Weekend links 194

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Untitled glass sculpture by Richard Roberts.

Lord Horror: Reverbstorm, my collaboration with David Britton, makes The Quietus list of Literary Highlights of 2013. At the same site there’s Russell Cuzner talking to English Heretic. “His methodology takes in magick, psychogeography and horror film geekdom, along with firm roots in Britain’s industrial music culture of the early 1980s, to form potent, novel topographies of an otherwise unconnected world of occultists and psychopaths.”

• A slew of London links this week: Geoff Manaugh on how the capital was redesigned to survive wartime blackouts, a piece which inadvertently explains why you see so much black-and-white street furniture in post-war films | Bob Mazzer’s photos of the London Underground in the 1970s and 1980s | Philipp Ebeling’s photos of the capital and its inhabitants today.

• “Science has become an international bully. Nowhere is its bullying more outrageous than in its assault on the phenomenon known as subjectivity.” David Gelernter on “The Closing of the Scientific Mind”. Related: “When Science Becomes Scientism” by Stanislav Grof.

• My favourite book about Orson Welles is This is Orson Welles (1992), a collection of Peter Bogdanovich’s interviews with Welles edited by Jonathan Rosenbaum. Bogdanovich’s interview tapes can now be heard at the Internet Archive.

• Brian Dillon on Dada collagist Hannah Höch who he calls “art’s original punk”, and Sean O’Hagan talking to another collage artist, Linder Sterling, who says “Lady Gaga didn’t acknowledge I wore a meat dress first”.

• One Hundred Years Of Weird Fear: Daniel José Older on HP Lovecraft’s literature of genealogical terror. More fear (and Lovecraft): Will Wiles on the growth of Creepypasta.

The Last Alan Moore Interview? A lengthy discussion with Pádraig Ó Méalóid. Shunning interviews hasn’t done Cormac McCarthy any harm so if I was Alan I wouldn’t worry.

• And speaking of Cormac McCarthy, the headline of the week: “Cormac McCarthy’s ex-wife busted after pulling gun from vagina during alien argument“.

• Where the bodies are buried: Mick Brown presents a potted biography of Kenneth Anger who offers a few reluctant quotes.

• A short animation for gore-obsessed kids: Pingu’s The Thing by Lee Hardcastle.

Helen Yentus designs a 3D-printed slipcase for a novel by Chang-rae Lee.

Ralph Steadman‘s illustrations for Alice’s Adventures in Wonderland.

• Mix of the week: Secret Thirteen Mix 103 by Lustmord.

Collage art at Pinterest.

No Escape (1966) by The Seeds | Pushin’ Too Hard (1966) by The Seeds | No Escape (1979) by Cabaret Voltaire | Pushin’ Too Hard (1982) by Paul Parker

Weekend links 193

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A Problem Glyph by Eliza Gauger. Problem Glyphs are “symbolic illustrations … drawn in response to problems sent in by tumblr users”.

Kosmische Night takes place at the Museum of Bath at Work, Bath, Somerset, on January 25th (Rescheduled to February 22nd).  “…a celebration of all things Teutonic for anyone who enjoys Neu!, Can, Tangerine Dream, Stockhausen and Kraftwerk,” say the organisers. Also on the bill, The Electric Pentacle, a Carnacki-esque collaboration between Narco Lounge Combo and The Levels.

• Shock Headed Peters’ Fear Engine II: Almost As If It Had Never Happened. Joe Banks on Karl Blake, “…one of the most fascinating and colourful characters to emerge from the fertile loam of the post-punk scene”.

• “The great question in the film and the tale is not the existence of the ghosts but the way the governess understands their no-longer-lived lives and desires.” Michael Wood on The Innocents.

Nobody, however, is a greater authority on the intersection of porn and alternative spirituality than Annie Sprinkle. Beginning as a prostitute in the 1960s and 70s, she entered porn in the pre-AIDS era and made over two hundred films. She then jumped into a career as a sex-positive author and educator, which brought her into close conflict not only with feminists like Andrea Dworkin and Catharine MacKinnon, but also right-wing patriarch Jesse Helms, who denounced one of her sex magick performance pieces on the floor of the Senate. For Sprinkle, both sexuality and performance are explicitly spiritual and magical, part of her role as a cultural shaman.

