Weekend links 520

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Cover art by Ethel le Rossignol for To Kiss Earth Goodbye by Teleplasmiste.

• I’ve been listening to London Zoo by The Bug this week so two new releases by The Bug’s beatmaster, Kevin Martin, seem well-timed. Martin’s music isn’t all pummelling rhythms and abrasive noise, he also favours doomy ambience, as demonstrated on his landmark compilation album, Isolationism (1994). The new releases, Frequencies For Leaving Earth, Vols 1 & 2, are isolationist in multiple senses of the word, being further products of lockdown life, with the second volume described as reflecting Martin’s “ongoing obsession with scarce sci-fi scores”.

• “It was designed to run counter to formalist & Hollywood Structuralist definitions & expectations.” M. John Harrison in a discussion about his cycle of Viriconium novels and stories. Harrison’s new novel, The Sunken Land Begins To Rise Again, will be published at the end of this month.

• Mix of the week: 31st May 2020 (Lovecraft 2) by French Rock Sampler, a recording of Warren Hatter’s radio show devoted to French underground, synth and progressive music of the 1970s. The current season may be heard each Sunday at 3pm (London time) on Resonance FM.

This is a very important book. It may even be a historic book, one with which gay history can arm itself with more sufficient factual veracity as to start vanquishing at last the devil known as queer studies. Queer studies is that stuff that is taught in place of gay history and which elevates theory over facts because its practitioners, having been unsuccessful in uncovering enough of the hard stuff, are haughtily trying to make do. […] It is not only breathtaking to read this all in a work the likes of which so many Americans long to have written about our own gay history, but when one finishes reading it, one utters an audible huge sigh of relief. Of course this is how it was! Why did we all not know and accept this instinctively without having to create and/or buy into the Foucaultian and Butlerian (to name but two) nightmares with the obtuse vocabularies they invented and demanded be utilized to pierce their dark inchoate spectacles of a world of their own imaginings. Homosexuality did not exist because there was no word for it, say they. What bushwa.

The late Larry Kramer in 2009 reviewing Before Wilde: Sex between Men in Britain’s Age of Reform by Charles Upchurch

• I mentioned in April that I’d designed the CD and vinyl packaging for Roly Porter’s latest album, Kistvaen. It’s another monumental release, and it’s out now. Hear it for yourself at The Quietus.

To Kiss Earth Goodbye, the new album from Teleplasmiste, features cover artwork by Ethel le Rossignol, and a previously unheard trance recording of occultist Alex Sanders.

• “It’s impossible to completely quantify the effect of I Feel Love on dance music.” John Doran on Donna Summer and Giorgio Moroder’s finest moment.

• More film lists: 10 great Japanese film noirs selected by Matthew Thrift, and the 15 best Czech horror films selected by Jason Pirodsky.

Mark Blacklock selects a top ten of four-dimensional novels (one of which isn’t a novel at all but a short story by Ian McEwan).

• At Dennis Cooper’s: BDSM.

Angry (2008) by The Bug feat. Tippa Irie | Insane (2008) by The Bug feat. Warrior Queen | Fuckaz (2008) by The Bug feat. Spaceape

The weekend artists, 2014

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The Crystal Gazer (or The Magic Crystal, 1904) by Gertrude Käsebier.

Once again the annual review of artists/designers/photographers featured in the weekend posts arrives at the beginning of the new year rather than the end of the old. Scroll down to see what caught my attention over the past twelve months.

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We Are The Water – Snow Drawings Project, Colorado (2014) by Sonja Hinrichsen with 50 volunteers.

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Le Palais des Merveilles, 1907 – 1927 – 1960 by Clovis Trouille.

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The Three Witches (2014) by Lorena Carvalho.

Continue reading “The weekend artists, 2014”

Weekend links 195

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Untitled painting (c. 1920–1933) by Ethel le Rossignol depicting “the Sphere of the Spirit”. An exhibition of  Ethel le Rossignol’s channelled paintings takes place at the Horse Hospital, London, next month.

• “It’s always disconcerting to discover a favourite writer was kind of a jerk. How does this realization effect our understanding of Walter Benjamin’s work?” asks Morgan Meis.

• Mixes of the week: Georges Vert (aka Jon Brooks) presents The Pan-Europa Mix. Mr Brooks also unveiled another seasonal mix which he calls Winter Velvet.

Knopheria by Chrome Hoof ft. Shingai Shoniwa. A video from the band’s latest album.

Without sci-fi trappings of any kind, The Metamorphosis forces us to think in terms of analogy, of reflexive interpretation, though it is revealing that none of the characters in the story, including Gregor, ever does think that way. There is no meditation on a family secret or sin that might have induced such a monstrous reprisal by God or the Fates, no search for meaning even on the most basic existential plane. The bizarre event is dealt with in a perfunctory, petty, materialistic way, and it arouses the narrowest range of emotional response imaginable, almost immediately assuming the tone of an unfortunate natural family occurrence with which one must reluctantly contend.

David Cronenberg on Franz Kafka’s story.

• “I was very much into now-ism.” Laraaji talks to Bobby Barry about his music.

The Edge Question for 2014: “What scientific idea is ready for retirement?”

Storybook Apocalypse: Beasts, Comets, and Other Signs of the End Times.

• Return of the wunderkammer: Philip Hoare on cabinets of curiosities.

• Birditis: Ian Penman on the “full catastrophe” of Charlie Parker.

Rick Poynor on The Compulsively Visual World of Pinterest.

• RIP psychedelic poster artist Gary Grimshaw.

• At PingMag: The automaton clocks of Tokyo.

Dust & Grooves: Vinyl music culture.

Wunderkammern at Pinterest.

Ligeti: String Quartet No. 1 “Metamorphoses nocturnes” (recorded 1978) The Arditti Quartet | Thru Metamorphic Rocks (1979) by Tangerine Dream | Metamorphosis (2012) by Demdike Stare