{psychedelia} – Page 47 – { feuilleton }

Lyrical Substance Deliberated

Lucy In The Sky With Diamonds from Yellow Submarine (1968).

The advent of spring invariably gets me listening to favourite psychedelic songs, and this year has been no exception. Earlier this week I was idly wondering how many songs there are that follow the Beatles’ lead in telegraphing their drug metaphors by using the initials L-S-D in their titles. Wikipedia’s page for Lucy In The Sky With Diamonds (1967) relates John Lennon’s oft-repeated claim that the initialism in the title was a coincidence, and the song itself is really a bit of Lewis Carroll-like whimsy. This might be credible if works of art only ever carried one meaning but they don’t, of course, and the song is both a piece of Lewis Carroll-like whimsy as well as being a pretty obvious paean to the drug experience: “Climb in the back with your head in the clouds / And you’re gone”. Jefferson Airplane’s White Rabbit (1967) was similarly ambivalent with mushrooms/pills replacing acid.

Among the many things birthed by the enormous success of the Sgt Pepper album, a small flurry of songs or instrumentals have imitated Lennon’s initialism for their titles. The ones that came immediately to mind are detailed below, and they make a curious group. If anyone knows of any others—there must be others…—then please leave a comment.

Burning Of The Midnight Lamp/The Stars That Play With Laughing Sam’s Dice (Aug, 1967).

The Jimi Hendrix Experience’s B-side not only alludes to LSD but also to STP. The song itself doesn’t go very far before collapsing into freakout mode.

The Trip (1967).

Not a song but included here for that “Lovely Sort of Death” tag. Written by Jack Nicholson! With Dennis Hopper as the acid dealer! See the trailer here, then watch the whole film here.

Lost Soul In Disillusion (November, 1967).

Hard to imagine anyone in London would have heard this in 1967. The Power of Beckett were a Montreal garage group who only released two singles. Lost Soul In Disillusion turned up years later on compilation albums.

Continue reading “Lyrical Substance Deliberated”

Weekend links 205

King’s Cloak (2012) by Alice Lin.

• The week in Finnegans Wake: illustrations by John Vernon Lord for a new Folio Society edition; The Guardian‘s review from 1939; Christina Scholz explores Joyce’s use of the Ant and the Grasshopper fable; Sheng Yun wonders when Dai Congrong will compete the first Chinese translation of the book; Stephanie Boland on riverrun, the latest theatrical adaptation.

• It’s Robert Aickman‘s centenary year so Faber are reissuing several volumes of his peerless “strange stories”. And it’s good to see the great Clark Ashton Smith finally receive the blessing of Penguin Classics.

• The Teenage Boyfriend of the Beat Generation: Marcus Ewart slept with Allen Ginsberg (who showed him how to give a proper blowjob), and had an eight-year relationship with William Burroughs.

Yet another advocate of shorter work time was JS Mill. He dismissed the ‘gospel of work’ proposed by Thomas Carlyle in part because it drew a veil over the real costs of work, including slave work that Carlyle sought to defend. Instead, Mill advocated a ‘gospel of leisure’, arguing that technology should be used to curtail work time as far as possible. This stress on technology as a means to shorten work time was later to feature in Bertrand Russell’s 1932 essay, ‘In Praise of Idleness’.

David Spencer on The Case for Working Less

• More Steve Moore memorials: Mitch Jenkins put the pages from Unearthing online, while Pádraig Ó Méalóid posted a personal appreciation at The Beat.

• Linda Marsa on how psychedelics are helping cancer patients deal with their illness.

• The Weird Album: art by Enrique Alcatena (including some Lovecraftian pieces).

• Didgeridoom: Director Ted Kotcheff talks to Robert Barry about Wake in Fright.

• The Jealous God (1985), a comic strip by Alejandro Jodorowsky & Silvio Cadelo.

• The Dune in Your Head: Ethan Gilsdorf on the greatest SF film never made.

• 50 minutes of Kraftwerk on Rockpalast in 1970. Astonishing.