In the Valley of the Porn Witches by Jason Louv.

Stars of the Lid and Wordless Music Orchestra playing for two hours last month at the Basilica of Our Lady of Perpetual Help in Sunset Park, Brooklyn.

Rick Poynor on the late Martin Sharp’s contributions to People, Politics and Pop: Australians in the Sixties (1968) by Craig McGregor.

Maggie Greene on The Woman in Green: A Chinese Ghost Tale from Mao to Ming, 1981–1381.

• “TED actually stands for: middlebrow megachurch infotainment,” says Benjamin H Bratton.

Geoff Manaugh on how corpses helped shape the London Underground.

Tony White on Eduardo Paolozzi at New Worlds by David Brittain.

• Mix of the week: Secret Thirteen Mix 102 by Frank Bretschneider.

• At Dangerous Minds: film of Syd Barrett‘s first psychedelic trip.

NYPL Wire: a New York Public Library Tumblr.

Microbial art by Eshel Ben-Jacob and others.

Interstellar Rock: Kosmische Musik (1974) by The Cosmic Jokers | I, Bloodbrother Be (1984) by Shock Headed Peters | Obscene and Pornographic Art (1991) by Bongwater

Weekend links 192

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“Chloromgonfus detectis, a dragonfly that can detect volatile pollutants.” A speculative insect by artist Vincent Fournier.

• “…a modern taxonomist straddling a Wellsian time machine with the purpose of exploring the Cenozoic era…” Butterflies tied together Vladimir Nabokov’s home, science, and writing, says Mary Ellen Hannibal.

• More ghosts: Kira Cochrane on the Victorian tradition of the Christmas ghost story, and Michael Newton on why Jack Clayton’s The Innocents (1961) remains one of the very best ghost films. No argument there.

• Should you require further persuasion, Daniel Barrow reviews I Am The Center: Private Issue New Age Music In America 1950-1990, an album still receiving heavy rotation in these quarters.

Swords, daggers—weapons with a blade—retained a mysterious, talismanic significance for Borges, imbued with predetermined codes of conduct and honor. The short dagger had particular power, because it required the fighters to draw death close, in a final embrace. As a young man, in the 1920s, Borges prowled the obscure barrios of Buenos Aires, seeking the company of cuchilleros, knife fighters, who represented to him a form of authentic criollo nativism that he wished to know and absorb.

The Daggers of Jorge Luis Borges by Michael Greenberg

The Junky’s Christmas (1993): a seasonal tale from William Burroughs turned into a short animated film by Nick Donkin and Melodie McDaniel.

• Mixes of the week: Secret Thirteen Mix 101 by Jan Jelinek, and The Conjuror’s Hexmas by Seraphic Manta.

• Meet the 92-year-old Egyptian [Halim El-Dabh] who invented electronic music.

The Mysterious Lawn Home of Frohnleiten, Austria.

The Peacock Room at Sammezzano Castle in Italy.

The Quay Brothers’ Universum.

Alan Bennett‘s diary for 2013.

Butterfly (1968) by Can | Butterfly (1974) by Herbie Hancock | Butterfly (1998) by Talvin Singh

Night Music in two parts

Night Music One by Feuilleton on Mixcloud

Night Music I
The Hafler Trio – Soundtrack To “Alternation, Perception, And Resistance” — A Comprehension Exercise (1985)
Aphex Twin – Selected Ambient Works Volume II: Untitled 4/1 (Hankie) (1994)
Michael Brook – Earth Floor (1985)
Aphex Twin – Selected Ambient Works Volume II: Untitled 10/1 (Tree) (1994)
Biosphere – Startoucher (1994)
Black Lung – Rex 84 (1995)
Biosphere – Biosphere (1992)
Holger Czukay – Radio In An Hourglass (1993)
Rapoon – Rains (1993)
Clock DVA – Memories Of Sound (1992)

