application of a fragmented narrative style.” Details here. Does Turkey still want to join the EU? Because this kind of persistently illiberal bullshit (see the earlier treatment of Orhan Pamuk) isn’t helping their case at all.

• Related to the above: Evan J Peterson reads Allen Ginsberg’s Howl in the toilet of a Seattle gay bar; Ginsberg himself reads Kaddish and other works here.

• More illiberal bullshit: LGBT activists arrested during royal wedding; Queer Resistance released a statement about the arrests. MPs, activists and trade unionists condemn new attacks on the right to protest.

The Dorian Gray That Wilde Would Want Us To Read. Harvard University Press publishes an uncensored and annotated edition of Wilde’s novel. Kudos for using Caravaggio’s Narcissus on the cover.

One weekend in late 1967, they all decamped to a hotel suite in California’s Ojai Valley for a brainstorming session. Amid clouds of pot smoke, they talked all weekend with the tape recorder running. [Jack] Nicholson then took the tapes and turned the conversations into a screenplay; according to Rafelson, he structured it while on LSD.

Revisiting The Monkees’ psychedelic movie, Head.

kraftwerkicons.jpg

Kraftwerk icons for Windows and Mac OS X by Dave Brasgalla.

Robert Louis Stevenson gets his revenge on sneaky literary agent – 120 years later. And Michael Moorcock imagines tales of unseen Mervyn Peake pictures.

Painting doesn’t look so good on the web. It looks better in life. Sculpture looks better in life. What you end up with is just a reproduction. Whereas with film or with sound or with poetry, you get the deep primary experience not the secondary experience. The web delivers those primary experiences very well.

Ubuweb’s Kenneth Goldsmith interviewed.

• Arkhonia’s Another Dispatch in a World of Multiple Veils is now a free download.

• The story of This Is The Sea: An interview with Mike Scott of The Waterboys.

Fairlight: The Rolls Royce of synthesizers.

Haeckel Clock, a free app for the iPad.

What is totalitarian art?

Porpoise Song (1968) by The Monkees | Hope For Happiness (1969) by The Soft Machine | I’m A Believer (1974) by Robert Wyatt.

Weekend links 52

judd.jpg

Three Seekers (2009) by Kelly Louise Judd.

Kevin Sessums talked to Elizabeth Taylor in 1997 about Tennessee Williams, her AIDS activism and related matters. Other related matters: Catholics lead the way on same-sex marriage and Mahatma Gandhi was in love with a German body-builder named Hermann.

• Cray porn (the computer, that is) at Barnbrook Design as the CD package for Interplay by John Foxx and The Maths is unveiled.

Michael Rother and Friends Play the Music Of Neu! A stream of an hour-long concert from August 2010.

One of the tragedies of drug prohibition is that we have never developed a culture in which young people can learn how to use powerful drugs properly from older, wiser and more experienced psychonauts. I count myself lucky to have encountered such good teachers to guide me with such drugs as LSD, psilocybin, DMT, MDMA and mescaline.

Dr Susan Blackmore on using LSD.

Another Dispatch in a World of Multiple Veils, a new release by Arkhonia.

Micromachina by Scott Bain “examines what makes the insect world tick”.

Down with art!: the age of manifestos. Related: The Manifesto Manifesto.

• John Patterson: “We’re all living in the future as seen by Philip K Dick.”

Music To Play In The Dark: A Wake For Peter ‘Sleazy’ Christopherson.

Albert Einstein, Radical: A Political Profile.

Was “God’s Wife” edited out of the Bible?

Porn made for women, by women.

Hallogallo (1972) by Neu! | Opa-Loka (1975) by Hawkwind | Jenny Ondioline (1993) by Stereolab | Hallogallo (1997) by Porcupine Tree.