{film} – Page 282 – { feuilleton }

Weekend links 57

A 1973 Ballantine edition of William Burroughs’ novel with a cover illustration from Metamorphosis of Narcissus (1937) by Salvador Dalí. Via the Burroughs Book Covers archive.

The Sel Publishing House, Turkey, published a new translation of The Soft Machine by William Burroughs in January, an edition which is now under investigation by the Istanbul Prosecutor’s Office following a report by the (deep breath) Prime Ministry’s Council for Protecting Minors from Explicit Publications. The Council lodged a number of complaints, among them assertions of “lacking unity in its subject matter,” “incompliance with narrative unity,” “using slang and colloquial terms” and “the application of a fragmented narrative style.” Details here. Does Turkey still want to join the EU? Because this kind of persistently illiberal bullshit (see the earlier treatment of Orhan Pamuk) isn’t helping their case at all.

• Related to the above: Evan J Peterson reads Allen Ginsberg’s Howl in the toilet of a Seattle gay bar; Ginsberg himself reads Kaddish and other works here.

• More illiberal bullshit: LGBT activists arrested during royal wedding; Queer Resistance released a statement about the arrests. MPs, activists and trade unionists condemn new attacks on the right to protest.

• The Dorian Gray That Wilde Would Want Us To Read. Harvard University Press publishes an uncensored and annotated edition of Wilde’s novel. Kudos for using Caravaggio’s Narcissus on the cover.

One weekend in late 1967, they all decamped to a hotel suite in California’s Ojai Valley for a brainstorming session. Amid clouds of pot smoke, they talked all weekend with the tape recorder running. [Jack] Nicholson then took the tapes and turned the conversations into a screenplay; according to Rafelson, he structured it while on LSD.

Revisiting The Monkees’ psychedelic movie, Head.

Kraftwerk icons for Windows and Mac OS X by Dave Brasgalla.

• Robert Louis Stevenson gets his revenge on sneaky literary agent – 120 years later. And Michael Moorcock imagines tales of unseen Mervyn Peake pictures.

Painting doesn’t look so good on the web. It looks better in life. Sculpture looks better in life. What you end up with is just a reproduction. Whereas with film or with sound or with poetry, you get the deep primary experience not the secondary experience. The web delivers those primary experiences very well.

Ubuweb’s Kenneth Goldsmith interviewed.

• Arkhonia’s Another Dispatch in a World of Multiple Veils is now a free download.

• The story of This Is The Sea: An interview with Mike Scott of The Waterboys.

• Fairlight: The Rolls Royce of synthesizers.

• Haeckel Clock, a free app for the iPad.

• What is totalitarian art?

• Porpoise Song (1968) by The Monkees | Hope For Happiness (1969) by The Soft Machine | I’m A Believer (1974) by Robert Wyatt.

Ira Cohen, 1935–2011

Ira Cohen (1979) by Gerard Malanga.

Another of the psychedelic magi departed our mundane sphere this week, and for the moment his passing seems to have been unacknowledged by those cultural wardens who you’d think would know better. Ira Cohen was a poet with a gift for phrases which demand to be appended to Mati Klarwein paintings (one such phrase, The Surgeon Of The Nightsky Restores Dead Things By The Power Of Sound, was used by Jon Hassell for an album title); he was also a photographer whose use of a chamber covered in sheets of reflective Mylar turned photo-portraiture into a psychotropic art:

I never wanted to be a photographer like the commercial photographers. For me, it was more about the involvement of the mirror, and scrying, reflection, crystal-ball-gazing, trying to get to some other place. It was all about reflection, in the deepest sense of the word. (More.)

Cohen’s 1968 film, The Invasion of Thunderbolt Pagoda, used his Mylar Chamber as a locus to create one of the key works of psychedelic cinema. More of that work can be seen here while his 1994 album of readings and music, The Majoon Traveler, is available via iTunes.

• The Invasion of Thunderbolt Pagoda, six postcards from Aspen no. 9 (1971).

