Weekend links 91

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Untitled (1978) by GR Santosh at 50 Watts.

Evertype Publishing produces a range of Lewis Carroll special editions including Ailice’s Àventurs in Wunnerland (a translation in Scots), Alicia in Terra Mirabili (a Latin version), and an edition printed in the Nyctographic Square Alphabet devised by Carroll.

• This week’s bookshop animations: Type Books, Toronto presents The Joy of Books while at Shakespeare and Company, Paris, Spike Jonze and Simon Cahn explore the erotic life of book covers in Mourir Auprès de Toi.

• Invisible Girls and Phantom Ladies, a 1982 article on sexism in (US superhero) comics by Alan Moore. Thirty years on, things haven’t improved much at all.

I reread it now, 35 years later, and I am struck by its capacity to change like a magic mirror. Where I had originally seen it as a book about writing, about becoming a writer, I now see it as a book about reading, about taking one’s place in the chain. Where I once assumed it was a book about eternal youth, I now see it as a book about growing up, about learning to live.

Tilda Swinton on Virginia Woolf’s Orlando

Dark Water, Lovecraftian carpet designs (yes, carpets) by Kirill Rozhkov. Danish carpet manufacturer Ege has a catalogue showing the finished products.

Neil Gaiman ventures into the treacherous labyrinth of M. John Harrison’s Viriconium.

Nicholas Lezard reviews The White People and Other Weird Stories by Arthur Machen.

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The Dream (1910) by Henri Rousseau at the Google Art Project.

• Reassessing the Saul Bass and Alfred Hitchcock Collaboration by Pat Kirkham.

• Getting There Too Quickly: Peter Bebergal on Aldous Huxley and Mescaline.

Hidden in the Open: A Photographic Essay of Afro-American Male Couples.

Filles En Aiguilles, a new musical work by Schütze+Hopkins.

RubiCANE’s Erotic Illustrations.

Laurie Anderson has a Godplex.

Alan Bennett on Smut.

The Jungle Line (1975) by Joni Mitchell | The Jungle Line (1981) by Low Noise (Kevin Armstrong, Thomas Dolby, JJ Johnson & Matthew Seligman) | The Jungle Line (2007) by Herbie Hancock with Leonard Cohen.

Carel Struycken’s panoramas

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The Bradbury Building by Carel Struycken.

An idle search for a panorama view of the interior of the Bradbury Building in Downtown Los Angeles fetched me up at my favourite panorama site 360Cities and this photo by Carel Struycken. Mr Struycken is better known as an actor whose great height has seen him cast as The Giant in the Twin Peaks TV series, and Lurch in the Addams Family films. 360Cities has a page of his panorama views most of which are taken in and around Los Angeles. The strangely ossified landscape around California’s Monolake is more familiar from this photo by Hipgnosis for Pink Floyd’s Wish You Were Here album.

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Urban Light by Carel Struycken.

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Monolake in Winter by Carel Struycken.

Elsewhere on { feuilleton }
The panoramas archive

Previously on { feuilleton }
Through the darkness of future pasts
The Bradbury Building: Looking Backward from the Future

Weekend links 90

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Portrait of Dr. Ignacio Chavez (1957) by Remedios Varo (1908–1963) some of whose Surrealist paintings can be seen at Frey Norris, San Francisco, from 19th January. There’s also In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States at the Los Angeles County Museum of Art from 29th January.

The current crop of Republicans jostling for the Presidential nomination have reminded me of the Downunder people in Harlan Ellison’s post-apocalypse novella A Boy and His Dog (1969): a retrograde, fear-ridden community who send troublesome individuals to be exterminated at “the farm”. Rick Santorum (unforgettably pictured here with family in 2006 after losing an election) almost received the majority of Iowa’s votes for his nomination last week, prompting renewed scrutiny of his negative views about gay people, sexually active people, foreign people (especially Arabs and Mexicans), and anyone generally who isn’t a white, Catholic, Downunder person. Santorum is against gay marriage, of course—it’s hard to find a Republican who isn’t—but he also wants to ban abortion even in cases of rape and incest, and given the opportunity would allow US states to prevent any use of contraception. Add to this his pro-torture stance (which offends current Catholic church policy), and his willingness to wage war with Iran, and it’s easy to see why his name prompts reactions such as this:

I have a history with Rick Santorum. In 2003, when Santorum, in an interview with the Associated Press, first compared gay relationships to child rape and dog fucking (have I mentioned that Santorum has compared gay relationships to child rape and dog fucking?), I held a contest to redefine Santorum‘s last name. The winning definition: “the frothy mix of lube and fecal matter that is sometimes the byproduct of anal sex.” (“Sometimes” is the most important word in the new definition of santorum; if you’re doing anal sex correctly, there won’t be any santorum – lower- or upper-case.) And since 2003, the new definition has been the No. 1 Google return when you search “santorum“.

