Weekend links 25

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A commemorative Borges coin.

He says, “Two aesthetics exist: the passive aesthetic of mirrors and the active aesthetic of prisms. Guided by the former, art turns into a copy of the environment’s objectivity or the individual’s psychic history.” There, of course, he sums up all of realism, no? “Guided by the latter, art is redeemed, makes the world into its instrument and forges, beyond spatial and temporal prisons, a personal vision.” That’s Borges.

The Borges Behind the Fiction: Colin Marshall talks to translator Suzanne Jill Levine. Related: The Garden of Forking Paths.

• From The Quietus: Blondie in Conversation with William S. Burroughs by Victor Bockris, 1979; An Interview with Laurie Anderson by Robert Barry, 2010.

In 962 Abd-er Rahman III was succeeded by his son Al-Hakim. Owing to the peace which the Christians of Cordova then enjoyed […] the citizens of Cordova, Arabs, Christians, and Jews, enjoyed so high a degree of literary culture that the city was known as the New Athens. From all quarters came students eager to drink at its founts of knowledge. Among the men afterwards famous who studied at Cordova were the scholarly monk Gerbert, destined to sit on the Chair of Peter as Sylvester II (999–1003), the Jewish rabbis Moses and Maimonides, and the famous Spanish-Arabian commentator on Aristotle, Averroes.

Entry for The Diocese of Cordova from The Catholic Encyclopedia (1917).

Professor Newt’s Distorted History Lesson. A riposte to the ignorance of the wretched Gingrich. Related: the Mezquita de Córdoba.

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Jorge Luis Borges and a cat. Via.

Joseph and His Friend—A Story of Pennsylvania (1870) by Bayard Taylor, America’s first (?) gay novel. Related: 20 classic works of gay literature.

Elegies For Angels, Punks and Raging Queens at the Shaw Theatre, London, from 10–28 August 2010.

• Tristan Perich’s 1-Bit Symphony is released later this month. Café Kaput’s first release, Electronic Music in the Classroom by DD Denham, appears in September.

• “Just relax and enjoy it.” k-punk on the ambition and vision of David Rudkin’s Artemis 81.

• Chris Watson explores Alan Lamb’s The Wires: three audio recordings to download.

• Jonathan Barnbrook: Tuxedomoon fan, 1988, and Tuxedomoon designer, 2007.

• Rob Young’s Electric Eden reviewed by Michel Faber.

Brian Eno gets the Warp factor.

No Tears (1978) by Tuxedomoon; Atomic (1979) by Blondie; Everything You Want (1980) by Tuxedomoon; Next One Is Real (1984) by Minimal Compact; Hologram (2010) by These New Puritans.

Vintage swordplay #5

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In honour of the overturning of Prop 8 in California—and because I haven’t posted one of these for a while—another piece of beefy weapon-handling. No idea who this fellow is but he can be seen a lot bigger (if not actually tumescent) at the Haunted Lamp, a place of assorted delights that you really ought to go and browse.

Elsewhere on { feuilleton }
The men with swords archive

Weekend links 19

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Peafile (2006) by Shawn Smith; plywood, ink, acrylic paint.

Surreal Friends, an exhibition of work by Leonora Carrington, Remedios Varo and Kati Horna at the Pallant House Gallery, Chichester, UK. Related: The surrealist muses who roared, Leonora Carrington and other women Surrealists profiled.

Landscapes From a Dream: How the Art of David Pelham Captured the Essence of JG Ballard’s Early Fiction. A graphic design essay at Ballardian.

• “(T)he significant thing is not the behaviour of the players but the attitude of the spectators: and, behind the spectators, of the nations who work themselves into furies over these absurd contests, and seriously believe — at any rate for short periods — that running, jumping and kicking a ball are tests of national virtue. (…) It is the most violently combative sports, football and boxing, that have spread the widest. There cannot be much doubt that the whole thing is bound up with the rise of nationalism — that is, with the lunatic modern habit of identifying oneself with large power units and seeing everything in terms of competitive prestige.” The Sporting Spirit by George Orwell, December 1945.

