Balloon parade

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Emergency Third Rail Power Trip (1983) by The Rain Parade.

Another minor piece of album-cover detective work. A couple of years ago I was looking for dirigible pictures for a steampunk book I was working on, and in the searching came across the original of the photo used on the cover of the Rain Parade’s neo-psychedelic debut album. I didn’t want pictures of round balloons, however, and since I was ripping through a number of websites I neglected to bookmark the page. I’ve still not seen the photo since—which I recall was in a landscape ratio with more balloons to the left—but I’m fairly sure I’ve identified the event as being the balloon race that took place in the Bois de Vincennes, Paris, in October 1900.

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The significance of the cover photo for this blog is that the balloon race in question was one of the Olympic Games competitions being held that year in tandem with the Exposition Universelle, an event which has been fairly thoroughly explored in earlier postings. Needless to say, balloon racing was later discontinued as an Olympic sport. The picture above shows another view of the “Parc Aérostatique”, while from the map below one can determine that the people in the foreground of the album cover photo are standing on the velodrome parapet.

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The picture below from L’Illustration magazine might have made a better cover shot for Emergency Third Rail Power Trip if it was suitably cropped and coloured. If I turn up the errant photo at a later date I’ll post it here. As for the album itself, it was reissued on CD in 1992 together with its follow-up, Explosions In The Glass Palace, a mini-album that remains the pinnacle of the Rain Parade’s studio recordings.

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Previously on { feuilleton }
Balloons in the Grand Palais

The recurrent pose 54

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More from the pose that keeps on giving. Big thanks to Lance for sending the photos above and below which identify the Flandrinesque figure from post no. 22 not as a sculpture from Hermosa Beach but a memorial statue in the Cimetière d’Ixelles, Brussels. The eternal hazard of web photos is the erroneous or missing attribution, something I do my best to avoid.

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And speaking of missing attributions, that’s what we have here. This site may be the origin although I’ve seen an earlier page with the same photo. Nice boys, anyway. Thanks to Hal for the tip!

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Querelle de Brest

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Querelle de Brest (1947) by Jean Genet. Cover design by Jean Cocteau.

This weekend’s viewing was Fassbinder’s Querelle (1982) which is marvellous in its new Blu-ray transfer, and a great improvement on the muddy picture of the earlier DVD release. The film is still only the briefest sketch of Genet’s novel (although Genet biographer Edmund White enjoyed it) but I like the overheated atmosphere, the phallic set designs, Franco Nero (hey, it’s Django Gay!), and the film as a whole is a fitting memorial to Brad Davis, everyone’s favourite sweating matelot. So in honour of all that, here’s a small collection of Querellerie past and present.

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Querelle de Brest was published in a limited edition of 525 copies illustrated throughout by Jean Cocteau who didn’t avoid the pornographic details. Even though copies were seized by the authorities, and the author fined, Cocteau’s involvement did little to harm his public reputation, something that’s impossible to imagine happening elsewhere. A few of the illustrations follow below, many more of the series can be found scattered across various websites.

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Continue reading “Querelle de Brest”

The recurrent pose 53

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Self Portrait, Bed Chamber, Stone Ridge, NY (1995).

A couple more examples of the Flandrin pose which, as usual, may or may not be referring to the famous painting. John Dugdale’s photo is a cyanotype print but can also be found in a sepia version. The photo below is from Pinterest via a tip on Twitter. Searching around for the original led to this site but if it was there in the past it isn’t there now.

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Weekend links 216

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Why Do The Heathen Rage? (2014) by The Soft Pink Truth. Cover art by Mavado Charon.

Drew Daniel’s latest release as The Soft Pink Truth is Why Do The Heathen Rage?, a witty electronic riposte to the often reactionary attitudes of black metal music and the people who create it. (The album is dedicated to Magne Andreassen, a gay man stabbed to death by the drummer from Emperor.) Dorian Lynskey talked to Daniel about queering the metal world, as did Angus Finlayson at FACT. Daniel’s project has been receiving press everywhere but you wouldn’t know it to read US/UK gay news sites where the music coverage is relentlessly narrow and insular. To date, only BUTT magazine has mentioned Why Do The Heathen Rage? but then BUTT have always stood apart from their parochial contemporaries. Never mind, here’s another fucking article about “petite pop princess” Kylie Minogue.

• “By the letter of the law, Ulysses was obscene. Obviously, gratuitously, relentlessly obscene.” Josh Cook on censorship and dangerous books. One of my own dangerous publications, the fifth issue of the Lord Horror comics series, Hard Core Horror (declared obscene in a UK court in 1995), received a very belated review at The Comics Journal. More censorship: Judy Bloom on the perennial panics in US school libraries. Lest we feel superior to American prudery, Leena McCall’s painting of a semi-naked woman caused some consternation in a London gallery last week.

• “Over and over, we’re told that nobody buys [compact discs] anymore.” Steven Hyden on the latest obituaries being written for a music format. Ten years ago the death of vinyl was being confidently predicted: “The physical presence of the popular song is gone,” Paul Morley declared. Related: The death of mp3s.

There is nothing quite like Maryanne Amacher’s third ear music. It is alarming. Some of her fellow artists never quite believed that their ears were not being damaged. Third ear music invades you, wraps inside your body, your head, your eyes — just like she says. You can’t be sure, after a while, if the sounds you hear are those created by your ears or Maryanne Amacher.

Stefany Anne Golberg on the music of Maryanne Amacher

• At Dangerous Minds: Nothing Lasts Forever (1984), Bill Murray in a “lost sci-fi comedy set in a totalitarian New York City”.

• More Joyce (there’s always more Joyce): Humument Images to Accompany James Joyce’s Ulysses by Tom Phillips.

• Another celebration of Penda’s Fen by David Rudkin, and another reminder that it’s still not available on DVD.

• Stairway to Heaven: Atlas Obscura on the Gustave Moreau Museum, an essential stop if you visit Paris.

• Mix of the week: Secret Thirteen Mix 121 by Higher Intelligence Agency.

• MetaFilter has a wealth of links to pulp magazine archives.

Yan Nascimbene’s illustrations for Italo Calvino’s stories.

• Rebecca Litchfield’s Orphans of Time and Soviet Ghosts.

• RIP Charlie Haden

Going Home (1972) by Alice Coltrane (Charlie Haden, bass) | Earth (1974) by Joe Henderson Featuring Alice Coltrane (Charlie Haden, bass) | Malkauns (1975) by Don Cherry (Charlie Haden, bass)