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Steampunk Revolution

The “S” word again. One of the jobs from earlier this year is now available for purchase from publishers Tachyon and other outlets. Steampunk Revolution is the third in a series of steampunk story collections edited by Ann VanderMeer (Jeff VanderMeer was co-editor on the first two volumes). I designed the previous title, Steampunk Reloaded, and was working on these pages whilst also putting together the cover for Lavie Tidhar’s The Bookman Histories. Tidhar’s trilogy is a steampunk affair (and this collection features one of his Bookman stories) so there’s some slight overlap between the two designs, notably the use of a typographic “charm” I took from a Victorian printer’s catalogue. I’ve since seen that shape used elsewhere so it’s evidently more common than I thought. Bah.

The title page design above can be added to my ongoing obsession with the Exposition Universelle of 1900. Malissa Kent’s story, The Heart is the Matter, ends with a scene at the Exposition so I had an excuse to use an elaborate banner which includes an Exposition medal. (The same medal, incidentally, that you still see on the labels of Campbell’s Soup). The illustration below is adapted from one of Walter Crane’s Socialist drawings, and I feel bad now that we didn’t credit him for it. Sorry, Walter.

Continue reading “Steampunk Revolution”

Weekend links 130

Sarah and Writhing Octopus (New Wave Series, 1992) by Masami Teraoka.

Strange Flowers continues to push all my buttons. For a while now I’d been intent on writing something about the strange (unbuilt) temples designed by German artist/obsessive naturist Fidus (Hugo Höppener) but I reckon James has done a better job than I would have managed. Also last week he wrote about Schloss Schleißheim, a palatial estate outside Munich with connections to Last Year in Marienbad and another eccentric, pseudonymous German artist: Alastair (Hans Henning Voigt).

• The circus poster that inspired John Lennon’s Sgt. Pepper song Being For The Benefit Of Mr. Kite! has been reproduced as a limited edition letterpress print. Related: Wikipedia’s page about Pablo Fanque (1796–1871), “the first black circus proprietor in Britain”.

• The first two volumes of The Graphic Canon, both edited by Russ Kick, are reviewed at Literary Kicks. I’ve not seen either of these yet but volume 2 contains my interpretation of The Picture of Dorian Gray. Related: the second book previewed at Brain Pickings.

You only have to read [Alan Bennett’s] diaries to see that, underneath the wit and humour and sandwich-filled pottering around old churches, there is a deep resentment at what has happened to England in his lifetime and an instinctive distrust, sometimes amounting to deep loathing, of most politicians. Listening, for instance, to Alan Clark and Kenneth Clarke talking on the radio about the arrest of General Pinochet in 1998, he writes: “Both have that built-in shrug characteristic of 80s Conservatism, electrodes on the testicles a small price to pay when economic recovery’s at stake.”

Michael Billington on Alan Bennett: a quiet radical

• Hauntologists mine the past for music’s future: Mark Pilkington draws a Venn diagram encompassing Coil, Broadcast, the Ghost Box label, Arthur Machen, MR James, Nigel Kneale, Iain Sinclair and others.

• Hell Is a City: the making of a cult classic – in pictures. The mean streets of Manchester given the thriller treatment by Hammer Films in 1959. The film is released on DVD this month.

• The Function Room: The Kollection, Matt Leyshon’s debut volume of horror stories, has just been published. The cover painting is one of my pieces from the 1990s.

• New Worlds magazine (now apparently known as “Michael Moorcock’s New Worlds“) has been relaunched online.

A drawing from Anatomy (part 1), a series by Alex Konahin.

• The forthcoming Scott Walker album, Bish Bosch, will be released on December 3rd. 4AD has a trailer.

• Cormac McCarthy Cuts to the Bone: Noah Gallagher Shannon on the early drafts of Blood Meridian.

• The Velvet Underground of English Letters: Simon Sellars Discusses JG Ballard.

• Michelle Dean on The Comfort of Bad Books.

• The typewriter repairers of Los Angeles

• Cats With Famous People

• Marienbad (1987) by Sonoko | Komm Nach Marienbad (2011) by Marienbad | Marienbad (2012) by Julia Holter.

(Thanks to Ian and Pedro for this week’s picture links!)

