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Weekend links 345

Wasted Alice (2017) by Sonia Lazo.

• Brian Eno: “We’ve been in decline for 40 years—Trump is a chance to rethink.” An equivocal headline, and the usual misinterpretation from the hard-of-thinking, prompted Eno to issue a clarification. More Trumpery: Jonathan Meades wonders what kind of wall “The Lout” might want to build. Related: almost all of Meades’ smart and witty television essays may be viewed at MeadesShrine (click through to Vimeo for download links).

• “Once you’ve turned entire buildings into instruments as on Medium, and then you’ve made the ionosphere itself an instrument as on Signal, where do you go next?” Emptyset discuss their forthcoming album, Borders, and a change in their working methods.

• Christopher Burke & David Davis at Weird Fiction Review talk to Valancourt Books about reprinting neglected works of horror and gay fiction.

• At the BFI this week: All about Jim Jarmusch’s leading men, from Tom Waits to Bill Murray, and John Hurt (RIP): 10 essential films.

• “Claude Arnaud’s biography of Jean Cocteau shows how the artist lived a life nourished by infinity,” says Ricky D’Ambrose

• Sukhdev Sandhu on John Berger: “a pathfinder who was alive to the present”.

• Theodore Carter on Doll Part Art: Visual Feasts Made of Plastic Bodies.

• Count Backwards from Ten: Peter Bebergal‘s Top 10 Occult in Media.

• Books from Strange Attractor will now be distributed by MIT Press.

• Eero Saarinen, the architect who saw the future.

• Mix of the week: FACT Mix 585 by Niagara.

• RIP Maggie Roche.

• Hammond Song (1979) by The Roches | Losing True (1982) by The Roches | Keep On Doing What You Do / Jerks On The Loose (live, 1990) by The Roches

Weekend links 342

La femme et le pantin (1909) by Ángel Zárraga.

• RIP John Berger. Berger’s essential TV series on art, Ways of Seeing (1972), is at YouTube and Ubuweb; “Such freedom is unthinkable today,” says series director Mike Dibb; the book of the series was designed by Berger and Richard Hollis; ways of seeing Ways of Seeing; Geoff Dyer, Olivia Laing & Ali Smith on Berger; M. John Harrison on Berger.

• The beginning of January means the LRB posting Alan Bennett‘s diary for the previous year. In related news, Network DVD will be releasing Six Plays by Alan Bennett next month, a collection that includes a favourite of mine, Me! I’m Afraid of Virginia Woolf (1978).

• At Dennis Cooper’s: Acid Westerns Day (Restated). Related: Jodorowsky’s El Topo and The Holy Mountain are being released on Blu-ray (Region B) by Gryphon Entertainment.

The acre of suburban lawn surrounding our house became like the Paramount lot for my feverish theatrics. I graduated to building “spook houses” in the family garage out back. Inspired by the ride-through Trimper’s Haunted House in Ocean City, Maryland, designed by Bill Tracy (and it’s still there in operation), I remembered excitedly wheeling through this attraction in these rickety little coffin-shaped cars and dreaming of befriending the crudely built, motorized corpses, cannibals, and skeletons who lived inside. I fantasized the cars breaking down, the panicked, chickenshit children screaming, bolting from their seats, tripping over live wires, and electrocuting themselves. I wanted to take this imagined fear, this frightened happiness, back to my own house where I knew I could preserve, protect, and stylize it on my own adolescent terms.

John Waters on his childhood home

• Strange Flowers‘ latest reading recommendations include books on lesbian decadence, occult Paris, flâneurie and the queerness of the Benson family.

• Where Evil Dwells (1985), a 28-minute preview of a longer piece of weird cinema (now destroyed) by Tommy Turner and David Wojnarowicz.

• Francis Ford Coppola and Brian De Palma having a conversation about Coppola’s The Conversation.

• The Edge Question for 2017: “What scientific term or concept ought to be more widely known?”

• Mixes of the week: Drone Theory with Roly Porter, and Secret Thirteen Mix 205 by Stavaris.

• Simran Hans suggests where to begin with the films of Todd Haynes.

• More decadence, this time among the Mexican Modernists.

• Moon Wiring Club at Bandcamp.

• No Name, No Slogan (1989) by Acid Horse | Those Tapes Are Dangerous (1997) by The Bug | Spooky Action At A Distance (2014) by Sqürl

Weekend links 341

Fountain (1917) by R. Mutt (Marcel Duchamp), and God (1917) by Elsa von Freytag-Loringhoven.

• “What is there left to know about David Bowie? What is there left to unearth?” asks Ian Penman whose lengthy review of recent Bowie books is better by far than a shelf full of cash-in doorstops.

• Strázci z hlubin casu is a collection of stories by HP Lovecraft and August Derleth from Czech publisher Volvox Globator. The book reprints artwork of mine on the cover and inside.

