Weekend links 90

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Portrait of Dr. Ignacio Chavez (1957) by Remedios Varo (1908–1963) some of whose Surrealist paintings can be seen at Frey Norris, San Francisco, from 19th January. There’s also In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States at the Los Angeles County Museum of Art from 29th January.

The current crop of Republicans jostling for the Presidential nomination have reminded me of the Downunder people in Harlan Ellison’s post-apocalypse novella A Boy and His Dog (1969): a retrograde, fear-ridden community who send troublesome individuals to be exterminated at “the farm”. Rick Santorum (unforgettably pictured here with family in 2006 after losing an election) almost received the majority of Iowa’s votes for his nomination last week, prompting renewed scrutiny of his negative views about gay people, sexually active people, foreign people (especially Arabs and Mexicans), and anyone generally who isn’t a white, Catholic, Downunder person. Santorum is against gay marriage, of course—it’s hard to find a Republican who isn’t—but he also wants to ban abortion even in cases of rape and incest, and given the opportunity would allow US states to prevent any use of contraception. Add to this his pro-torture stance (which offends current Catholic church policy), and his willingness to wage war with Iran, and it’s easy to see why his name prompts reactions such as this:

I have a history with Rick Santorum. In 2003, when Santorum, in an interview with the Associated Press, first compared gay relationships to child rape and dog fucking (have I mentioned that Santorum has compared gay relationships to child rape and dog fucking?), I held a contest to redefine Santorum‘s last name. The winning definition: “the frothy mix of lube and fecal matter that is sometimes the byproduct of anal sex.” (“Sometimes” is the most important word in the new definition of santorum; if you’re doing anal sex correctly, there won’t be any santorum – lower- or upper-case.) And since 2003, the new definition has been the No. 1 Google return when you search “santorum“.

Rick Santorum’s homophobic frothing by Dan Savage

Related: Santorum was named one of the three “most corrupt” Senators in 2006 | “Homohater fosser fram” which is how Dagbladet, Norway’s second largest tabloid newspaper, introduces Santorum to its readers | “Rick Santorum channels Saint Augustine” an article at Slate exploring the Handmaid’s Tale extent of Santorum‘s attitudes towards sex and morality | Rick Santorum quotes as New Yorker cartoons.

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The Rod (1973) by Brigid Marlin.

• Ballardian posts a long-overdue interview with Brigid Marlin, famous now for having brought two lost Paul Delvaux paintings back to life for JG Ballard, but also a woman with an extensive career as a fantastic artist using Ernst Fuchs‘s laborious mische painting technique.

• Quentin Blake on Ronald Searle, in which Blake notes that his hero was given a full-scale exhibition of his work at the Bibliothèque Nationale, France, in 1973 whilst being ignored throughout his life by the major institutions in Britain.

• Alfred Jarry: A Pataphysical Life by Alastair Brotchie is reviewed by Michael Moorcock who tells me the Guardian cut out his references to Boris Vian, Maurice Richardson and David Britton.

• Ian McKellen stirs things up by suggesting (not for the first time) that Shakespeare was bisexual.

• Ten posters by Only More Never Less inspired by Pink Floyd’s Dark Side of the Moon.

• An end to bad heir days: The posthumous power of the literary estate.

• Peace Eye! Fug! A Long Talk With Ed Sanders.

• Sand sculptures by Carl Jara.

• Letterheady

• Skylab: These Are The Blues (1995) | Beyond The Breeze (1995) | Red Light, Blue Light (1995) | Indigo (Sabres of Paradise remix, 1995) | Seashell (Nobukazu Takemura mix, 1995).

Weekend links: 2012 edition

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The Hand of Fate, Life magazine, October, 1912. Artist unknown.

• In Search of Barney Bubbles: the great graphic designer is profiled on BBC Radio 4, Monday, 2nd January. And speaking of album cover designers, Cool Hunting talked to Storm Thorgerson about his work.

• FACT mix 310 is a hugely eclectic two-parter from Moon Wiring Club. Grab it while it’s still available. And there’s also Solstmas 2011/2: The Final Countdown, a mix by El Minko Misterioso.

• One of the music events of the new year will be the release of Captain Beefheart’s Bat Chain Puller album. Pre-order it here.

In 1972, at the age of thirty-one, [Fred] Halsted released L.A. Plays Itself, a film which drew upon Kenneth Anger’s surrealist eroto-expressionism, and went way beyond Anger’s sublimated homoeroticism to explicitly portray gay male S/M sex. In 1969, when Halsted first decided to make a sexually explicit film, he decided to create a part for himself, and then be that part.

Halsted Plays Himself by William E. Jones reviewed at Lambda Literary

• Lunar Rover: An interview with Steve Moore and extract from Somnium.

• Battersea Power Station, a graveyard of architectural schemes.

