Weekend links 171

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Jeune moine à la Grecque (1771) by Benigno Bossi. Via Monsieur Thombeau.

Victoriana: The Art of Revival is an exhibition which will run throughout the autumn at the Guildhall Art Gallery, London. Some of my steampunk work will be included. Related: Rick Poynor on Soft Machine’s Dysfunctional Mechanism.

• “The egg glows and hovers in the middle of a field of mesmerizing color. The spell is broken when the guard finally says, “Everybody up off the floor.'” Morgan Meis on Aten Reign by the amazing James Turrell.

• Mix of the week: a “heatwave mix” of psychedelic songs compiled by Jaime Williams. Anything that includes Vacuum Cleaner by Tintern Abbey gets my vote.

Because sex is so compartmentalized — it’s often considered separate from the rest of life and hidden away — porn performers, who have sex publicly, are in a unique position to consider and talk about integrating private and public aspects of life.

Writer and porn performer Conner Habib on the issue of nomenclature in the porn business.

• Still Hopscotching: Peter Mendelsund posts some unused cover designs for Julio Cortázar.

A Hymn For Megatron, an hour-long drone work, and a free download, by The Black Dog.

• Vagrancy and drift: Sukhdev Sandhu on the rise of the roaming essay film.

• A Flickr set of Peter “Sleazy” Christopherson’s musical instruments.

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“Whether flower-pressing in the garden, hallucinating in the summerhouse, fainting inside stifling sites of historical interest, pirouetting along the promenade, or even sea-cruise thalassophobia complications, barely a moment will pass that isn’t made all the sweeter by obsessively listening to Down to the Silver Sea.”

The TM Research Archive: sate yourself on Swiss graphic design.

• A Lecture on Johnson and Boswell by Jorge Luis Borges.

• Words, sounds and robots from Sarah Angliss.

Never Built Los Angeles

Nautilus (2012) by Anna Meredith | Nature Of Light (2012) by Isnaj Dui | Popcorn (Ealing Feeder Mix) (2012) by SpacedogUK (Sarah Angliss)

Lindsay Kemp’s Salomé again

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The NYPL digital library has recently upgraded its website (thanks to BibliOdyssey for the news), adding some features that make searching (and random browsing) an easier business. At first glance the contents seem pretty much the same but I definitely hadn’t seen this set of photos by Kenn Duncan before. The all-male production of Oscar Wilde’s Salomé staged by Lindsay Kemp in 1975 was the queerest of them all but pictures and a few films clips are all the record we have. The production was also vividly coloured, a quality that’s lost in these shots. There’s a lot more at NYPL by Kenn Duncan, many of them photos of film, television and theatre performers taken for After Dark magazine in the 1970s.

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Continue reading “Lindsay Kemp’s Salomé again”

Weekend links 168

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Window to the Universe (1967) by Roberta Bell. From Summer of Love: Psychedelic Posters from SCMA currently showing at the Smith College Museum of Art, Northampton, MA.

Sympathy for the Shoggoth: China Miéville’s Revolution of the Weird Tale, an essay by Christina Scholz which features one of my Cthulhu pictures among its embellishments. Related: “‘New Strange’ stories hold a chilling mirror to life” says Rick Kleffel discussing Robert Aickman and others. And speaking of Aickman (so to speak), Reese Shearsmith has recently recorded Aickman’s Cold Hand in Mine for Audible.

• An erotic alphabet book from the Soviet Union circa 1931, created to promote adult literacy. Who says porn can’t be educational?

Angelystor is a new 39-minute composition by Phil Legard which he describes as “often heavy, Saturnine and melancholic”.

• James Ward’s postcards of the Post Office Tower. Related: film of the revolving restaurant at the top of the Tower in 1967.

•You Might Never Find Your Way Back: Shirley Jackson’s Hangsaman by Nicholas Rombes.

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Stone Garden (1967) by Wilfried Sätty.

High Over Blue is “a mind-warping 20-minute freakout” by Moon Duo.

• Queer Visual Splendour: Jon Macy discusses his erotic comics.

