Strange Attractor Press – { feuilleton }

Weekend links 693

Imaginary (no date) by Sidney Sime.

• Victor Rees was in touch this week to alert me to a one-off screening of The Gourmet (previously), a cult TV drama from 1986 written by Kazuo Ishiguro and directed by Michael Whyte. The screening, which will take place at Swedenborg House, London, on 16th October, is one of a series of retrospective events based around an exhibition from 1974, Albion Island Vortex, by Brian Catling and Iain Sinclair. The film, which is connected to Sinclair’s oeuvre by its use of one of the Hawksmoor churches, will be followed by a Q&A session with Sinclair and Michael Whyte. The screening is free but places are limited so prior booking is required.

• “Alongside his thieves and vagabonds, Hotten includes religious slang, public schoolboy slang, pirate slang, equine stable slang, phrases coined by Dr. Johnson, the slang of softened oaths, workmen’s slang, stagehand slang, shopkeeper’s slang, and dozens of other argots.” Hunter Dukes on A Dictionary of Modern Slang, Cant, and Vulgar Words (1860) by John Camden Hotten.

• The Night Land, William Hope Hodgson’s “Dying Earth” doorstop, is republished in an abridged version as part of MIT Press’s Radium Age series, “proto–science fiction stories from the underappreciated era between 1900 and 1935”. All the reprints come with new introductions, the one for Hodgson being by Erik Davis.

• “My partner wanted me to stop buying lava lamps. It was an expensive hobby, and we were running out of room in our apartment.” Nora Claire Miller on the lure of the lava lamp. I only own a single one but I appreciate the obsessive attraction.

• Rambalac takes his roaming camera for a walk through teamLab Planets, Tokyo, a labyrinthine exhibition featuring plenty of water (and wet feet), and a moss garden filled with large silver eggs.

• At Strange Flowers: An examination of the connections between the self-mythologising Marie Corelli and her fictional counterparts in the Mapp and Lucia novels of EF Benson.

• Coming soon from Strange Attractor: Cabarets of Death, a book about the otherworldly cabarets of Montmartre by Mel Gordon, edited by Joanna Ebenstein.

• Among the new titles at Standard Ebooks, the home of free, high-quality, public-domain texts: The Secret Glory by Arthur Machen.

• 10 essential Japanese reggae releases selected by Kay Suzuki.

• Mix of the week: A Fact Mix by Venus Ex Machina.

• Modern Art in Mid-Century Comics.

• RIP Michael Gambon.

• Planet Caravan (1970) by Black Sabbath | Planet Queen (1971) by T. Rex | Oszillator Planet Concert (1971) by Tangerine Dream

Weekend links 684

Playing cards designed in 1977 by Taro Okamoto.

• “This practice of looking does not prioritise academic or historical perspectives on art. It is divorced from the artist, the industry and the formal study of the arts. By paying attention to the form, title and other perceptible ‘clues’ in the work, this practice is primarily interested in using the intuitive, sensory, suggestive and aleatory to engage in conversation with a creative work. The point is not to develop an answer, an interpretation that ‘settles’ the ‘question’ of the painting, or to intellectualise the work in terms of form, style, history or the concerns of the artist. Rather, in this practice, a piece of art or writing becomes a test or opportunity for working one’s imagination—an exercise in making associations.” Aparna Chivukula on choosing art over wellness apps.

• “But with the discourse about the limitations of moralizing steadily growing, the question of an alternative naturally arises. The critics of self-righteousness and trauma mongering are for the most part not calling for a return to the amoral ironism that governed the Nineties and early Aughts—the sensibility that surely gave rise, at least in part, to the overgrowth of didacticism that followed. But if not this, then what? Where do we go from here?” Anastasia Berg on “the aesthetic turn”.

• “…by choosing ordinary creatures, the fabulist naturalises the stories in a world that is close to hand, which helps the writer communicate opinions that are often subversive.” Marina Warner on Kalilah wa-Dimnah and the animal fable.

• Coming soon from Strange Attractor: Austin Osman Spare, a revised and expanded edition of Phil Baker’s excellent biography of the artist/occultist.

• At Rarefilmm: The Marat/Sade (1967), Peter Brook’s film (previously) of the 1965 Broadway production of Peter Weiss’s play.

• New music: Hostile Environment by Creation Rebel, and Tone Maps by Field Lines Cartographer.

• Mixes of the week: Isolatedmix 122 by Mary Yalex, and XLR8R Podcast 810 by Zaumne.

• At Dennis Cooper’s: Pierre Clementi Day.

• Sade Masoch (1968) by Bobby Callender | On Sadism (1979) by Material | Sadistic (1995) by Stereolab

Comps

The month in complimentary copies. In publishing you often get sent at least one copy of something you’ve worked on although there are plenty of occasions when this doesn’t happen. This trio turned up while I’ve been waiting for two other books to arrive, both of which I’d contributed to (one of them even has my name on the cover) but still had to request from editors. It’s always a quandary when this happens. You feel reluctant to add to somebody’s working day by making a petty request for a copy of that thing you provided some artwork for a year ago; on the other hand, one of the books I’ve been waiting for is published by an international company with a 70-year history who nevertheless didn’t have a budget to pay for all the artwork they were using. The comp was supposed to be my payment for their use of a single picture. It looks like I’ll be buying this one myself.

