Weekend links 489

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Typhonic Neural Tantra by The Wyrding Module.

• November 2019, as many people have been noting, is the month in which Ridley Scott’s Blade Runner takes place. At Dangerous Minds Paul Gallagher writes about the unrelated William Burroughs script whose title was borrowed for Scott’s film.

• More Ridley Scott (sort of): disco was still a big thing when Alien was in the cinemas 40 years ago, so Kenny Denton reworked Jerry Goldsmith’s Alien score into a disco single which he released under the name Nostromo.

• “The Count of Monte Cristo is one of the most exciting novels ever written and on the other hand is one of the most badly written novels of all time and in any literature.” Umberto Eco on the cult of the imperfect.

• Jonathan Glazer has made a short film, The Fall, for the BBC but the corporation’s restrictions mean that (for the moment) it’s difficult to see if you live outside the UK.

• New albums at Bandcamp: Typhonic Neural Tantra by The Wyrding Module, and Emotional Freedom Techniques by Jon Brooks (aka The Advisory Circle).

• Hawkwind dancer Miss Stacia and the Barney Bubbles estate have made a line of T-shirts based on Barney Bubbles’ Space Ritual design.

Walter Murch and Midge Costin on the art of cinematic sound design.

Ivana Sekularac on the former Yugoslavia’s brutalist beauty.

• Congratulations to Strange Flowers on its 10th anniversary.

Geoff Manaugh on the witch houses of the Hudson Valley.

• At Dennis Cooper’s: 19 experimental horror films.

Fall (1968) by Miles Davis | The Fall (2011) by The Haxan Cloak | Fall (2014) by The Bug (feat. Copeland)

Weekend links 397

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Nocturnal Rome — Trajan’s Column (1934) by MC Escher.

• Many eulogies this week for the late, great Mark E Smith. Strangers to the abrasive splendour of The Fall could do worse than begin with Geeta Dayal‘s list of ten best albums. At YouTube there’s a playlist of The Fall’s Peel Sessions, from 1978 to 2004, while The Fall Quote Generator provides fragments of lyrics and interviews. “Use it like the I Ching.”

• Books with poisoned pages are usually the stuff of fiction but Shadows from the Walls of Death: Facts and Inferences Prefacing a Book of Specimens of Arsenical Wall Papers (1874) by RC Kedzie presents a serious health hazard to would-be readers.

• Man Ray: “There was more surrealism rampant in Hollywood than all the surrealists could invent in a lifetime.” Kimberly Lindbergs looks at Albert Lewin’s 1951 fantasy, Pandora and the Flying Dutchman.

• At Towleroad: “The Most Dangerous Gay Man In America Fought Violence with Violence” Eric Markowitz on the Reverend Raymond Broshears, founder in 1973 of the Lavender Panthers.

• Coming in April from Strange Attractor: All in the Downs: Reflections on Life, Landscape and Song by Shirley Collins.

• Mixes of the week: Secret Thirteen Mix 244 by Daniel O’Sullivan, and XLR8R Podcast 526 by Jamaica Suk.

• At Dennis Cooper‘s this week, a post I might have made myself (but, er, didn’t) about mirrored works of art.

• A preview of Strange Stars: David Bowie, Pop Music and the Year Sci-Fi Exploded by Jason Heller.

• “We live in Philip K Dick’s future, not George Orwell’s or Aldous Huxley’s,” says Henry Farrell.

• Was For Your Convenience (1937) by Paul Pry the first queer city guide?

Fall (1967) by Miles Davis | Fall (2011) by The Haxan Cloak | Fall (2014) by The Bug feat. Inga Copeland

Weekend links 356

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Im Hag by ToiToiToi will be Ghost Box 027, available from 12th May. Poster and album design, as always, by Julian House.

• The week in the electronic outer limits: The Haxan Cloak recorded a new piece of music using Moog’s Mother-32 modular synths; The Herzog Tapes is a new album by The Electric Pentacle; and Drew McDowall (ex-Coil, etc) has a new album, Unnatural Channel, out next month. (Vinyl-only, unfortunately, like his previous album.)

• More from Vinyl . Album . Cover . Art: The Complete Hipgnosis Catalogue by Aubrey Powell: How to design a record cover in 1977. The feature is a duplicate of Storm Thorgerson’s account in the first Hipgnosis book but since that volume has been out of print for decades it stands repeating.

• Talismanic Bookseller: Erik Davis talks to occult-book dealer and musician Richard Bishop talks about modern grimoires, scorpion gods, Orientalist imagery, and hunting down physical books in the age of the Internet.

Arbery Books, “the UK’s leading online dealer in rare and secondhand books and ephemera of gay, lesbian and transgender interest”, is closing its website at the end of May so there’s a sale on.

Amours Secrètes: Dans L’intimité Des Écrivains, an art book about the secret loves of five French writers: Marcel Proust, Pierre Loti, Renaud Icard, Roger Peyrefitte and Jean Genet.

• Ancient Methods and Futuristic Visions: Mark Pilkington & Michael J. York of Teleplasmiste answer 15 questions.

• Mix of the week: Homer Flynn, spokesperson of The Residents, compiles a playlist for The Wire.

Adrian Searle on Queer British Art 1861–1967 at Tate Britain: “strange, sexy, heartwrenching”.

Strange Flowers on August Endell (1871–1925) and the trees of spring.

Urania (1995) by Panasonic | Pan Finale (2010) by Pan Sonic | 5′ 42” (2014) by Pan Sonic

A mix for Halloween: Ectoplasm Forming

Ectoplasm Forming by Feuilleton on Mixcloud

Presenting the eighth Halloween playlist, and this year I decided it was time to finally make a proper mix of my own. Reluctance in years past has been mainly a result of the time it takes me to put things like this together, hours spent pondering the order of the tracks, and fine-tuning transitions.