Previously on { feuilleton }
• Dreamweapon: The Art and Life of Angus MacLise, 1938–1979
• William Burroughs by Ira Cohen, 1967
• The Invasion of Thunderbolt Pagoda

Weekend links 56

Ad Astra (1907) by Akseli Gallen-Kallela.

• Andres Serrano’s works are photo prints so you can’t damage an exhibition item the way you can with a painting. That didn’t stop Catholic protestors in France attacking a copy of Piss Christ on Monday. By coincidence, Dave Maier had posted an essay about Serrano’s work a few hours earlier, and with a reminder that the notorious photograph was part of a series, a detail which is often forgotten or conveniently ignored.

• The Avant Garde Project which made available deleted experimental audio works (see this earlier post) ceased activity a while ago so it’s good to see that its archives will now be hosted at Ubuweb.

…African Head Charge again was a studio name I had to start with, and it evolved into a band about eight years later. That started out again I read an interview in a newspaper where Brian Eno talked about he’d made an album called My Life in the Bush of Ghosts with another musician—that Talking Heads fellow [David Byrne]—and he said “I had a vision of a psychedelic Africa”. And I thought, “Oh, that’s pretentious”. But then I thought about it, and thought “No, what a good idea! Make really trippy African dub”.

Adrian Sherwood on thirty years of On-U Sound.

• Related: Brian Eno has a new album out in July, Drums Between The Bells, a collaboration with Rick Holland.

“Do you think Lord Leighton could by any chance have been a homosexual?” enquired Richard. “It says here,” I replied, consulting a laminated information card, “that there is no evidence one way or the other.”

“Rent boys leave no evidence,” said Richard.

A private view of Lord Leighton’s home in Holland Park, London, which opened to the public again last year.

• Passengers, an exhibition of urban transit photos by Chris Marker at Peter Blum, NYC. For a different kind of rail transport there’s this exploration of London’s disused underground Post Office Railway.

• Reappraising the recent past: Jon Savage on Taxi zum Klo, Christiane F, David Bowie and the seedy attraction of Berlin in the 70s and 80s; Iain Sinclair on the Festival of Britain sixty years on.

• Stella Steyn’s illustrations for Finnegans Wake as seen in transition magazine, 1929. And speaking of literary magazines, the return of New Worlds has been announced.

• Clive Hicks-Jenkins is an art monograph published next month by Lund Humphries. Clive enthused about the book’s arrival.

• 50 Watts announces the Polish Book Cover Contest.

• 4th June, 2011 is Radiophonic Creation Day.

• Americans: has your state banned sodomy?

• Stardust (1931) by Louis Armstrong | Stardust (1940) by Artie Shaw | Stardust (1957) by Nat King Cole.

Weekend links 55

From the Ornamental Age series (2009) by Seher Shah.

Seher Shah has recently updated her website giving us a better view of her extraordinary art.

• The Demon Regent Asmodeus, my short film of Alan Moore’s reading from the first Moon & Serpent CD, has been posted to YouTube. In other self-promotion news, Mahakala, a drawing of mine from 1984, finds an audience on Tumblr.

• Yet more Moore: Alan Moore & Iain Sinclair “explore psychogeography” at the Cheltenham Festival in June. Alan will also be discussing science and fiction with Robin Ince. Then in July he’s performing with fine fellow Stephen O’Malley at Alexandra Palace as part of Portishead’s I’ll Be Your Mirror festival. They’ll be providing text and music for Harry Smith’s Heaven and Earth Magic.

In most countries, parents can tell their kids that if they work hard and do everything right, they could grow up to be the head of state and symbol of their nation. Not us. Our head of state is decided by one factor, and one factor alone: did he pass through the womb of one aristocratic Windsor woman living in a golden palace? The US head of state grew up with a mother on food stamps. The British head of state grew up with a mother on postage stamps. Is that a contrast that fills you with pride? (…) Earlier this month, David Cameron lamented that too many people in Britain get ahead because of who their parents are. A few minutes later, without missing a beat, he praised the monarchy as the best of British. Nobody laughed.

Johann Hari kicks the royals.

• Related to the above: Lydia Leith’s royal wedding sick bag.