Great Work of Time is a book I’ve already mentioned here, being a hardcover reprint of an award-winning novella by John Crowley. I designed the interior and the cover which has been beautifully printed by Subterranean Press on textured paper. The interiors feature two-colour printing, with various details picked out in magenta ink. A handsome edition that’s also one of the best time-travel stories I’ve read.

Everything Keeps Dissolving: Conversations with Coil has also been mentioned here before. This is Nick Soulsby’s collection of interviews with Coil, a book that rescues from obscurity and potential loss a wealth of interview material—magazine features, fanzine profiles, video and tape transcripts—which chart the group’s career. I assisted in a very small way with this one, letting Nick see some of my written correspondence with John Balance. I’m also mentioned in one of the interviews which was a surprise to discover after all this time. This is a very large book which will be essential reading for all Coil cultists.

Fifth Quarter: Derek Jarman, Keith Collins and Dungeness is a collection of personal responses to the films and art of Derek Jarman. The book has some slight relation to the Coil volume via the pictures that resemble the Jarman piece used on the cover of How To Destroy Angels. Fifth Quarter has been published by the Subtext record label to accompany Fifth Continent, an album by Alexander Tucker and the late Keith Collins, Jarman’s former partner and custodian of Prospect Cottage. I didn’t contribute to the book but I’ve done a lot of design work for Subtext who have been releasing avant-garde music now for almost 20 years. Book publishing is a new venture for them. The list of contributors to Fifth Quarter is an impressive one: Barry Adamson, Jennifer Lucy Allan, Sarah Bade, Derek Brown, Keith Collins, Garry Clayton, Peter Fillingham, William Fowler, Dan Fox, Elise Lammer, Matthew R. Lewis, James Mackay, Frances Morgan, Garrett Nelson, Stephen O’Malley, Paul Purgas, Damien Roach, Howard Sooley, Mark Titchner, Alexander Tucker, Peter Tucker, Luke Turner, Simon Fisher Turner, and Cosey Fanni Tutti.

Previously on { feuilleton }
• Great Work of Time
• Man is the Animal, issue three
• Derek Jarman album covers

Weekend links 614

Uncredited cover art for the forthcoming Ghost Power, the debut album from the group of the same name, a collaboration between Jeremy Novak (Dymaxion) and Tim Gane (Stereolab, Cavern Of Anti-Matter).

• Objective correlatives: “In compiling the following list of influences and inspirations for my memoir, Modern Instances: The Craft of Photography, I had a certain, specific range of aesthetic experiences in mind,” says Stephen Shore.

• “Smoking toad has been likened, in one guide to psychedelics, to ‘being strapped to the nose of a rocket that flies into the sun and evaporates.'” Kimon de Greef on The Pied Piper of Psychedelic Toads.

• “I’ve always been fascinated by the idea that before there was language there was music,” says Meredith Monk.

• Coming soon from Strange Attractor: Obsolete Spells – Poems and Prose from Victor Neuburg and the Vine Press.

• “…scepticism is not simply about knowledge or language. It is a way of life,” says Nicholas Tampio.

• Life during wartime: Jonathan Wright on Radio Tisdas and the roots of Tinariwen.

• Mix of the week: A Hallow Ground mix for The Wire.

• Volunteers rally to archive Ukrainian web sites.

• The Strange World of…Ahmed Abdul-Malik.

• I Put A Spell On You (1965) by Nina Simone | Cast A Spell (1969) by The Open Mind | Spinning A Spell (1970) by Mystic Siva

Weekend links 579

Untitled painting by Larry Kresek.

• “A good comparison might be Broken English-era Marianne Faithfull, Appalachian folk singer Hedy West, or the early-70s home recordings of German actress Sibylle Baier; spellbound female voices possessed of an uncanny emotional honesty.” Andrew Male on the songs of Karen Black. In 1989, the first issue of Psychotronic Video profiled Black’s remarkable acting career which was cultish enough for the magazine to give her the “psychotronic” label.

• Coming soon from Strange Attractor Press, In A Sound World by Victor Segalen, “a work of fantasy concerning an inventor lost in his own immersive harmonic space”.

• At Messynessychic: Inside the Imaginarium of a Solarpunk Architect, or architectural designs by Luc Schuiten, brother of comic artist and illustrator François Schuiten.

• De Strijd der Werelden, 1899. The first illustrated book version of HG Wells’ The War of the Worlds was a Dutch edition with drawings by JH Speenhoff.

• New/old music: Words Disobey Me (Dennis Bovell Dub Version) by The Pop Group, part of a forthcoming Bovell remix of the group’s debut album, Y.

• Mixes of the week: A mix for The Wire by Sunik Kim, FACT Mix 817 by Malibu, and Rhythmic Asymmetrical Wyrd by The Ephemeral Man.

• “Whatever we call them, and whatever else they might be, they are, in fact, printed paintings.” Joseph Visconi on William Blake’s monoprints.

• Curious Music announces Moebius Strips, an audio installation by Tim Story from the sounds and music of Dieter Moebius.

• At Dangerous Minds: Richard Metzger‘s confessions of an analogue vinyl snob.

• Strange Flowers departs from tradition by offering a summer reading list.

• Moebius 256 (1977) by Zanov | Moebius (1981) by Cyrille Verdeaux | Elena’s Sound-World (2014) by Sinoia Caves