Weekend links 96

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Sin título (monstruas) (2008) by Marina Núñez.   

• Salon asks Christopher Bram “Is gay literature over?” Bram’s new book, Eminent Outlaws: The Gay Writers Who Changed America, is reviewed here.

Robert Montgomery is profiled at the Independent as “The artist vandalising advertising with poetry.”

In addition to aesthetics, McCarthy noted a deeper link between great science and great writing. “Both involve curiosity, taking risks, thinking in an adventurous manner, and being willing to say something 9/10ths of people will say is wrong.” Profound insights in both domains also tend arise from a source beyond the limits of analytic reason. “Major insights in science come from the subconscious, from staring at your shoes. They’re not just analytical.”

Nick Romeo meets Cormac McCarthy at the Santa Fe Institute.

• For FACT mix 316 Julia Holter mixes radio broadcasts, street recordings and music.

• This week in the Tumblr labyrinth: fin de siècle art and graphics from Nocnitsa.

“There’s a widespread cultural barrenness across art and political culture. But there are some pockets of resistance on the extreme margins, like the techno-savvy protest movements, small press, the creator-owned comics, that seem to be getting some signs of hope for the future,” he says. “All of the genuinely interesting work is being done on the margins, with independent companies, self-producing, and alternative distribution networks.”

Alan Moore on Watchmen’s “toxic cloud” and creativity v. big business.

Stone Tape Shuffle, a 12” LP of readings by Iain Sinclair. Limited to 400 copies.

Monolake on how we cope with death: mythologies, rituals, drugs and Ghosts.

Kraftwerk perform at New York’s Museum of Modern Art in April.

Kathy Acker (in 1988?) interviewing William Burroughs.

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Willy Pogány’s erotica: illustrations for a 1926 edition of The Songs of Bilitis by Pierre Louÿs.

• Nicholas Lezard on David Lynch: director of dreams.

Did otherworldly music inspire Stonehenge?

Coilhouse has an Eyepatch Party.

Tanzmusik (1973) by Kraftwerk | The Model (1992) by the Balanescu Quartet | Trans Europe Express (2003) by the Wiener Sinfonie Orchestra & Arnold Schönberg Choir.

Weekend links 95

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Seven Songs (1982) by 23 Skidoo. Sleeve by Neville Brody.

The first volume of The Graphic Canon will be published in May by Seven Stories Press, a collection of comic strip adaptations and illustrations edited by Russ Kick. The anthology has already picked up some attention at the GuardianWestern canon to be rewritten as three-volume graphic novel—and Publishers’ WeeklyGraphic Canon: Comics Meet the Classics. I know someone who’ll bristle at the lazy use of “graphic novel”. The Graphic Canon isn’t anything of the sort, it’s a three-volume voyage through world literature presented in graphic form with a list of contributors including Robert Crumb, Will Eisner, Molly Crabapple, Rick Geary, and Roberta Gregory. My contribution is a very condensed adaptation of The Picture of Dorian Gray that will appear in volume 2. More about that closer to the publication date.

• LTM Records announces a vinyl reissue for Seven Songs (1982) by 23 Skidoo, an album produced by Ken Thomas, Genesis P Orridge & Peter Christopherson that still sounds like nothing else. Related: an extract from Tranquilizer (1984) by Richard Heslop, cut-up Super-8 film/video with audio collage by 23 Skidoo.

• New exhibitions: Another Air: The Czech–Slovak Surrealist Group, 1991–2011 at the Old Town City Hall, Prague (details in English here), and Ed Sanders – Fuck You / A Magazine of the Arts 1962–1965 at Boo-Hooray, NYC.

• “…we have a situation where the banks seem to be an untouchable monarchy beyond the reach of governmental restraint…” Alan Moore writes for the BBC about V for Vendetta and the rise of Anonymous.