Night Music Two by Feuilleton on Mixcloud

Night Music II
Psychick Warriors Ov Gaia – Dust (At The Crossroads) (1994)
Aphex Twin – Selected Ambient Works Volume II: Untitled 2/2 (Parallel Stripes) (1994)
Harold Budd – The Gunfighter (1986)
Divination – Errata (1993)
Coil – Dismal Orb (1992)
Biosphere – Mir (1994)
David Toop and Max Eastley – Rising Up Before Us Like Things (1994)
Angelo Badalamenti – Night Life In Twin Peaks (1990)
Coil – The Sleeper II (1992)
Jon Hassell – Empire II (1983)
The Grid – Virtual (1990)
Biosphere – En-trance (1994)

After signing up to Mixcloud earlier this year I’ve only managed to compile one mix so here’s an unseasonal attempt to compensate.

Night Music was a bona fide mix on cassette tape that I put together in 1994, intended as a response to Kevin Martin’s double-disc compilation from the same year, Ambient 4: Isolationism. The three previous entries in Virgin’s Ambient… series were fairly routine reworkings of the label’s back catalogue, collections of more-or-less ambient material with light electronica. Martin’s compilation concentrated on the darker, doomier end of the musical spectrum, and also pulled in music from outside the Virgin fold. It arrived as a considerable tonic after several years of diluted techno and psychedelic clichés being marketed as “ambient”.

Night Music is much more of a genuine DJ mix than Ectoplasm Forming. I didn’t have any proper mixing equipment at the time so had to record every other track onto stereo videotape then play back the tape while fading the rest of the tracks in and out from the CD player. The whole thing was recorded live to a C-100 cassette. Rather than run the mix as a single track I’ve kept the two sides separate; both sides were programmed with beginnings and endings so work better this way. I transferred the mix to CD several years ago, and still listen to it every so often. There’s a little too much Biosphere but apart from that I wouldn’t alter the track list.

As usual I’ll be away for a few days so the { feuilleton } archive feature will be activated to summon posts from the past below this one. Enjoy your wassail.

Previously on { feuilleton }
A mix for Halloween: Ectoplasm Forming

Weekend links 191

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Two cover designs from Eliash Strongowski’s 30 Days—30 Covers project.

My thanks once again to Dennis Cooper for placing this blog on his end-of-year lists. Meanwhile. one of the albums I designed earlier this year, Cold Mission by Logos, made the 30 Best Album Covers of 2013 list at FACT.

• “Many of their more outlandish ideas never saw fruition: an organ powered by an entire factory, an electro-acoustic orchestra mounted on a fleet of airplanes.” Colin McSwiggen reviews Sound in Z: Experiments in Sound and Electronic Music in Early 20th Century Russia by Andrey Smirnov.

Queer Pagan Punk, a major film retrospective of the work of Derek Jarman, will take place in February and March 2014 at the BFI Southbank, London.

• “For over forty years, Iain Sinclair’s work has combined obsessive myth-making with urban despair. But what do we know about him?” asks Fatema Ahmed.

• “Rather than trying to intercept alien communications, perhaps we should go looking for alien artefacts.”

• Mix of the week: Radio Belbury Programme 12, and Winter Hours, the Cafe Kaput 2013 winter mix.

BEEP BEEP. BLOOP BLEEP: Road Runner cartoons soundtracked by a Eurorack synthesizer.

Historia Discordia: Documenting the Origins, History & Chaos of the Discordian Society.

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Pink Boy by Melinda Gebbie.

Suffered From The Night: Queering Stoker’s Dracula edited by Steve Berman.

• At Dangerous Minds: An interview with soundtrack composer Cliff Martinez.

Sarah Schoenfeld puts recreational drugs under the microscope.

• Powerplant Art-déco, a set of photos by Romain Veillon.

Adrian Curry chooses the best film posters of 2013.

Portent’s Content Idea Generator

Tarkovsky at Pinterest

The Sea Named Solaris (1977) by Tomita | Is That What Everybody Wants? (2002) by Cliff Martinez | Reyja (2011) by Ben Frost & Daníel Bjarnason