Editors might admire a fine book, but are overridden by marketing and accounting departments who now have the final say. I know of a novel that wasn’t accepted by one publisher after the manuscript was first submitted to W.H. Smith, who said that it wouldn’t sell enough.

Jenny Diski on the state of fiction publishing in the UK

• EU copyright on James Joyce‘s works ended at midnight.

• Dressed to Kill: Dispelling the Myths of Men in Drag.

• The Geology of the Mountains of Madness

• Mandala of the Day

• Chomeography

• The Floppy Boot Stomp (1978 mix) by Captain Beefheart and the Magic Band.

Let England Shake

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Design by Michelle Henning, drawings by PJ Harvey.

An album that’s been a continual visitor to the Coulthart CD player over the past few months, Let England Shake was consciously composed like George Crumb’s Black Angels “in time of war”, referencing not only wars present but those long past. Coiled around the bellicose theme is a portrait of a nation whose patriotism is built on sand. England did shake this year, and the unavoidable correlation of PJ Harvey‘s words with the events of the summer makes her album stand in relation to 2011 the way The Specials’ Ghost Town did to 1981.

In addition to the CD, Let England Shake also comes as a DVD of a dozen short films by photographer Seamus Murphy, one film for each song. Harvey and Murphy have very generously put the full set on YouTube in HD. Follow the links below.

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Let England Shake

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The Last Living Rose

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The Glorious Land

Continue reading “Let England Shake”

Colour photography, 1908

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Portrait of Jessie M. King by J. Craig Annan (autochrome).

I don’t recall having seen a photo of artist Jessie M. King prior to this so it’s an additional surprise to find one in colour. All these examples are from Colour Photography: and other recent developments of the art of the camera (1908), one of the many books edited by Charles Holme from features in The Studio magazine. Needless to say, not all the entries are colour but a number of the monochrome plates have their own qualities, such as that painterly effect which so many early photographers were eager to cultivate. Anyone familiar with Gertrude Käsebier’s very painterly The Crystal Gazer, famous for its appearance on the cover of a Cocteau Twins sleeve, may like to know that two more portraits by Ms Käsebier are included in Holme’s selection. For a look at more recent attempts to match the effects of painting with the camera, see this piece by Rick Poynor about the remarkable work of Saul Leiter.

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A Tangle After a Storm by Walter Bennington.

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A Late Winter Sun by Dr. H. Bachmann (gum print).

Continue reading “Colour photography, 1908”

Weekend links 89

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A drawing from Bestiario Moderno by Domenico Gnoli (1933–1970).

RIP Russell Hoban. Nina Allan celebrates a favourite writer while David Mitchell, writing in 2005, pays tribute to Riddley Walker. For me the gulf between Hoban and many of his contemporaries could be measured by his entry in the Writer’s Rooms feature the Guardian Review was running for a couple of years: Hoban’s room was the only one that admitted to being cramped and chaotic.

A wristwatch could be “a tiny flowering hell, a wreath of roses, a dungeon of air” and still tell time. A short story could take the shape of an instruction manual for the most routine of tasks (crying, singing, winding said dungeon, killing ants in Rome), or a compendium of tales about fantastical but oddly familiar species. A novel didn’t have to progress from the first page to the last, hung on a rigid skeleton of plot: it could proceed in oblong leaps and great steps backward, like a game, say, of hopscotch. “Literature is a form of play,” said Cortázar. […] It is perhaps because he so stubbornly resists categorization, as much as for the ludic complexity of his work, that Cortázar is in these parts more admired than he is read. The Anglophone literary imagination (or perhaps just its material substrate: the market) appears to have room for only one Latin American giant per generation—Borges, García Márquez, the freshly beatified San Bolaño. Cortázar was too weird, too difficult, too joyously slippery to make the cut.

Eels Über Alles: Ben Ehrenreich on Julio Cortázar

• Alfred Jarry is another writer the Anglophone world has often found “too weird, too difficult”. Jarry has been dead for over a century but Alastair Brotchie’s recently-published full-length biography is the first such work in English. Mark Polizzotti reviews a life of “the poster boy for literary cult figures” at Bookforum.

• “A Beautiful Trip”: Frances Morgan interviews David Lynch about music and sound. And Robert Wyatt talks for 95 minutes to Tony Herrington about his favourite music.

• Twilight Science: Paul Schütze presents solo musical work and various collaborative projects in new digital editions.

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Jonathan Barnbrook‘s logo design for Occupy London.

• Winter reads: Myths of the Norsemen by Roger Lancelyn Green. Related: What became of illustrations in fiction?

• The White People and Other Weird Stories by Arthur Machen is a new Penguin Classic out in January.

• “This Christmas, why not give Viriconium, city of sex, syphillis & consubstantiation?”

• The Casual Optimist announces its Favourite Book Covers of 2011.

• The Collect Call of Cthulhu

• Living with Burroughs

• Function (2011) by Emptyset | Aftertime (2011) by Roly Porter with Cynthia Miller on the Ondes Martenot.