Tentacles #4: Cthulhu in Poland

Several months ago Polish publisher Vesper asked to use some of my Lovecraft art for a Polish collection of the author’s work. Their weighty paperback just happened to arrive during this tentacle-themed week, an event which also gives me an opportunity to mention again (how could I not?) that two of these pieces can be found in the new Cthulhu Calendar. An ideal Halloween gift! Breaks the ice at eldritch parties! Etc. By coincidence I also received a book this week about vampire squid but I’ll say more about that after I’ve had a chance to read it.

Despite Cthulhu being on the cover, the title of the book is (according to Google) The Dunwich Horror and Other Scary Stories which is no doubt a better sell with “horror” being up front. There are only fifteen stories but the page count runs to 792 since most of them are the later, longer works, including the entirety of At the Mountains of Madness and The Case of Charles Dexter Ward. A number of my illustrations are used within, one of which—the drawing of Advocates’ Close in Edinburgh which first appeared in The Haunter of the Dark—gets repurposed as an illustration for The Music of Erich Zann (above). Quite a fitting use, I think.

In addition you also get my widescreen view of R’lyeh as a spread on the inside of the French flaps. And my copy came with a nice R’lyeh bookmark. Those interested can order the book here.

Elsewhere on { feuilleton }
• The Lovecraft archive

Cthulhu Calendar

So here it is at last, the stars are right, etc. I had the idea for a Cthulhu calendar after I finished the Cthulhoid piece in January and realised I had about eight or more different representations of everyone’s favourite dreaming alien monstrosity. In gathering them together I’ve alternated between old and new works to avoid the front of the run being all black-and-white drawings. I could have coloured the black-and-white pieces, of course, but since they were never intended to be seen that way I prefer to leave them alone. The main alteration has been the adding of side panels or borders in order to help rectangular artwork fill out a square space. As usual this calendar is available through CafePress, priced at $19.99 / £15.00 / €18.50.

Before making a purchase please note: CafePress recently added a completely unnecessary feature to their calendars whereby purchasers can choose to have the pages start in late 2012 instead of January 2013. They don’t give me any way to disable this option, hence the warning. If you want a calendar beginning in January 2013 you have to select that option yourself.

Examples of the pages follow. See the artwork at a larger size here.

JANUARY: Title page from The Call of Cthulhu (1987).

The opening page from my comic strip adaptation of the story.

FEBRUARY: Resurgam (2012).

MARCH: Cthulhu Arisen from The Call of Cthulhu (1988).

Cthulhu’s appearance from the comic strip adaptation.

APRIL: De Profundis (2012).

Continue reading “Cthulhu Calendar”

S. Latitude 47°9′, W. Longitude 126°43′

Then, driven ahead by curiosity in their captured yacht under Johansen’s command, the men sight a great stone pillar sticking out of the sea, and in S. Latitude 47°9′, W. Longitude 126°43′, come upon a coastline of mingled mud, ooze, and weedy Cyclopean masonry which can be nothing less than the tangible substance of earth’s supreme terror—the nightmare corpse-city of R’lyeh, that was built in measureless aeons behind history by the vast, loathsome shapes that seeped down from the dark stars. There lay great Cthulhu and his hordes, hidden in green slimy vaults and sending out at last, after cycles incalculable, the thoughts that spread fear to the dreams of the sensitive and called imperiously to the faithful to come on a pilgrimage of liberation and restoration.

HP Lovecraft, The Call of Cthulhu (1928)

“Great Cthulhu and his hordes…” People never mention the hordes, do they? I’m pleased to say that the loathsome horde gathered in my forthcoming Cthulhu Calendar are in situ at last, since I’ve found the time this week to get everything finished. I still need to write a couple of new web pages then upload all the images to CafePress. I’ll be doing that over the weekend so Monday will be the launch day.

For the final piece I decided against doing another portrait in favour of a picture of an attack at sea as it might have appeared in a 19th-century newspaper. This kind of imagery will now make many people think of the Kraken scenes in the second Pirates of the Caribbean film but it predates cinema, of course, as it also predates Lovecraft. Despite Lovecraft’s indelible association with monstrous tentacles there are a lot more incidents of this nature in William Hope Hodgson’s stories and novels than in the Cthulhu Mythos. In which case this scene, which will be the page for December, can be regarded as a tip of the hat to William as much as to Howard.

Elsewhere on { feuilleton }
• The Lovecraft archive