The Origin of the Pilcrow, aka the Strange Paragraph Symbol.

• Mix of the week: the Kranky 20th Anniversary Mixtape.

Ten Amazing Cheeses and their Literary Counterparts.

PingMag looks at the past and present of Ginza.

Mind Gardens (1967) by The Byrds | The Garden (1981) by John Foxx | The Toy Garden (2006) by Helios

Weekend links 165

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Cahill Expressway (1962) by Jeffrey Smart whose death was announced this week.

• “Russell Beale is awed by the beauty of the Roman silver Warren Cup showing men and youths making love, so startlingly erotic that the first time the British Museum was offered it in the 1950s, it turned it down flat. In 1999, when it came on the market again, the museum had to raise £1.8m to acquire it. ‘It’s just heaven, isn’t it?’ Russell Beale sighs.” Maev Kennedy on Same-Sex Desire and Gender Identity, a new exhibition at the British Museum.

• “The route to Tyburn Tree snaked through Holborn and St Giles, then went along Tyburn Road, today’s Oxford Street. It was dense with spectators.” Matthew Beaumont on the tiny memorial (Google view) for the estimated 50,000 people executed in the centre of London.

• Mixes of the Week: Bottoms Up by Staffan Lindberg for BUTT Magazine, and Electronic Ladyland, a collection of women with synths (and other instruments) from Bitch Media.

But the very thing that is valuable about diversity – the cultural and ideological clashes that it brings about – is precisely what many people fear. And that fear takes two forms. On the one hand you have the little Englander sentiment: immigration is undermining the national fabric, eroding our sense of British or Englishness, turning our cities into little Lahores or mini-Kingstons. And on the other you have the multicultural argument: that diversity is good, but it has to be policed to minimise the clashes and conflicts and frictions that diversity brings in its wake. And so we have to restrain speech, and police the giving of offence.

Kenan Malik on The Pleasures of Pluralism, The Pain of Offence.

L’Empire des Lumières is a great title for Anne Billson’s blog about Belgium. Tram-wire covered streets are one of my favourite things.

The Outer Church, 28 musical artists with an uncanny temperament collected by Joseph Stannard for Front & Follow.

His Heavy Heart, a film by Alan Moore & Mitch Jenkins, is looking for Kickstarter funding.

• In 1997 Quentin Crisp wrote about “Ten Wonderful Gangster Movies” for Neon magazine.

Raymond Chandler’s The Big Sleep redesigned for the Penguin Design Award, 2013.

• Out on DVD/Blu-Ray this month: The Curtis Harrington Short Film Collection.

A billion-pixel panoramic view of the planet Mars from the Curiosity Rover.

• In the TLS: Robert Craft on Stravinsky and The Rite of Spring.

Typophonic: Album cover typography.

The Owl Theremin is a thing.

LSD ABC

Spring Rounds From The Rite Of Spring (1975) by Alice Coltrane | Revenge Of The Black Regent (1999) by Add N To (X) | Sore Ga Afrirampo (2010) by Afrirampo

Keep Your Timber Limber

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Untitled drawing by Tom of Finland.

Tom of Finland’s beefy clones arrive within cruising distance of Buckingham Palace this week as part of an exhibition of drawings at the ICA. Keep Your Timber Limber is subtitled Works on Paper, and features contributions from eight artists old and new: Judith Bernstein, Tom of Finland, George Grosz, Margaret Harrison, Mike Kuchar, Cary Kwok, Antonio Lopez and Marlene McCarty.

Keep Your Timber Limber (Works on Paper) explores how artists since the 1940s to the present day have used drawing to address ideas critical and current to their time, ranging from the politics of gender and sexuality, to feminist issues, war and censorship. Stretching from fashion to erotica, the works can all be viewed as being in some way transgressive, employing traditional and commercial drawing techniques to challenge specific social, political or stylistic conventions.

The piece below by Cary Kwok isn’t one of those on display; according to BUTT magazine he’ll be showing a new series of his Biro fantasias. All the more reason to get to the ICA if you can. The exhibition runs to September 8th, 2013.

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Pole Dance (2005) by Cary Kwok.

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