Le Chasseur by Lupe Vasconcelos who was profiled this week at Unquiet Things, and whose work may also be seen at the Ars Necronomica art show in Providence, RI, until the end of the month.
• “After a morning’s writing, Stevenson would entertain himself with music, particularly the flageolet, which he played so badly ‘people fled from the sound’.” Peter Moore reviewing Robert Louis Stevenson in Samoa by Joseph Farrell.
• Jon Hassell’s 1981 album, Dream Theory in Malaya: Fourth World Volume Two, will be reissued next month.
• Mixes of the week: Secret Thirteen Mix 228 by Arma Agharta, FACT Mix 614 by Do Make Say Think.
Yet, entertaining as all this is, in a macabre key, the dead are hard to think about—and, in many ways, to read about. Unlike animals, which Lévi-Strauss declared were not only good to eat but bon à penser, too, I found that I averted my eyes, so to speak, several times as I was reading this book. Not because of the infinite and irreversible sadness of mortality, or because of the grue, the fetor, the decay, the pervasive morbidity—though Laqueur’s gallows humour about scientific successes in the calcination of corpses can be a bit strong—but because the dead present an enigma that can’t be grasped: they are always there in mind, they come back in dreams, live in memory, and if they don’t, if they’re forgotten as so many millions of them must be, that is even more disturbing, somehow reprehensible. The disappeared are the unquietest ghosts. Simone Weil writes that the Iliad is a poem that shows how “force…turns man into a thing in the most literal sense: it makes a corpse out of him.” But Laqueur is surely right to inquire why that thing, the “disenchanted corpse…bereft, vulnerable, abject”, is a very different kind of thing from the cushion I am sitting on or even my iPad (which keeps giving signs of a mind of its own). I have always liked Mme du Deffand’s comment, when asked if she believed in ghosts. A philosopher and a free thinker, she even so replied: “Non, mais j’en ai peur.” (“No, but I am frightened of them.”)
Marina Warner reviewing The Work of the Dead: A Cultural History of Mortal Remains by Thomas Laqueur
• New Worlds magazine at the Internet Archive. Not a complete run but it’s a start.
• Brigit Katz on breakthroughs in the scientific search to replicate psilocybin.
• The relaunched (and slightly renamed) Manchester Digital Music Archive.
• At Dennis Cooper’s: Robert Altman Day (restored/expanded).
• RM Rhodes presents the art of Philippe Druillet.
• Fragile Self
• Dream Lover (1964) by The Paris Sisters | Dream Street (1966) by Henry Mancini | Dream Letter (1969) by Tim Buckley