This year’s mix is rather heavy on the drones and eldritch atmospherics with little in the way of songs. There are some rhythms, however. I’ve also taken the opportunity to highlight the ongoing excellence of Emptyset, some of whose recordings I’ve been helping design recently. Their Medium album involved installing a quantity of electronic equipment in an allegedly haunted building, a process similar to that undertaken by the unfortunate doctor in The Legend of Hell House, albeit with better results.

The tracklist is on the Mixcloud page but I’m repeating it here with dates added for each recording. One likes to be thorough.

The Legend of Hell House – Dialogue (1973)
Emptyset – Demiurge: Of Blackest Grain To Missive Ruin (Paul Jebanasam Variation) (2012)
Arne Nordheim – Solitaire (1969)
David Lynch – The Air Is On Fire Pt. 7 (2007)
Ben Frost – The Carpathians (2009)
The Wyrding Module – Subtemple Session II (edit) (2013)
:Zoviet*France: – On The Edge Of A Grain Of Sand (1996)
John Zorn – Lucifer Rising (2002)
Jarboe – A Sea Of Blood And Hollow Screaming… (2009)
The Haxan Cloak – Excavation (Part 1) (2013)
Emptyset – Medium (2012)
Jon Brooks – Experiments With A Medium (2011)
Wendy Carlos – Visitors (2005)
The Advisory Circle – Eyes Which Are Swelling (2007)
Bernard Szajner – Chant Funèbre (1981)
Emptyset – Function: Vulgar Display Of Power (Roly Porter Variation) (2012)

Previously on { feuilleton }
A playlist for Halloween: Hauntology
A playlist for Halloween: Orchestral and electro-acoustic
A playlist for Halloween: Drones and atmospheres
A playlist for Halloween: Voodoo!
Dead on the Dancefloor
Another playlist for Halloween
A playlist for Halloween

The Outer Church

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Compilation albums: on the one hand they’re in the lowest echelon of the musical world, all those cheap pop collections you see in any supermarket; on the other they provide an introduction to zones of activity which might seem too rich or too obscure to easily investigate; Soul Jazz Records is a master at this kind of collection.

There’s also another level of compilation album where the collection becomes an opus in its own right, and which can also help to define a new movement or moment. In this category I’d think of favourites such as Kevin Martin’s Isolationism set from 1994 which first identified the emergence of what we now think of as Dark Ambient music; and Devendra Banhart’s The Golden Apples of the Sun (2004) which showcased a new generation of American folk artists. To these I’d add Joseph Stannard’s The Outer Church, a 2-CD set compiled for Front & Follow which is released this month. My hand-crafted, letterpressed edition just arrived so I’ve been relishing the new music after forcing myself to avoid the preview tracks which have been available for the past couple of weeks. Regular readers won’t be surprised to learn that the emphasis is very much on the Hauntological end of things; this blog nurses a Ghost Box fetish, and there are Ghost Box connections in the presence of Pye Corner Audio, Hong Kong In The 60s, and Baron Mordant. The latter pair and another artist, Robin The Fog, all provided tracks for the recent Restligeists, the cassette compilation that came with The Twilight Language of Nigel Kneale. Of the new collection, Joseph Stannard says in his notes:

Wind the tape all the way back to Brighton in 2009. The uncanny influence seeping into contemporary music from ‘elsewhere’ had become impossible to ignore. Magazine pieces I had written in my capacity as a music critic were revealed to contain subliminal memos for my own attention. Unusually vivid dreams and unsettling anonymous telephone calls imparted curious instructions. I was to establish a space in which various forms of unheimlich audio would converge with moving images of a similarly anomalous nature. Equipped only with a well-thumbed copy of The Beginner’s Guide To Psychic Architecture, I resolved to build a Church.

This compilation presents a selection of the artists who have performed at The Outer Church, with the exception of illustrious filmmaker and composer Graham Reznick, who lives in faraway Brooklyn and kindly permitted us to screen his tremendous psychedelic campfire tale, I Can See You, in Brighton and Dublin. All of the recordings here are previously unreleased. Together they advance the argument that something weird is stirring in modern music which resists categorisation, manifesting itself in unsettling cadences and temporal distortions across a wide variety of occult strategies.

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Illustration by Alexander Tucker.

And they aren’t the only ones exploring this territory: Demdike Stare and the very excellent Haxan Cloak might also have been included here. I am, of course, especially partial to any kind of doom-laden timbres, whether electronic, orchestral or guitar-oriented, so I can’t be an unbiased reviewer. But it has been a relief to see contemporary electronica (in the UK at least) find a way out of the rut of abstraction into which it had fallen in the late 1990s. That’s it’s done this by delving into our nation’s long history of ghost and folk mythology is no bad thing. Not all the artists on The Outer Church are attempting to spook their audience; there are songs as well as drones. Hong Kong In The 60s produce the kind of uptempo pop you’d expect from a band with that name. It’s to Stannard’s credit that he manages to sequence things without the mix of styles being too disjunctive.

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One of the mini-postcards inside the limited edition. Photo by Joseph Stannard.

The first edition of The Outer Church has been selling well so anyone looking for a copy is advised to make haste and use the links on this page. There’s a related event in Brighton this (Friday) evening, and another in Manchester on Saturday. I’m now looking forward to following some of the paths revealed by this opening of the portals.

Previously on { feuilleton }
The Ghost Box Study Series
A playlist for Halloween: Hauntology
The Séance at Hobs Lane
Ghost Box