• At 50 Watts: Sheet-music covers from Sweden in the 1920s.

• Harvard discovers old library books bound in human skin.

• Same-sex marriage is now legal in England and Wales.

• Wyrd Daze has reached issue 5.

• Kaleidoscopes at Pinterest.

• Flight From Ashiya (live on TV! 1967?) by Kaleidoscope (UK) | Lie To Me (1969) by Kaleidoscope (US) | Kaleidoscope (1984) by The Rain Parade

Eyetoon, a film by Jerry Abrams

“Fuck for Peace” declares a title card at the end of Jerry Abrams’ Eyetoon, an 8-minute slice of psychedelia from 1968 whose second half has a hippyish couple doing exactly that as they run through a few hardcore Kama Sutra moves. The rest of the film is comprised of rapid editing and some brief animated overlays, together with street shots of the residents of what I’m guessing is San Francisco. The buzzing, twittering electronic score is by David Litwin. A year before this Abrams had documented the Human Be-In, the first major hippy gathering in Golden Gate Park in January 1967. His equally psychedelic film of that event can be seen here.

Previously on { feuilleton }
• Street Fair, 1959
• San Francisco by Anthony Stern

The Art of Tripping, a documentary by Storm Thorgerson

How does this sound? 100 minutes of solidly informative documentary about the use of drugs by artists from the early 19th century on; a production that calls upon a remarkable cast of contributors (see below), with music by David Gilmour, and the whole thing “devised and directed” by Storm Thorgerson, better known as one third of the great Hipgnosis design team.

The Art of Tripping was broadcast in two parts in 1993 during the Without Walls arts strand on Channel 4 (UK). David Gale was the writer, with actor Bernard Hill playing the part of the narrator and guide. The programme managed to deal with a contentious subject without indulging in hysteria or insulting the intelligence of the audience, a rare thing today. Twenty years ago it was still possible to make a documentary about a popular subject without having any low-grade celebrity-du-jour offering their wretched opinion. The contributors here who aren’t medical people are almost all writers of one kind or another; Thorgerson and Gale punctuate the proceedings with a few actors who impersonate various historical figures.

Without Walls was a very good series on the whole but this for me was a real highlight (no pun intended). In addition to it being a rare example of Storm Thorgerson working in television, the direction showed how it was possible to match the theme without recourse to cliché or flashy visuals. There isn’t a single moment of archive footage either. Thorgerson’s history of “socially unacceptable” drugs is structured as a journey through the levels of a multi-storey building, from ground floor to roof; being familiar with the director’s free-associative working methods I can imagine this being a result of thinking about getting high. Bernard Hill encounters the various commentators in successive rooms, each of which is furnished and lit to suggestively imply the drug in question. The use of lighting as a key motif is a smart one, and another metaphor, of course, for literal and symbolic (or spiritual) illumination. Editing effects are also deployed to thematically correspond to the different substances.

This would be very successful even without a wide range of contributors but Thorgerson and company assembled a stunning array of different writers, many of whom I’d never seen on TV before, and many of whom didn’t turn up again. Some of them fill dual roles, so JG Ballard is on hand to enthuse about Naked Lunch, and appears later talking about his bad LSD trip. Similarly, Brian Aldiss talks about Anna Kavan, and also about Philip K Dick. Below there’s a rough list of the drugs covered and the people involved. In the two decades since this was made many of the people involved have since died, the director included, so the film now has the feel of a historical artefact. The Art of Tripping can be see in full at YouTube. This is how good British television used to be.

