{science fiction} – Page 31

Weekend links 584

Cover for the 1970 US edition of Moonchild by Aleister Crowley. No artist credited (unless you know better…). Update: The artist is Dugald Stewart Walker, and the drawing is from a 1914 edition of Hans Christian Andersen’s fairy tales. Thanks to Mr TjZ!

• “…a very mid-Seventies cauldron of Cold War technology, ESP, sociology, black magic and white magic, experimental science and standing stones, secret radar and satanic rituals, whirring aerials and wild moors: a seething potion of Wyndham and Wheatley.” Mark Valentine on The Twelve Maidens, a novel by Stewart Farrar.

• “The line in the song ‘feed your head’ is both about reading and psychedelics. I was talking about feeding your head by paying attention: read some books, pay attention.” Grace Slick explains why those three little words have been attached to these pages since 2006.

• Freddie deBoer reposted his “Planet of Cops” polemic, a piece I linked to when it first appeared in 2017, and which used to come to mind all the time before I absented myself from the poisonous sump of negativity that we call social media.

• RIP Charlie Watts. The Rolling Stones’ last moment of psychedelic strangeness is Child Of The Moon, a promo film by Michael Lindsay-Hogg featuring an uncredited Eileen Atkins and Sylvia Coleridge.

• Old music: A live performance by John Coltrane and ensemble of A Love Supreme from Seattle in 1965 that’s somehow managed to remain unreleased until now.

• A short film about Suzanne Cianni which sees her creating electronic sounds and music for the Xenon pinball machine in the early 1980s.

• “I’ll be in another world”: A rediscovered interview with Jorge Luis Borges.

• Steven Heller explains why Magnat is his font of the month.

• Clive Hicks-Jenkins on the allure of toy theatre.

• New music: Vexed by The Bug ft. Moor Mother.

• At Dennis Cooper’s: Nikola Tesla Festschrift.

• Moon Child (1964) by The Ventures | Moonchild (1969) by King Crimson | Moonchild (1992) by Shakespears Sister

Gene Szafran album covers

Sibelius: 4 Legends From “The Kalevala”, Op. 22 (1968); Buffalo Philharmonic Orchestra, Lukas Foss.

Gene Szafran (1941–2011) was an American artist who painted illustrations for magazines and provided cover art for many science-fiction paperbacks throughout the 1970s. He shared with fellow paperback artist Bob Pepper a parallel career producing album cover art for Elektra Records and Elektra’s subsidiary for classical recordings and contemporary composition, Nonesuch, the latter contributing to William S. Harvey’s policy of making classical albums look as vibrant and contemporary as their neighbours in the rock sphere. Bob Pepper’s album covers, however, tend to resemble his book covers whereas Szafran’s book covers are simpler in style than his album art which fills out the larger space in a post-psychedelic style that’s often very detailed and done in a variety of media. It took me a while to realise that I’d known Szafran’s name for a long time via his cover for Pictures At An Exhibition by Tomita, the art for which isn’t a painting but a relief sculpture of the head of Tomita-san. A similar use of three-dimensional elements occurs on other album covers, and extends to a form of collage in which painted backgrounds are overlaid with physical objects, a technique which became a common sight in the 1980s but which wasn’t common at all in the 1960s. There might have been more work like this but Szafran’s career was cut short by multiple sclerosis in the late 1970s. Glimmer Graphics has several pages dedicated to his life and art.

The Ages Of Rock (1968) by Cy Coleman.

John Cage: Concerto For Prepared Piano & Orchestra / Lukas Foss: Baroque Variations (1968).

The Nonesuch Guide To Electronic Music (1968) by Paul Beaver & Bernard L. Krause.

The Moray Eels Eat The Holy Modal Rounders (1968) by The Holy Modal Rounders.

Continue reading “Gene Szafran album covers”

Weekend links 580

The Collective Lie We All Live By, a cut-paper collage by Allan Kausch from Maintenant 15, A Journal of Contemporary Dada Writing and Art.

• “It’s unusual that an album manages to be at once so much of its moment, yet so much outside it. Time was unmistakably a response to the electronic and synth waves that rose in the wake of punk. It was also a concept album about time travel, which couldn’t have been more pre-punk had it been focus-grouped that way.” David Bennun on Time (1981), ELO’s masterwork of science-fiction pop. The first song on the album, Twilight, is a thundering piece of synth bombast that prefigures Trevor Horn’s equally bombastic productions, and was used to memorable effect in the copyright-infringing animation made in 1983 for the opening of Daicon IV.

• New music: Disciples Of The Scorpion by The Rowan Amber Mill, and Shade by Grouper.

• “Psychedelic spirituality: Inside a growing Bay Area religious movement“.