Announcing Arc: “a new magazine about the future from the makers of New Scientist“. Digital-only for the time being, as they explain here. Their Tumblr has tasters of the contents.

• From another world: Acid Mothers Temple interviewed. Also at The Quietus: Jajouka or Joujouka? The conflicted legacy of the Master Musicians.

• More from Susan Cain on introverts versus extroverts. Related: Groupthink: The brainstorming myth by Jonah Lehrer.

Ten Thousand Waves, an installation by Isaac Julien.

Afterlife: mouldscapes photographed by Heikki Leis.

• The book covers of Ralph Steadman. And more.

• “James Joyce children’s book sparks feud

Arkitypo: the final alphabet.

Book Aesthete

Kundalini (1982) by 23 Skidoo | Vegas El Bandito (1982) by 23 Skidoo | IY (1982) by 23 Skidoo

Weekend links 90

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Portrait of Dr. Ignacio Chavez (1957) by Remedios Varo (1908–1963) some of whose Surrealist paintings can be seen at Frey Norris, San Francisco, from 19th January. There’s also In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States at the Los Angeles County Museum of Art from 29th January.

The current crop of Republicans jostling for the Presidential nomination have reminded me of the Downunder people in Harlan Ellison’s post-apocalypse novella A Boy and His Dog (1969): a retrograde, fear-ridden community who send troublesome individuals to be exterminated at “the farm”. Rick Santorum (unforgettably pictured here with family in 2006 after losing an election) almost received the majority of Iowa’s votes for his nomination last week, prompting renewed scrutiny of his negative views about gay people, sexually active people, foreign people (especially Arabs and Mexicans), and anyone generally who isn’t a white, Catholic, Downunder person. Santorum is against gay marriage, of course—it’s hard to find a Republican who isn’t—but he also wants to ban abortion even in cases of rape and incest, and given the opportunity would allow US states to prevent any use of contraception. Add to this his pro-torture stance (which offends current Catholic church policy), and his willingness to wage war with Iran, and it’s easy to see why his name prompts reactions such as this:

I have a history with Rick Santorum. In 2003, when Santorum, in an interview with the Associated Press, first compared gay relationships to child rape and dog fucking (have I mentioned that Santorum has compared gay relationships to child rape and dog fucking?), I held a contest to redefine Santorum‘s last name. The winning definition: “the frothy mix of lube and fecal matter that is sometimes the byproduct of anal sex.” (“Sometimes” is the most important word in the new definition of santorum; if you’re doing anal sex correctly, there won’t be any santorum – lower- or upper-case.) And since 2003, the new definition has been the No. 1 Google return when you search “santorum“.

Rick Santorum’s homophobic frothing by Dan Savage

Related: Santorum was named one of the three “most corrupt” Senators in 2006 | “Homohater fosser fram” which is how Dagbladet, Norway’s second largest tabloid newspaper, introduces Santorum to its readers | “Rick Santorum channels Saint Augustine” an article at Slate exploring the Handmaid’s Tale extent of Santorum‘s attitudes towards sex and morality | Rick Santorum quotes as New Yorker cartoons.

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The Rod (1973) by Brigid Marlin.

• Ballardian posts a long-overdue interview with Brigid Marlin, famous now for having brought two lost Paul Delvaux paintings back to life for JG Ballard, but also a woman with an extensive career as a fantastic artist using Ernst Fuchs‘s laborious mische painting technique.

Quentin Blake on Ronald Searle, in which Blake notes that his hero was given a full-scale exhibition of his work at the Bibliothèque Nationale, France, in 1973 whilst being ignored throughout his life by the major institutions in Britain.

Alfred Jarry: A Pataphysical Life by Alastair Brotchie is reviewed by Michael Moorcock who tells me the Guardian cut out his references to Boris Vian, Maurice Richardson and David Britton.

Ian McKellen stirs things up by suggesting (not for the first time) that Shakespeare was bisexual.