• Beautiful Century relates a dispiriting (and very common) encounter with Google’s blog prudery. The new Beautiful Century is now at Tumblr.

• In the future, everything will be on Tumblr for fifteen minutes. Among this week’s discoveries there’s Writers and Kitties, attractive men and vintage photos at Stuff Doer, and all manner of things at Maggs Counterculture including a picture by Jim Leon I hadn’t seen before.

From the Ornamental Age series (2009) by Seher Shah.

“Sidewalk cafés, free from conservative business attire…” Film of groovy Greenwich Village in the late 1960s. Related: groovier fashions in Art Nouveau Barcelona.

• Ai Weiwei’s Blog: Writings, Interviews, and Digital Rants, 2006-2009, a book from MIT Press.

• The Delian Mode, a film about electronic musician Delia Derbyshire by Kara Blake.

• Austin Osman Spare, a biography of the artist and occultist by Phil Baker.

• Lando Jones is giving away three limited edition prints of his artwork.

• Plano Creativo, a blog (in Spanish) by Alejandro Jodorowsky.

• B Magazine is a new publication for gay Americans.

• Diaghilev gets his due at Coilhouse.

• Baby’s On Fire (1973) by Brian Eno | Baby’s On Fire (1976) by 801 | Baby’s On Fire (from Velvet Goldmine) (1998) by The Venus In Furs.

Weekend links 54

Film and opera posters by Franciszek Starowieyski (see below).

• At first glance, Jerzy Skolimowski’s new film, Essential Killing, sounds like Joseph Losey’s Figures in a Landscape (1970) reworked for our era of renditions, torture and war without end. The trailer is here; Sight & Sound liked the film and dismissed any Losey comparisons. The Quietus interviewed the director this week, and there’s also a video interview here.

“He was trying to tell the truth about war. In the 1950s the US was telling itself a mythic, grandiose, heroic story about the second world war and GI Joe saving the world. [James] Jones was saying, ‘That wasn’t the war I saw, I want to write something more honest and realistic. Whatever the mid-America myth, one of the things men were doing was giving blow jobs for money.'”

From Here to Eternity is published in an uncensored edition.

• Edogawa Rampo‘s sinister short story The Human Chair concerns a man who conceals himself inside a chair. Taiwanese artist Lan Hungh may have had Rampo’s story in mind for his Demolished Chair art piece about which we’re told “Hungh’s flaccid penis is the only body part that’s visible, and becomes hard as soon as anyone starts discussing the chair or sitting on it.” BUTT magazine spoke to the artist.

…unaware of their double standards, the police objected to the portrayal of men in Harrison’s work as demeaning. There was Hugh Hefner squeezed into a bunny girl costume, a beefy but emasculated Captain America wearing false breasts and a stars ‘n’ stripes-patterned basque, and Valerie Solanas, the radical feminist who tried to murder Andy Warhol, stamping on his Brillo box artwork.

A piece about artist Margaret Harrison whose work is on show at Payne Shurvell, London.

• Connecting Science and Art: “Novelist Cormac McCarthy (!), filmmaker Werner Herzog, and physicist Lawrence Krauss discuss science as inspiration for art and Herzog’s new film on the earliest known cave paintings.”

• At Tumblr: Gurafiku, “a collection of visual research that encompasses the history of Japanese graphic design”, and Archidose.

• “Michael Moorcock’s Modem Times 2.0 is a good introduction to the literary legend.”

• The Spring 2011 edition of Periwinkle Journal (Queer Art + Creativity) is now live.

• Rick Poynor (again) on [Franciszek] Starowieyski’s Graphic Universe of Excess.

• Coudal now have a page of links for the great Terrence Malick.

• Wake in Progress is Finnegans Wake illustrated.

• Brown Study, a blog by Jay Babcock.

• RIP Sidney Lumet.

• Ry Cooder & The Moula Banda Rhythm Aces: Let’s Have a Ball is a film by Les Blank of a fantastic performance by Cooder’s band in Santa Cruz, California, in 1987. It’s not available on DVD but most of it can be seen on YouTube.