Weekend links 545

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Colour wheel from The Natural System of Colours (1766) by Moses Harris.

• The Vatican’s favourite homosexual, Michelangelo di Lodovico Buonarroti Simoni, receives the ludicrously expensive art-book treatment in a huge $22,000 study of the Sistine Chapel frescos. Thanks, but I’ll stick with Taschen’s XXL Tom of Finland collection which cost considerably less and contains larger penises. Related: How Taschen became the world’s most famous erotic publishers.

• “In a metaphorical sense, a book cover is also a frame around the text and a bridge between text and world.” Peter Mendelsund and David J. Alworth on what a book cover can do.

The Night Porter: Nazi porn or daring arthouse eroticism? Ryan Gilbey talks to director Liliana Cavani about a film that’s still more read about (and condemned) than seen.

What is important about reading [Walter] Benjamin’s texts written under the influence of drugs is how you can then read back into all his work much of this same “drug” mind-set; in his university student days, wrangling with Kant’s philosophy at great length, he famously stated, according to Scholem, that “a philosophy that does not include the possibility of soothsaying from coffee grounds and cannot explicate it cannot be a true philosophy.” That was in 1913, and Scholem adds that such an approach must be “recognized as possible from the connection of things.” Scholem recalled seeing on Benjamin’s desk a few years later a copy of Baudelaire’s Les paradis artificiels, and that long before Benjamin took any drugs, he spoke of “the expansion of human experience in hallucinations,” by no means to be confused with “illusions.” Kant, Benjamin said, “motivated an inferior experience.”

Michael Taussig on getting high with Benjamin and Burroughs

• “Utah monolith: Internet sleuths got there, but its origins are still a mystery.” The solution to the mystery—if there is one—will be inferior to the mystery itself.

After Beardsley (1981), a short animated film about Aubrey Beardsley by Chris James, is now available on YouTube in its complete form.

• Mix of the week: The Ivy-Strangled Path Vol. XXIII – An Ivy-Strangled Midwinter by David Colohan.

Charlie Huenemann on the Monas Hieroglyphica, Feynman diagrams, and the Voynich Manuscript.

Katy Kelleher on verdigris: the colour of oxidation, statues, and impermanence.

• A trailer for Athanor: The Alchemical Furnace, a documentary about Jan Svankmajer.

All doom and boom: what’s the heaviest music ever made?

• At Strange Flowers: Ludwig the Second first and last.

• At Dennis Cooper’s: Krzysztof Kieslowski Day.

Ralph Steadman’s cultural highlights.

• RIP Daria Nicolodi.

Michael Angelo (1967) by The 23rd Turnoff | Nightporter (1980) by Japan | Verdigris (2020) by Roger Eno and Brian Eno

TV Wipeout

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Another of the videocassette releases on Cabaret Voltaire’s Doublevision label, TV Wipeout was released in 1984 as a “video magazine”. This and Johnny YesNo were the two Doublevision releases I was most interested in, and I did get to see some of the former release when Cabaret Voltaire’s first appearance at the Haçienda in 1983 was preceded by an hour of “Doublevision Presents…”. The most memorable sights from that screening were the weird and scary Renaldo & The Loaf film and the video for Terminus by Psychic TV, a very Wild Boys-esque piece directed by Peter Christopherson. The Cabs’ Stephen Mallinder explained why the contents of the tape tended to be more commercial than other releases on the label:

Q: The next Doublevision was the TV Wipeout video which was a sort of disposable magazine compilation. It contained a fairly wide variety of contributors, from people like The Fall and Test Dept to some more mainstream groups like Bill Nelson and Japan.

Mal: The point was that Virgin Films were quite happy to work with us; they even gave us money in the form of advertising revenue for using some film clips from the Virgin catalogue. We were then able to camouflage them into the whole set-up and make them look as if they were part of the whole nature of the video compilation.

Q: One of those clips was a particularly inane interview with David Bowie. Was its inclusion merely a selling point?

Mal: Yes, it was purely that. There are a lot of people who will buy anything with David Bowie on it. So we said “Fuck it, why not use that as a selling point!” Actually the interview is appalling, it’s terrible. Our including it was almost like a piss-take. We were saying “you really will buy anything with David Bowie on it if you buy this”.

