Weekend links 226

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Fly (2012, detail) by Zhao Na.

• This week in psychedelia: the UK now has its own Psychedelic Society (just in time for the mushroom season), and is using some of my psychedelic Wonderland/Looking-Glass artwork for its headers and things. Over at The Quietus John Doran asks what makes music psychedelic in 2014, while a number of the site’s writers offer suggestions for a survey of modern European psychedelia (bonus points for using the alien head from the cover of Heldon 6: Interface at the top of the page).

Rick Poynor looks at posters by Hans Hillmann for Jean-Luc Godard’s films while at the BFI site four directors pay tribute to Hillmann. “…poster art has stagnated over the last 30 or 40 years,” says Peter Strickland. “It’s an embarrassment for film when one considers how the music industry has completely embraced the graphic form.” Related: lots of Hans Hillmann at Pinterest.

• More psychedelics (and more of the usual suspects), neurologist Andrew Lees on William Burroughs’ experiences with yagé and apomorphine, and DJ Pangburn on a word-search puzzle containing “every word Borges wrote”. The life and work of William Burroughs is celebrated in London next month with a one-day event, Language is a Virus from Outer Space.

• At Dangerous Minds: Kenneth Anger – Magier des Untergrundfilms (1970), a 53-minute documentary by Reinold E. Thiel. The subtitles are obtrusive but the material itself, which includes footage of Anger filming Lucifer Rising, is priceless.

• 73 minutes of Pye Corner Audio playing in Ibiza last month. More electronica: Colm McAuliffe talks to former members of the BBC’s Radiophonic Workshop.

The Assassination of Margaret Thatcher – August 6th 1983, an excellent story by Hilary Mantel who talks about her own assassination fantasies here.

• Mixes of the week: Cosey Fanni Tutti‘s 2014 Mix for Dazed Digital, and Secret Thirteen Mix 128 by DSCRD.

Pond i, a video for a new piece of music by Jon Brooks.

Tomorrow Never Knows (1966) by The Mirage | Tomorrow Never Knows (1976) by 801 | Tomorrow Never Knows (1983) by Monsoon

Weekend links 225

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Still from The Shaman-Girl’s Prayer (1997), a video piece by Mariko Mori. This page has pictures of Mori’s futuristic/cosmic performances, films & environments.

Time Out of Mind (1979) was a BBC TV series about science fiction writers, five short films concentrating on Arthur C. Clarke, John Brunner, Michael Moorcock, Anne McCaffrey and an sf convention. I was only interested in the Moorcock film at the time, not least because it featured a short clip of Hawkwind playing Silver Machine, and inserted scenes from the film of The Final Programme (1973) between the interviews. The Moorcock episode is less about his books than about New Worlds magazine and the so-called New Wave of sf in general, so you also see rare footage of M. John Harrison in a Barney Bubbles “Blockhead” T-shirt talking then ascending a limestone cliff, and bits of interviews with Brian Aldiss and Thomas Disch. Ballard isn’t interviewed but is present via a scene from the Harley Cokeliss film Crash! (1971) in which Gabrielle Drake slides in and out of a car while someone reads Elements of an Orgasm from The Atrocity Exhibition.

• “…there happened to be a book on Ritual Magick that talked about John Dee and summonings and Dr. Faust and all that kind of stuff. So then obviously at that age, too, I read HP Lovecraft and then Michael Moorcock and what they call fantasy literature. Through HP Lovecraft I discovered Arthur Machen, and I think that sort of percolated down inside…” Dylan Carlson of Earth talking to Steel for Brains. The Wire has the vinyl-only track from the new Earth album, Primitive And Deadly, and a track from Carlson’s solo album, Gold. Related: Artwork by Samantha Muljat, designer/photographer for the new Earth album.

Phantasmaphile has details of the next two issues of deluxe occult magazine Abraxas. Issue 6 includes a major feature on Leonora Carrington while Luminous Screen is a special issue devoted to occult cinema.

• More Broadcast: Video of a performance at Teatro Comunale di Carpi, March 2010 (part 2 here), and “constellators and artifacts” at A Year In The Country.

• “Petition demands return of ‘Penis Satan’ statue to Vancouver.” There’s an uncensored photo of the contentious statue here.

• Literary Alchemy and Graphic Design: Adrian Shaughnessy on James Joyce’s writings among graphic designers.