Opium
Dr Virginia Berridge (author), Grevel Lindop (author), Marek Kohn (author), Dr EMR Critchley (author), Phil Daniels (as Thomas De Quincey), Dr Tony Dickenson (neuropharmacologist), Dr Ian Walker (author), Thom Booker (as Edgar Allan Poe), Dr Peggy Reynolds (author)
Hashish
Prof John Hemmings (author), Ronald Hayman (author), Patrick Barlow (as Theophile Gautier), John McEnery (as Charles Baudelaire), Jon Finch (as Gérard de Nerval), Bernard Howells (lecturer, King’s College, London), June Rose (author), John Richardson (author), Margaret Crosland (author), Danny Webb (as Jean Cocteau), Robin Buss (translator), David Gascoyne (poet), George Melly (collector, Surrealist art)
Mescaline
Prof Eric Mottram (University of London), Francis Huxley (nephew of Aldous Huxley), Jay Stevens (author), Laura Huxley (widow of Aldous Huxley),
Psilocybin
Brian Cory (as Robert Graves), Paul O’Prey (author)
Marijuana / Nitrous Oxide
Harry Shapiro (author), Carolyn Cassady (author), Prof Ann Charters (author), Allen Ginsberg (poet)
Kief
Paul Bowles (author)
Heroin
JG Ballard (author), Prof Avital Ronell (author), Hubert Selby Jr (author), Brian Aldiss (author)
LSD
Dr Oscar Janiger (experimental psychiatrist), Diana Quick (as Anaïs Nin), Prof Malcolm Lader (psychopharmacologist), Dr Timothy Leary (author), Todd Boyco (as Andy Warhol)
Amphetamine
Lawrence Sutin (author)
Cocaine
Robert Stone (author), Prof. Annette Dolphin (neuropharmacologist)
MDMA

Previously on { feuilleton }
• Storm Thorgerson, 1944–2013
• Hipgnosis turkeys
• Enter the Void
• Opium fiends
• La Morphine by Victorien du Saussay
• In the Land of Retinal Delights
• Haschisch Hallucinations by HE Gowers
• Storm Thorgerson: Right But Wrong
• Demon rum leads to heroin
• The art of LSD
• Hep cats
• German opium smokers, 1900

Weekend links 195

Untitled painting (c. 1920–1933) by Ethel le Rossignol depicting “the Sphere of the Spirit”. An exhibition of Ethel le Rossignol’s channelled paintings takes place at the Horse Hospital, London, next month.

• “It’s always disconcerting to discover a favourite writer was kind of a jerk. How does this realization effect our understanding of Walter Benjamin’s work?” asks Morgan Meis.

• Mixes of the week: Georges Vert (aka Jon Brooks) presents The Pan-Europa Mix. Mr Brooks also unveiled another seasonal mix which he calls Winter Velvet.

• Knopheria by Chrome Hoof ft. Shingai Shoniwa. A video from the band’s latest album.

Without sci-fi trappings of any kind, The Metamorphosis forces us to think in terms of analogy, of reflexive interpretation, though it is revealing that none of the characters in the story, including Gregor, ever does think that way. There is no meditation on a family secret or sin that might have induced such a monstrous reprisal by God or the Fates, no search for meaning even on the most basic existential plane. The bizarre event is dealt with in a perfunctory, petty, materialistic way, and it arouses the narrowest range of emotional response imaginable, almost immediately assuming the tone of an unfortunate natural family occurrence with which one must reluctantly contend.

David Cronenberg on Franz Kafka’s story.

• “I was very much into now-ism.” Laraaji talks to Bobby Barry about his music.

• The Edge Question for 2014: “What scientific idea is ready for retirement?”

• Storybook Apocalypse: Beasts, Comets, and Other Signs of the End Times.

• Return of the wunderkammer: Philip Hoare on cabinets of curiosities.

• Birditis: Ian Penman on the “full catastrophe” of Charlie Parker.

• Rick Poynor on The Compulsively Visual World of Pinterest.

• RIP psychedelic poster artist Gary Grimshaw.

• At PingMag: The automaton clocks of Tokyo.

• Dust & Grooves: Vinyl music culture.

• Wunderkammern at Pinterest.

• Ligeti: String Quartet No. 1 “Metamorphoses nocturnes” (recorded 1978) The Arditti Quartet | Thru Metamorphic Rocks (1979) by Tangerine Dream | Metamorphosis (2012) by Demdike Stare