From Cabaret Voltaire: The Art of the Sixth Sense by M. Fish and D. Hallbery

Unlike some of the other Doublevision releases this one doesn’t seem to have been uploaded anywhere but since much of the content was music videos it’s possible to compile an incomplete playlist. The Paul Morrissey films (Heat and Flesh), Eating Raoul and Plan 9 from Outer Space were cult items that weren’t being screened on TV so this was an opportunity to see them outside a cinema. Some of the other selections—the Chel White, Steve Binnion and Space Movie—are still a mystery. Lost Possibilities Of Modern Dreams was footage of a painting exhibition by Phil Barnes soundtracked by the Cabs. The Claude Bessy piece is the only one from the original tape, a short film of the Haçienda’s VJ shot by Ikon Video’s Malcolm Whitehead in the basement of the club.

Bill Nelson: Flaming Desire
Bill Nelson interview
Plan 9 from Outer Space excerpt
Clock DVA: Resistance
Chel White: Industrial Park
Cabaret Voltaire: Just Fascination
Steve Binnion: Mediaevil
Renaldo & The Loaf: Songs For Swinging Larvae
David Bowie interview for Merry Christmas, Mr. Lawrence
Andy Warhol: excerpt from Heat
The Fall: Live at The Venue (1983) with documentary footage
Space Movie excerpt
The Box: Old Style Drop Down
IKON FCL advertisement featuring various groups on the Factory label
Japan: excerpt from Oil On Canvas
Andy Warhol: excerpt from Flesh
Test Dept: Shockwork
Dieter Meier interview
Yello: excerpt from Jetzt Und Alles
Eating Raoul excerpt
Psychic TV: Terminus
Phil Barnes featuring Cabaret Voltaire: Lost Possibilities Of Modern Dreams
Marc & The Mambas: Caroline Says
Claude Bessy: Operating Instructions

Previously on { feuilleton }
Seven Songs by 23 Skidoo
Elemental 7 by CTI
The Crackdown by Cabaret Voltaire
Network 21 TV

Weekend links 132

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La Hora del Fantasma (no date) by Joaquim Pla Janini.

• Many of the art links featured here are tips from Thom Ayres, so it’s only right to point to his new album project which he’s funding through Kickstarter and embellishing with his own nature photography.

• Anne Billson is another writer beguiled by Philippe Jullian’s masterwork, Dreamers of Decadence. And thanks to Ms Billson for drawing attention to the insane opening of Crime Without Passion (1934).

• Does this fake ad for The Necronomicon use one of my Cthulhu pictures? Possibly. Get the picture for yourself in this year’s Cthulhu calendar. (My thanks to everyone who’s bought a copy so far.)

To break the ice, I talk about books: he is delighted to discover that I have read his beloved Denton Welch, also J. W. Dunne’s An Experiment With Time. I have found them in my old school library, and know both have been a tremendous influence on him in different ways. Knowing of his interest I also mention that I have just read Colin Wilson’s The Quest For Wilhelm Reich, published the year before. He likes Wilson, he says, jokes that “the Colonel” with his cottage in Wales in Wilson’s Return of the Lloigor and his own Colonel Sutton-Smith from The Discipline of DE are one and the same. On something of a roll, I mention Real Magic by Isaac Bonewits, and he acknowledges that it has “some good information” – but is much more enthusiastic about Magic: An Occult Primer by David Conway [years later I would discover that Burroughs & Conway had in fact exchanged letters on various subjects pertaining to magic, occultism, and psychic phenomena – but that is decidedly another story!]

Matthew Levi Stevens recalls The Final Academy and an encounter with William Burroughs thirty years ago.

Locomotif: A short survey of trains, music & experiments: Gautam Pemmaraju on Kraftwerk, Pierre Schaeffer, Luigi Russolo and others.

A flip-through of The Graphic Canon, volume 2. Wait to the end and you’ll see a couple of my Dorian Gray pages. Imprint has a review of the book.

• Julian Bell reviews two new books about Romantic painter Caspar David Friedrich.

Alan Moore talks to The Occupied Times about art, education and anarchism.

• Colin Dickey reviews Vilém Flusser’s Vampyroteuthis Infernalis: A Treatise.

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Las Parcas II (1930) by Joaquim Pla Janini.

• Michael Newton reviews A Natural History of Ghosts by Roger Clarke.

• Golden Age Comic Book Stories revisits the work of Sidney Sime.

Front Free Endpaper asks “What’s in an inscription…?”

Mormon Missionary Positions

Amateur Aesthete

Ghosts (1981) by Japan | Ghosts (2008) by Ladytron | Ghosts (2012) by Monolake.