• Frank Pizzoli talks to John Rechy about “the gay sensibility”, melding truth and fiction, and his literary legacy.

• Mixes of the week: Secret Thirteen Mix 127 by Roberto Crippa, and FACT Mix 459 by Craig Leon.

Alan Moore has finished the first draft of his million-word novel, Jerusalem.

• Crazy pavings: Alex Bellos on Craig Kaplan’s parquet deformations.

Noise Not Music: “Live recordings, obscure cassettes and more…”

Pylon of the Month

Zoot Kook (1980) by Sandii | Rose Garden (1981) by Akiko Yano | Telstar (1997) by Takako Minekawa

The beers of Pan

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Bacchus has the wine so I suppose Pan can have the beer. Back in May the blog was stalled while I was contending with various computer problems but I did manage to do some work despite the turmoil. One job was a request from Grebhan’s, a small German brewery, who wanted help altering the design of their beer label. The results can be seen above. My contribution mostly involved making a neater arrangement of the Pan piper and symbols, and also changing the fonts. Once we had Futura selected as the main typeface I put a capital G behind the Pan figure. This was subsequently made into the minimal variant you see below, the head being the one from the Pan figure enlarged.

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Earlier today Tobbi from Grebhan’s sent me a photo of the new labels. I’m very impressed with the way these have turned out, from the combination of matt and gloss to the diamond shape and the general minimal style. The black-on-black logo for the schwarzbier is a nice touch. I’m not a beer drinker (whisky, please) but if I was I’d want to try some of these.

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Previously on { feuilleton }
Green Pipes: Poems and Pictures
The Piper at the Gates of Dawn
The Great God Pan
Peake’s Pan

American Art Posters of the 1890s

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Selections from a 1987 Metropolitan Museum of Art exhbition catalogue which features many more colour plates. My choices gravitate as usual to the American Beardsley, Will Bradley. The other artists here are EB Bird (above) and Louis Rhead, both of whom also produced bookplate designs (see here and here).

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Continue reading “American Art Posters of the 1890s”

Weekend links 224

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Zona: concept art by Alex Andreyev for a planned TV series based on Roadside Picnic by Arkady & Boris Strugatsky.

The Black Sessions are a long-running series of concerts by international artists recorded for radio station France Inter. UK group Broadcast were recorded by the station in May, 2000. While copies of the shows can be often be hard to find, files of the Broadcast concert may be downloaded here. A fantastic performance, especially the white-hot psychedelic freakout at the end.

• Further investigations from the radio age: Invention for Radio No. 1: The Dreams (43 mins, 1964): “an attempt to re-create in five movements some sensations of dreaming—running away, falling, landscape, underwater and colour”. Voices recorded by Barry Bermange with Radiophonic manipulation by Delia Derbyshire.

• “…in his first description of Cthulhu he gives you a list of four things that Cthulhu isn’t quite like.” Nick Talbot talks to Alan Moore about HP Lovecraft. Related: one of my depictions of Azathoth appears in this list of “gods who have forsaken you”.

• Tracking the locations of JG Ballard’s Super-Cannes: an investigation by Rick Poynor. Related: houseboats, architecture and eco-disaster; Justin Sullivan photographs California’s extreme drought.

• “As her writing career existed outside the realm of respectable ‘high-lit’ fiction, she cast herself as an outsider icon.” Chris Kraus on I’m Very Into You, a collection of Kathy Acker’s emails.

• Cover design inspiring fiction: Susan Coll on how a photo of a Bauhaus chair on the cover of her new novel, The Stager, made her alter her text at the last minute.

• “People were either taken by it or felt it was the Antichrist.” MetaFilter on Clair Noto’s unmade science-fiction film, The Tourist.

The Norwood Variations is a new album by Drew Mulholland (Mount Vernon Arts Lab et al).

• Thought Maybe has a collection of the television essays made by Adam Curtis.

• From 1974: How To Make Magic, a children’s handbook of the occult.

• Mix of the week: Secret Thirteen Mix 126 by Mira Calix.

One Minute Blasts Rising To Three And Then Diminishing (2000) by Mount Vernon Arts Lab | Dashwood’s Reverie (2001) by Mount Vernon Arts Lab | Warner’s Reverie (2002) by Mount Vernon Astral Temple