• Mixes of the week: Through December by David Colohan, At Alien Altars: A Conjurer’s Hexmas by Seraphic Manta, and Secret Thirteen Mix 204 by James Welburn.

• “Something vindictive resides in soot.” Timothy Jarvis on the weird fiction of Stefan Grabiński. From 2003: China Miéville on Grabiński.

• Paintings by Jakub Rozalski of eastern European peasants with mechas and werewolves.

• Colm Tóibín on James Joyce’s A Portrait of the Artist as a Young Man, 100 years on.

• Jesse Singal on why straight rural men (in the USA) have “bud-sex” with each other.

• Mark Valentine recommends books on tasseography, or divination by tea leaves.

• “Northampton Calling: A Conversation with Alan Moore,” by Rob Vollmar.

• Bill Schutt at Scientific American asks what human flesh tastes like.

• Gwendolyn Nix on the Tritone, aka The Devil’s Musical Interval.

• At Dennis Cooper’s: _Black_Acrylic presents…Penda’s Fen Day.

• The latest Buddha Machine from FM3 is Philip Glass-themed.

• Listen to The Wire’s top 50 releases of 2016

• Tritone (Musica Diablo) (1980) by Tuxedomoon | Diabolus In Musica (1987) by The Foetus All Nude Review | Tritone (Musica Diablo) (2016) by Aksak Maboul

Covers for Der Orchideengarten

I was going to finish the year with a post showing some of the handful of product designs I’ve done recently but since some the products in question still need to be photographed that’ll have to wait. After a peculiarly dark and grotesque year it seems more fitting to end with a post of dark and grotesque artwork from an earlier epoch. Der Orchideengarten has been the subject of several posts here in the past but it’s only this week that I’ve had the opportunity to see an entire run of the world’s first magazine devoted solely to fantastic art and literature. Der Orchideengarten ran for 51 issues from 1919 to 1921; the editors were Hans Strobl and Alfons von Czibulka, and the contents comprised original fiction, book reviews and reprints in German of notable works of weird literature.

The interior graphics (previously) are in a style similar to those found in Jugend and other German magazines of the period (plus reprints of Beardsley, Doré, and the like), while the covers follow the Jugend template of being different in style and format for every issue. All of these covers are from the wonderful resource at the University of Heidelberg where every issue of Der Orchideengarten is available for download. Even if you can’t read German the magazine is worth browsing for its very European view of the fantastic, a view which tends to be darker and more adult than the American magazines that would soon overshadow it. Some of the covers are strange in a manner that Weird Tales seldom achieved, and many of them feature an orchid somewhere in the design.

Continue reading “Covers for Der Orchideengarten”

Weekend links 340

Fly Carefully (1969) by Stanisław Zagorski.

• Video of Tuxedomoon live in San Francisco, Rotterdam and Paris, 1983 (or try this copy), and a late-night German TV broadcast from 1985. The first Tuxedomoon album, Half-Mute, has been reissued by Crammed Discs with an accompanying album, Give Me New Noise: Half-Mute Reflected, featuring cover versions of the songs by various artists.

• More end-of-year reviews: Dennis Cooper’s recommendations are always eclectic (and thanks again for the blog shout!); not necessarily the best ambient and space music of 2016 by Dave Maier; a review of the year by graphic designer Jonathan Barnbrook; the 15 finalists of the 2016 Art of Building architectural photography competition.

• The Complete Stories of Leonora Carrington will be published in April 2017 by Dorothy. Related: Letters, Dreams, and Other Texts by Remedios Varo will be published next year by Wakefield Press. Also of interest on that page is a new edition of Haschisch by Oscar AH Schmitz illustrated by Alfred Kubin.

• The week in Things (see this post): John Carpenter’s The Thing: The Story of an SF Horror Game-Changer. Ennio Morricone’s score will be infecting the vinyl world next year. Meanwhile, Matthew Thrift recommends “10 great films set in the Arctic and Antarctica”.

• Mixes of the week: FACT mix 581 by Pan Daijing, XLR8R podcast 468 by Jan Jelinek, and Secret Thirteen Mix 203 by Blood Sport.

• A Year In The Country on Monumental Follies (1972), a book about architectural eccentricity by Stuart Barton.

• William Burroughs reads 23 random paragraphs from Naked Lunch each time you load this page.

• “The world is terrifying and destructive and dehumanising and tragic,” says Charlie Kaufman.

• Scents and sensuality: William Dalrymple on the perfumes of India, past and present.

• Brenda S G Walter on Hill House: The haunted soul of Shirley Jackson.

• A trailer for Dome Karukoski’s Tom of Finland. There’s more here.

• Illustrating the Sixties: Paintings by Italian artists in London.

• Michael Rother and Cavern Of Anti-Matter live in Berlin.

• Cinemetal

• Network 23 (1981) by Tangerine Dream | Exit 23 (1989) by Psychick Warriors Ov Gaia | Studio 23 (2012) by The Time And Space Machine