Weekend links 711

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Les Étrangers (1937) by Wolfgang Paalen.

• “I was picturing Monty Python’s spoof Pasolini cricket film The Third Test Match, a man frantically rubbing his groin with a cricket ball.” Paul Gallagher writing about the time that Kenneth Anger wanted to make a film about cricket.

• The week in deserts: This camera is taking a 1,000-year-long exposure photo of Tucson’s desert landscape; Explore the surface of Mars in spectacular 4K resolution.

• At the Wired YT channel: puzzle-box maker Kagen Sound talks about the creation and operation of his amazing boxes.

• RIP Wayne Kramer, the MC5’s other incendiary guitarist. Here they are kicking out the jams on Beat-Club in 1972.

• National Gallery of Ireland acquires Harry Clarke artwork for national collection.

• At Bajo el Signo de Libra: The (mostly homoerotic) Italy photographed by Herbert List.

• New music: Fragmented by Parallel Worlds, and The Crystal Parade by Cate Brooks.

• At Wormwoodiana: Aquarius, Arcania, Arcturus: Exploring New Age shops.

• At Public Domain Review: Early modern blackwork prints.

Sun In Aquarius (1970) by Pharoah Sanders | Aquarius (1998) by Boards Of Canada | Aquarius (2018) by Beautify Junkyards

Kenneth Anger, 1927–2023

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Kenneth Anger, Topanga Canyon (composite with Gustave Doré engraving) (1954) by Edmund Teske.

The other day…I had a date with Tom Luddy at a New York hotel in the East Fifties to meet Kenneth Anger, the genius who made Scorpio Rising and whose New York flat is a shrine to Valentino.

Michael Powell, from A Life in Movies, 1986

There’s not much I can add to all the plaudits, especially when Kenneth Anger has been a continual fixture here since 2007, with the last post about him going up only two weeks ago. I always find it impossible to make one of those lists where people name their ten favourite films but Anger’s Magick Lantern Cycle is one of the very few titles I could add to such a list, and it probably sits in the top five. What the other four might be depends on changes of mood or weather.

The most Anger recent post came about after I’d been re-reading the unofficial Bill Landis biography, a book I’d dipped into over the years but not gone all the way through again since it was published in 1995. It’s an uneven study of Anger’s life and erratic career, detailed yet slapdash, but Landis did at least interview many of Anger’s colleagues and acquaintances while they were still around. Even though Anger himself hated the results of the often gossipy investigation the book will remain an invaluable resource for future writers.

Some links:
Kenneth Anger’s Hollywood Babylon (1991). In which Nigel Finch persuaded a reluctant Anger to drive around Los Angeles in a hearse visiting sites of death or disaster mentioned in Anger’s first book. I suspect Finch was more interested in discussing Anger’s films, which are also featured, but needed the scandalous stuff to get the thing made at all. The BBC hadn’t done anything about Anger before this, and haven’t done anything since.

Kenneth Anger–Magier des Untergrundfilms (1970), a 53-minute documentary made for WDR by Reinhold E. Thiel. A frustrating film, being a mix of awkward interviews (Anger didn’t like Herr Thiel very much) with priceless footage showing the filming of parts of Lucifer Rising. A shame, then, that all the copies which have been circulating for the past decade are low-grade and blighted throughout by one of those proprietary signatures that idiots stick onto footage they don’t own. WDR must still have the film so maybe we’ll get to see a better copy one day.

Sex, Satanism, Manson, Murder, and LSD: Kenneth Anger tells his tale. Paul Gallagher recounts his own meetings with Anger and also posts several Anger-related pages from Kinokaze zine, 1993.

Hollywood Bohemia: An interview with Kenneth Anger by AL Bardach for Wet magazine, 1980.

Previously on { feuilleton }
Anger Magick Lantern Cycle, 1966
Don’t Smoke That Cigarette by Kenneth Anger
Kenneth Anger’s Maldoror
Donald Cammell and Kenneth Anger, 1972
My Surfing Lucifer by Kenneth Anger
Inauguration of the Pleasure Dome: The Eldorado Edition
Brush of Baphomet by Kenneth Anger
Anger Sees Red
Kenneth Anger’s Hollywood Babylon
Lucifer Rising posters
Missoni by Kenneth Anger
Anger in London
Arabesque for Kenneth Anger by Marie Menken
Edmund Teske
Kenneth Anger on DVD again
Mouse Heaven by Kenneth Anger
The Man We Want to Hang by Kenneth Anger
Relighting the Magick Lantern
Kenneth Anger on DVD…finally

Weekend links 503

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Rabbit Man with Skull Lady (1998) by Allan Kausch.

• “They were the first generation that said, ‘Fuck it, we’re not going to be intimidated.’ They weren’t going to make specifically pro-gay statements, but they were the first generation to really live that out. If you look at the Alternative Miss World, it’s a kind of gender-fuck, it’s almost like the English version of the Cockettes.” Jon Savage speaking in a piece by Alex Petridis about “Them” (Kevin Whitney, Luciana Martinez de la Rosa, Duggie Fields, Derek Jarman, Zandra Rhodes, Andrew Logan et al). Related: Andrew Logan in Andrew’s Adventures in Loganland.

• Sex, Satanism, Manson, Murder, and LSD: Kenneth Anger tells his tale. “Anger rarely if ever veers from the script as he is a man who has carefully controlled his myth and reputation for decades,” says Paul Gallagher.

