Weekend links 278

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El Hotel Satina (2006) by Oscar Sanmartin.

Andrew Kötting’s By Our Selves is “a melancholy, maverick film” says David Jays. With Toby Jones following in the footsteps of poet John Clare, Iain Sinclair in a goat mask, and Alan Moore warning about the “vision sump” of Northampton.

• “Shunga means ‘spring pictures’. They depict sometimes spectacular sexual contortions and come imbued with the power of taboo. For years they have largely been out of sight—until now.” Related: shunga prints at Ukiyoe Gallery.

• “Who else could link Smokey Robinson and JG Ballard, Iggy Pop and Josephine Baker, James Bond and Stephen Sondheim, Gary Numan and Johnny Cash, Tricky and Tom Moulton…” Grace Jones is the best, says Joe Muggs.

Ballardian space – what he called “inner space” to differentiate it from the science fiction that concerned itself with distant planets and space rockets – is in fact a fusion of inner and outer space. There is no “out there” totally separate from his characters; just as there is no exclusively private, isolated inner life. His most psychologically fulfilled characters look to transcend their physical surroundings, however hostile, by embracing them.

Chris Hall on High-Rise by JG Ballard

• “In March 1984, Jorge Luis Borges began a series of radio ‘dialogues’ with the Argentinian poet and essayist Osvaldo Ferrari, which have now been translated into English for the first time.”

• “I came up with a couple of tunes, literally in my bedroom. People think of bedroom recordings as a modern, laptop invention. It wasn’t.” Daniel Miller on the accidental success of Mute Records.

• “It was in Prague that I first awoke.” Strange Flowers on Gustav Meyrink’s life in Prague.

• At 50 Watts: Stencilled ornament and illustration by William Addison Dwiggins.

• Mix of the week: The Ivy-Strangled Path Vol. X by David Colohan.

Wyrd Daze, Lvl2 Issue 4, is free and brimming with the weird.

Mythology, a new series of drawings by Howard Hardiman.

Spike Jones is the best, says MetaFilter.

Peacocks at National Geographic.

Warm Leatherette (1980) by Grace Jones | Warm Leatherette (1998) by Chicks On Speed | Warm Leatherette (2013) by Foetus

Ron Hays Music Image: Odyssey

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More of an oddity than an odyssey, discovered while browsing YouTube. Ron Hays Music Image: Odyssey is a 45-minute collection of video-synth graphics, animation and other effects made for Pioneer’s LaserDisc system in 1979. Among the visuals there’s slit-scan work from Con Pederson, creator of some of the effects for 2001: A Space Odyssey, animation by John Whitney, rudimentary computer graphics, and some very of-their-time dance sequences with glowing women working out in a cosmic void.

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Each sequence is set to a different piece of music provided by Wagner, Pachelbel, Frank Serafine, and Larry Fast aka Synergy. It’s difficult to imagine anyone paying money to watch this unless it was the only disc on sale; more likely it would have been playing in television shops as a promotional tool, although you can also imagine it being piped into the rooms of inmates of the Arboria Institute in Beyond the Black Rainbow. I used to own Games, the Synergy album from which Delta 1 is taken. Hearing that piece again makes me regret getting rid of the album several years ago.

Elsewhere on { feuilleton }
The abstract cinema archive

The original Gandharva

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Cover art by Wilfried Sätty. Lettering by David Singer.

Collage artist Wilfried Sätty has been in my thoughts this month, it being ten years ago that Jay Babcock, Richard Pleuger and I drove up to San Francisco and Petaluma to talk to Walter Medeiros and David Singer about Sätty’s life and work. Looking today at the Sätty cover art for Gandharva (1971) by Beaver & Krause reminded me that the original pressing of this album came with the sleeve in a predominantly pink colouration rather than the more familiar blue. I have three copies of the album—vinyl and two CDs, one of which pairs it with Beaver & Krause’s In A Wild Sanctuary (1970)—but I’ve never seen one of the pink variations, and didn’t even know they existed until they started appearing on the web. The CD reissues favour the blue version, as do I, although this may only be a result of familiarity. I’ve enthused about Sätty’s cover a couple of times already but the music is worth hearing for its connections backwards to Cammell & Roeg’s Performance (for which B&K provided the ominous synthesizer tones), and forwards to Robert Fuest’s The Final Programme. Fuest asked Gerry Mulligan to score his film after hearing the Gandharva suite (described in the sleeve notes as “a score from a non-existent film”) which occupies side two of the album.