Rick Santorum’s homophobic frothing by Dan Savage

Related: Santorum was named one of the three “most corrupt” Senators in 2006 | “Homohater fosser fram” which is how Dagbladet, Norway’s second largest tabloid newspaper, introduces Santorum to its readers | “Rick Santorum channels Saint Augustine” an article at Slate exploring the Handmaid’s Tale extent of Santorum‘s attitudes towards sex and morality | Rick Santorum quotes as New Yorker cartoons.

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The Rod (1973) by Brigid Marlin.

• Ballardian posts a long-overdue interview with Brigid Marlin, famous now for having brought two lost Paul Delvaux paintings back to life for JG Ballard, but also a woman with an extensive career as a fantastic artist using Ernst Fuchs‘s laborious mische painting technique.

Quentin Blake on Ronald Searle, in which Blake notes that his hero was given a full-scale exhibition of his work at the Bibliothèque Nationale, France, in 1973 whilst being ignored throughout his life by the major institutions in Britain.

Alfred Jarry: A Pataphysical Life by Alastair Brotchie is reviewed by Michael Moorcock who tells me the Guardian cut out his references to Boris Vian, Maurice Richardson and David Britton.

Ian McKellen stirs things up by suggesting (not for the first time) that Shakespeare was bisexual.

• Ten posters by Only More Never Less inspired by Pink Floyd’s Dark Side of the Moon.

An end to bad heir days: The posthumous power of the literary estate.

Peace Eye! Fug! A Long Talk With Ed Sanders.

• Sand sculptures by Carl Jara.

Letterheady

• Skylab: These Are The Blues (1995) | Beyond The Breeze (1995) | Red Light, Blue Light (1995) | Indigo (Sabres of Paradise remix, 1995) | Seashell (Nobukazu Takemura mix, 1995).

Weekend links: 2012 edition

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The Hand of Fate, Life magazine, October, 1912. Artist unknown.

In Search of Barney Bubbles: the great graphic designer is profiled on BBC Radio 4, Monday, 2nd January. And speaking of album cover designers, Cool Hunting talked to Storm Thorgerson about his work.

• FACT mix 310 is a hugely eclectic two-parter from Moon Wiring Club. Grab it while it’s still available. And there’s also Solstmas 2011/2: The Final Countdown, a mix by El Minko Misterioso.

• One of the music events of the new year will be the release of Captain Beefheart’s Bat Chain Puller album. Pre-order it here.

In 1972, at the age of thirty-one, [Fred] Halsted released L.A. Plays Itself, a film which drew upon Kenneth Anger’s surrealist eroto-expressionism, and went way beyond Anger’s sublimated homoeroticism to explicitly portray gay male S/M sex. In 1969, when Halsted first decided to make a sexually explicit film, he decided to create a part for himself, and then be that part.

Halsted Plays Himself by William E. Jones reviewed at Lambda Literary

• Lunar Rover: An interview with Steve Moore and extract from Somnium.

Battersea Power Station, a graveyard of architectural schemes.

Editors might admire a fine book, but are overridden by marketing and accounting departments who now have the final say. I know of a novel that wasn’t accepted by one publisher after the manuscript was first submitted to W.H. Smith, who said that it wouldn’t sell enough.

Jenny Diski on the state of fiction publishing in the UK

• EU copyright on James Joyce‘s works ended at midnight.

Dressed to Kill: Dispelling the Myths of Men in Drag.

The Geology of the Mountains of Madness

Mandala of the Day

Chomeography

The Floppy Boot Stomp (1978 mix) by Captain Beefheart and the Magic Band.

Let England Shake

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Design by Michelle Henning, drawings by PJ Harvey.

An album that’s been a continual visitor to the Coulthart CD player over the past few months, Let England Shake was consciously composed like George Crumb’s Black Angels “in time of war”, referencing not only wars present but those long past. Coiled around the bellicose theme is a portrait of a nation whose patriotism is built on sand. England did shake this year, and the unavoidable correlation of PJ Harvey‘s words with the events of the summer makes her album stand in relation to 2011 the way The Specials’ Ghost Town did to 1981.

In addition to the CD, Let England Shake also comes as a DVD of a dozen short films by photographer Seamus Murphy, one film for each song. Harvey and Murphy have very generously put the full set on YouTube in HD. Follow the links below.

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Let England Shake

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The Last Living Rose

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The Glorious Land

Continue reading “Let England Shake”