• “Don’t even think about operating heavy machinery while listening to this mix.” The latest Dave Maier collection of recent ambient drift, drone-works and beatless atmospherics.

It is by no means easy to track or trace relationships between women, past or present. Women’s relationships with other women are often disguised: by well-documented marriages to men, by a cultural refusal to see what is in full view or even to believe such relationships exist. In a world built by and for men and their pursuits, a woman who loves women does not register—and is not registered, i.e., written down. Reasons for this layer one upon the other: A lesbian purposely hides her identity and remains closeted. A lesbian refuses to call herself a lesbian, disidentifying from the term and its associations for reasons personal or political. A woman does not know she is a lesbian—because she does not ever have a relationship with another woman, or because she is not aware that the relationships she engages in could be called lesbian. I didn’t call myself one for several years. Or, as in Carson’s case, her own self-understanding and identification are difficult to determine because of the efforts of those who outlived her and pushed her into the closet.

Jenn Shapland on the closeting of Carson McCullers

• At The Paris Review: The Collages of Max Ernst. Related: Kolaj: A directory of collage books.

Adam Scovell on the deathly hinterlands of Georges Franju’s Eyes without a Face.

• When Dorothy Parker got fired from Vanity Fair, by Jonathan Goldman.

• At Dennis Cooper’s: The Proto-Psychedelic Art of CG Jung’s Red Book.

• The abstract, single-stroke paintings of Daigoro Yonekura.

Adam Gopnik on the seriousness of George Steiner.

Caligula MMXX

The Ballad Of Dorothy Parker (1987) by Prince | Lotus Collage (1979) by Laraaji | Death Collage (1992) by Snakefinger & The Residents

Weekend links 494

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Aurora Borealis (1865) by Frederic Edwin Church.

• December is over-stuffed with enervating cultural lists, most of them reminding you of things which received enough attention earlier in the year. Better value than these—and always unpredictable—is John Waters‘ choice of favourite films; unpredictable and enlightening are the Secret Satan selections at Strange Flowers which come in two flavours: books originally published in English and books translated from other languages.

Flash Of The Spirit (1988), a collaboration between Jon Hassell and African group Farafina (with production by Hassell plus Brian Eno & Daniel Lanois), receives its first ever reissue on double-vinyl and CD next year. The last piece on the album is the 11-minute Masque (Strength).

• “In 1968, Federico Fellini decided he was going make the greatest homosexual movie ever made. What he meant by a homosexual movie, no one was quite sure, but it was going to be great.” Paul Gallagher on Federico Fellini’s delirious (and distinctly homosexual) Satyricon.

• “Here’s the typography of the next decade; the age of font minimalism is coming to a close,” says Rachel Hawley. I’ve been using Didones for the past decade so I’ll carry on happily ignoring the trends.

• More obituaries for comic artist Howard Cruse: Justin Hall at The Comics Journal; Trudy Ring at The Advocate; and Richard Sandomir at the New York Times.

• “Cowley records a kind of utopian sleaze that’s breathtaking.” Brett Josef Grubisic reviews Patrick Cowley’s sex journal of the 1970s, Mechanical Fantasy Box.

• At the BFI: Carmen Grey on where to begin with Sergei Parajanov, and Matthew Thrift on 10 essential Fritz Lang films.

A promo video by Julian House for Paul Weller’s In Another Room EP which is released in January by Ghost Box.

• At Aquarium Drunkard: San Francisco Radical Laboratory and the Mysterious Moogist of Altamont.

• Mix of the week: Through A Landscape Of Mirrors Vol. V – France III by David Colohan.

Aurora Australis (2005) by Émilie Simon | Iceblink (Aurora Borealis Mix) (2011) by Netherworld | Aurora Liminalis (2013) by William Basinski & Richard Chartier

Weekend links 489

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Typhonic Neural Tantra by The Wyrding Module.

• November 2019, as many people have been noting, is the month in which Ridley Scott’s Blade Runner takes place. At Dangerous Minds Paul Gallagher writes about the unrelated William Burroughs script whose title was borrowed for Scott’s film.

• More Ridley Scott (sort of): disco was still a big thing when Alien was in the cinemas 40 years ago, so Kenny Denton reworked Jerry Goldsmith’s Alien score into a disco single which he released under the name Nostromo.

• “The Count of Monte Cristo is one of the most exciting novels ever written and on the other hand is one of the most badly written novels of all time and in any literature.” Umberto Eco on the cult of the imperfect.

• Jonathan Glazer has made a short film, The Fall, for the BBC but the corporation’s restrictions mean that (for the moment) it’s difficult to see if you live outside the UK.

• New albums at Bandcamp: Typhonic Neural Tantra by The Wyrding Module, and Emotional Freedom Techniques by Jon Brooks (aka The Advisory Circle).

• Hawkwind dancer Miss Stacia and the Barney Bubbles estate have made a line of T-shirts based on Barney Bubbles’ Space Ritual design.

Walter Murch and Midge Costin on the art of cinematic sound design.

Ivana Sekularac on the former Yugoslavia’s brutalist beauty.

• Congratulations to Strange Flowers on its 10th anniversary.

Geoff Manaugh on the witch houses of the Hudson Valley.

• At Dennis Cooper’s: 19 experimental horror films.

Fall (1968) by Miles Davis | The Fall (2011) by The Haxan Cloak | Fall (2014) by The Bug (feat. Copeland)