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Elsewhere on { feuilleton }
The album covers archive

Previously on { feuilleton }
The Occult Explosion
Wilfried Sätty album covers
Nature Boy: Jesper Ryom and Wilfried Sätty
Wilfried Sätty: Artist of the occult
Illustrating Poe #4: Wilfried Sätty
Gandharva by Beaver & Krause

Weekend links 276

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Beautiful Void: Holy Void II (2015) by Andy Diaz Hope.

• “Feeling like a woman. Looking like a man.” Rick Poynor on the cover art for Nightclubbing by Grace Jones. Related: A One Man Show, Jean-Paul Goude’s essential film of Jones’ 1982 tour where many of the songs are better than their album versions.

• Crammed Discs’ revival of the Made To Measure series continues with the release in October of Blue Velvet Revisited by Tuxedomoon & Cult With No Name, a soundtrack from the Peter Braatz documentary about David Lynch’s film.

• “We were learning from point zero; we created something that wasn’t around before…” Hans-Joachim Roedelius talking to Bruce Tantum about his work with Cluster and Harmonia.

• “In the Shangri-La pool there are no floating impurities. Apart from myself.” Iain Sinclair swims in “the highest pool in Europe” on the 52nd floor of The Shard, London.

• From 2012: “Possible Bubbles of Spacetime Curvature in the South Pacific” by Benjamin K. Tippett.

• After 23 years of delays and bootleg versions, Backwards by Coil is being given an official release.

• “Relaxed terror”, “perky dismay” and “unspecified uncertainty”: library music at Scarfolk.

• Mix of the week: a 4-hour collection of favourite music compiled by Autechre.

Masakazu Shirane and Reuben Young make a human-size kaleidoscope.

• “I always was a weird child,” says John Waters.

• A new version of Argent by Jane Weaver.

Chaos Magic (sic): The Fashion Trend

Void (2009) by Monolake | Void (2011) by Emptyset | Void (2014) by The Bug feat. Liz Harris

Weekend links 275

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A painting from the Projekt Babelturm series by Wessi.

• “The first thing I would say is that I have no idea what authentic psych music is, and I have no wish to pursue that either. To me the idea of real psych is a paradox. I can’t see how you can have such a thing as real psychedelia when the whole thing is based on a psychedelic drug that gives you hallucinations and illusions and layers and layers of unreality.” Rob Chapman talking to Ben Graham about his new book, Psychedelia And Other Colours.

Elsewhere in a rather psychedelic week: Rob Young reviewed Chapman’s book for the New Statesman; Dangerous Minds posted “Hypnotic video of how a psychedelic masterpiece is made“; and in Germany a homeopathy conference “ended in chaos in Germany after dozens of delegates took a LSD-like drug and started suffering from hallucinations.”

• Coming soon from Dark Entries (so to speak), another collection of Patrick Cowley‘s music for gay porn films.

Jonathan Barnbrook works some quotes from JG Ballard into the British Road Sign Project.

• “Sorcery is more popular than football in Morocco,” says writer and filmmaker Abdellah Taïa.

• “If you’re going to make something, you should try and be wild,” says Mica Levi.

• Coca-Cola Milanese: Patrick Ellis considers the state of the world’s fair in 2015.

• Hear two pieces from Collapse, the forthcoming album by Drew McDowall.

• Mix of the week: Secret Thirteen Mix 162 by Ketev (Yair Elazar Glotman).

Emptyset’s Signal transforms Earth’s ionosphere into sound art.

Paul Laffoley: The Force Structure of the Mystical Experience.

• Fuck off, Star Wars, Ben Wheatley’s High Rise is on its way.

Ideologic Organ

Psychedelic Ride (1967) by The Ides | Psychedelic Warlords (Disappear In Smoke) (1974) by Hawkwind | Psychedelic Sewing Room (1989) by Bongwater