• “It’s time to farewell this project,” says Ballardian.

• At Wormwoodiana: the seven greek vowels.

• A playlist for The Wire by Douglas Benford.

• Norman Blake‘s favourite albums.

• Astronomia Playing Cards.

• RIP Dusty Hill.

• Time (1973) by David Bowie | Time (1976) by La Düsseldorf | Time (1992) by Lull

Weekend links 579

Untitled painting by Larry Kresek.

• “A good comparison might be Broken English-era Marianne Faithfull, Appalachian folk singer Hedy West, or the early-70s home recordings of German actress Sibylle Baier; spellbound female voices possessed of an uncanny emotional honesty.” Andrew Male on the songs of Karen Black. In 1989, the first issue of Psychotronic Video profiled Black’s remarkable acting career which was cultish enough for the magazine to give her the “psychotronic” label.

• Coming soon from Strange Attractor Press, In A Sound World by Victor Segalen, “a work of fantasy concerning an inventor lost in his own immersive harmonic space”.

• At Messynessychic: Inside the Imaginarium of a Solarpunk Architect, or architectural designs by Luc Schuiten, brother of comic artist and illustrator François Schuiten.

• De Strijd der Werelden, 1899. The first illustrated book version of HG Wells’ The War of the Worlds was a Dutch edition with drawings by JH Speenhoff.

• New/old music: Words Disobey Me (Dennis Bovell Dub Version) by The Pop Group, part of a forthcoming Bovell remix of the group’s debut album, Y.

• Mixes of the week: A mix for The Wire by Sunik Kim, FACT Mix 817 by Malibu, and Rhythmic Asymmetrical Wyrd by The Ephemeral Man.

• “Whatever we call them, and whatever else they might be, they are, in fact, printed paintings.” Joseph Visconi on William Blake’s monoprints.

• Curious Music announces Moebius Strips, an audio installation by Tim Story from the sounds and music of Dieter Moebius.

• At Dangerous Minds: Richard Metzger‘s confessions of an analogue vinyl snob.

• Strange Flowers departs from tradition by offering a summer reading list.

• Moebius 256 (1977) by Zanov | Moebius (1981) by Cyrille Verdeaux | Elena’s Sound-World (2014) by Sinoia Caves

Weekend links 576

Cover art by Bob Haberfield, 1976.

• I’ve been reliably informed that Australian artist Bob Haberfield died recently but I can’t point to an online confirmation of this so you’ll have to take my word for it. “Science” and “sorcery” might describe the two poles of Haberfield’s career while he was working as a cover artist. His paintings made a big impression on British readers of fantasy and science fiction in the 1970s, especially if you were interested in Michael Moorcock’s books when they appeared en masse as Mayflower paperbacks covered in Haberfield’s art. Haberfield also appeared alongside Bruce Pennington providing covers for Panther paperbacks by HP Lovecraft, Clark Ashton Smith and others, although his work there isn’t always credited. Dangerous Minds collected some of his covers for a feature in 2017. (The US cover for The Iron Dream isn’t a Haberfield, however.)

• “Like Alice, who can only reach the house in Through the Looking-Glass by turning her back to it, Gorey reversed the usual advice to ‘write what you know’ and wrote the apparent opposite of his own situation.” Rosemary Hill reviewing Born to Be Posthumous: The Eccentric Life and Mysterious Genius of Edward Gorey by Mark Dery.

• “Orvil…wanders the countryside, visits churches, rummages in antique shops, and encounters strange men to whom he is no doubt equally strange.” John Self reviewing a new edition of In Youth Is Pleasure by Denton Welch.

• At the Wyrd Daze blog: Q&A sessions with Stephen Buckley (aka Polypores), Gareth Hanrahan, and Kemper Norton.

• “Fellini liked to say that ‘I fall asleep, and the fête begins’.” Matt Hanson on Federico Fellini’s phenomenal films.

• A Beautiful Space: Ned Raggett talks to Mick Harris about the thirty-year history of Scorn.

• Deep in the dial: Lawrence English on the enduring appeal of shortwave radio.

• Clive Hicks-Jenkins on making a picture for Annie Darwin (1841–1851).

• DJ Food looks at pages from Grunt Free Press circa 1970.

• Mix of the week: Fact Mix 814 by Loraine James.

• New music: Clash (feat. Logan) by The Bug.

• At BLDGBLOG: Terrestrial Astronomy.

• LoneLady‘s favourite albums.

• At Dennis Cooper’s: Porn 2.

• Tilings Encyclopedia

• Betrayal (Sorcerer Theme) (1977) by Tangerine Dream | Science Fiction (1981) by Andy Burnham | Sorceress (2018) by Beautify Junkyards