• Ten posters by Only More Never Less inspired by Pink Floyd’s Dark Side of the Moon.

An end to bad heir days: The posthumous power of the literary estate.

Peace Eye! Fug! A Long Talk With Ed Sanders.

• Sand sculptures by Carl Jara.

Letterheady

• Skylab: These Are The Blues (1995) | Beyond The Breeze (1995) | Red Light, Blue Light (1995) | Indigo (Sabres of Paradise remix, 1995) | Seashell (Nobukazu Takemura mix, 1995).

Let England Shake

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Design by Michelle Henning, drawings by PJ Harvey.

An album that’s been a continual visitor to the Coulthart CD player over the past few months, Let England Shake was consciously composed like George Crumb’s Black Angels “in time of war”, referencing not only wars present but those long past. Coiled around the bellicose theme is a portrait of a nation whose patriotism is built on sand. England did shake this year, and the unavoidable correlation of PJ Harvey‘s words with the events of the summer makes her album stand in relation to 2011 the way The Specials’ Ghost Town did to 1981.

In addition to the CD, Let England Shake also comes as a DVD of a dozen short films by photographer Seamus Murphy, one film for each song. Harvey and Murphy have very generously put the full set on YouTube in HD. Follow the links below.

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Let England Shake

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The Last Living Rose

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The Glorious Land

Continue reading “Let England Shake”

Weekend links 89

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A drawing from Bestiario Moderno by Domenico Gnoli (1933–1970).

RIP Russell Hoban. Nina Allan celebrates a favourite writer while David Mitchell, writing in 2005, pays tribute to Riddley Walker. For me the gulf between Hoban and many of his contemporaries could be measured by his entry in the Writer’s Rooms feature the Guardian Review was running for a couple of years: Hoban’s room was the only one that admitted to being cramped and chaotic.

A wristwatch could be “a tiny flowering hell, a wreath of roses, a dungeon of air” and still tell time. A short story could take the shape of an instruction manual for the most routine of tasks (crying, singing, winding said dungeon, killing ants in Rome), or a compendium of tales about fantastical but oddly familiar species. A novel didn’t have to progress from the first page to the last, hung on a rigid skeleton of plot: it could proceed in oblong leaps and great steps backward, like a game, say, of hopscotch. “Literature is a form of play,” said Cortázar. […] It is perhaps because he so stubbornly resists categorization, as much as for the ludic complexity of his work, that Cortázar is in these parts more admired than he is read. The Anglophone literary imagination (or perhaps just its material substrate: the market) appears to have room for only one Latin American giant per generation—Borges, García Márquez, the freshly beatified San Bolaño. Cortázar was too weird, too difficult, too joyously slippery to make the cut.

Eels Über Alles: Ben Ehrenreich on Julio Cortázar

• Alfred Jarry is another writer the Anglophone world has often found “too weird, too difficult”. Jarry has been dead for over a century but Alastair Brotchie’s recently-published full-length biography is the first such work in English. Mark Polizzotti reviews a life of “the poster boy for literary cult figures” at Bookforum.

• “A Beautiful Trip”: Frances Morgan interviews David Lynch about music and sound. And Robert Wyatt talks for 95 minutes to Tony Herrington about his favourite music.

• Twilight Science: Paul Schütze presents solo musical work and various collaborative projects in new digital editions.

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Jonathan Barnbrook‘s logo design for Occupy London.

• Winter reads: Myths of the Norsemen by Roger Lancelyn Green. Related: What became of illustrations in fiction?

The White People and Other Weird Stories by Arthur Machen is a new Penguin Classic out in January.

• “This Christmas, why not give Viriconium, city of sex, syphillis & consubstantiation?”

• The Casual Optimist announces its Favourite Book Covers of 2011.

The Collect Call of Cthulhu

Living with Burroughs

Function (2011) by Emptyset | Aftertime (2011) by Roly Porter with Cynthia Miller on the Ondes Martenot.