• One of my cult pop albums from the 1980s, A Secret Wish by Propaganda, is reissued in a 25th anniversary edition next month. I no doubt have most of the bonus tracks already but the prospect is still irresistible.

Tangier Cut-Up, an uncollected piece by William Burroughs from Esquire, September 1964.

Ghostwriter —  The Continuing Adventures Of The Strange Sound Association.

Faust And Last And Always: Germany’s Most Radical Rock Group Talk.

Hollingsville at Resonance FM. Related: Graphic Design on the Radio.

iPad Publishing No Savior for Small Press, LGBT Comics Creators.

The Largest Oil Spills in History, 1901 to Present.

1948 Buick Streamliner by Norman E Timbs.

Neville Brody’s work on display in Tokyo.

Dr Mabuse (1984) by Propaganda; Vladek Sheybal, cowled monks, Fritz Lang references and Anton Corbijn directing.

Dodgem Logic again

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Look what the postman delivered. Well, not the peacock feather and candle, obviously… Dodgem Logic #4 is now in print and my cover design looks as splendid as I hoped, gold ink included. The bonus item for this delirious issue is the rather wonderful poster you see in the background, a Joe Brown & Alan Moore collaboration entitled Bohemia which features a burgeoning growth of Bohemians through the ages, from Sappho through to more contemporary cultural icons. Inside there’s Dick Foreman discussing psychedelia, comics from Steve Aylett, Barney Farmer, Lee Healey, Kevin O’Neill and Savage Pencil, Melinda Gebbie’s gorgeous paintings, Debbie Delano on how to be an openly gay school teacher, Steve Moore asking for no more war, and Mister Alan Moore giving us his personal history of science fiction. You can order it online here.

Previously on { feuilleton }
Dodgem Logic #4
Dodgem Logic

Dodgem Logic #4

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The magazine isn’t out for another couple of weeks but my cover art has been posted to various websites so I can finally show this here. Alan Moore was in touch at the beginning of February asking for a wraparound cover design, the only brief being that he liked my Alice in Wonderland calendar and asked for something equally florid or—for want of a better term—psychedelic. Alan’s magazine owes something to the underground mags of the 1960s and a common feature of those, especially Oz magazine, was a degree of provocation in the choice of cover art. A picture of two boys kissing is nothing more than a show of affection yet to many people the sight still inspires enormous outrage. This was demonstrated a week or so after I’d finished the cover when the Washington Post was deluged by angry letters and emails after they showed a photo of two newly-weds outside the Washington DC Superior Court. People used to have a similar reaction to the sight of a black man kissing a white woman; the only way attitudes change is when something becomes so commonplace it’s no longer worthy of note.

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Aside from the politics, this was also an excuse to run riot with more Art Nouveau motifs, especially peacocks and butterflies. The butterfly-winged boys are a nod to the paintings of Yannis Tsarouchis, and this in turn gave me an excuse to borrow from another magazine cover, Frank X Leyendecker’s 1922 painting of The Flapper for Life. Frank X was the brother of the more renowned illustrator JC Leyendecker. Joseph C was known to have been discreetly homosexual; so too was brother Frank according to this article in which case his butterfly woman has an additional resonance.

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Having written a lengthy polemic about Roger Dean’s work in January I had the idea of doing the magazine title in his lettering style. I spent the best part of two days working on these as I wanted the result to be as accurate as possible. All the gold parts of the cover shown here are gradients but I made a slightly different version for print which will render those areas in gold ink. I’m looking forward to seeing this printed.

Previously on { feuilleton }
Roger Dean: artist and designer
The art of Yannis Tsarouchis, 1910–1989
Dodgem Logic
Psychedelic Wonderland: the 2010 calendar
Butterfly women