{gay} – Page 57 – { feuilleton }

The art of Willem Arondeus, 1894–1943

Salomé (1916). “Your eyes are like black holes burned by torches in a Tyrian tapestry.”

This marvellous Salomé design is by a Dutch artist I hadn’t heard of before, Willem Arondeus, who might have had a longer career had his life not been cut short by a Nazi firing squad in 1943. Arondeus helped with the Dutch Resistance during the war, forging papers for fleeing Jews, and bombing the Amsterdam Public Records Office. His work warrants a place in the ever-popular gay artists archive not for any homoerotic qualities but because Arondeus was open about his homosexuality for his entire life, his last message to the world being “Let it be known that homosexuals are not cowards.” The work that can be seen online is in that hybrid style that you see a lot from the 1920s on, a blending of the prevalent Art Deco manner with some hangover from the Art Nouveau period. The Salomé piece is particularly good for the way it entangles Salomé’s figure in writhing foliage and clustered architecture.

De Elfenzetel (1919).

Stamp advert (1923).

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Pierrot in Turquoise, or The Looking Glass Murders

A final Bowie post included here as much for its connections to Derek Jarman. Pierrot in Turquoise was a pantomime by Lindsay Kemp based on the characters of the Commedia dell’arte, and broadcast by Scottish Television in 1970. David Bowie is “Cloud”, a non-commedia character who provides songs while perched atop a step-ladder. The smaller independent TV stations like Scottish often used to fill out their end-of-day programming with oddities such as this, the kind of thing that would have been screened once to a bewildered audience then forgotten.

Kemp’s production reverses some of the commedia traditions by having his Pierrot challenge Jack Birkett’s Harlequin, the exchange of roles taking place after a Cocteau-like journey through a mirror. Pierrot lacks a hat but otherwise his costume resembles the one that Bowie wore in the Ashes to Ashes video. Two years and a gulf of reinvention separate this little pantomime from Kemp and Bowie’s next encounter in Mick Rock’s video for John, I’m Only Dancing, a film the BBC found too weird and/or queer, and refused to show.

Previously on { feuilleton }
• Flowers: A Pantomime for Jean Genet
• Lindsay Kemp’s Salomé again

MMMM

Post number four thousand coincides with Roy Batty’s birthday, so happy birthday, Roy. Best not wish him many happy returns… It’s also David Bowie’s birthday and album release day but he’s receiving enough attention for that already.

WordPress always sends a statistics summary at the end of each year. The stats for 2015 looked like this:

The Louvre Museum has 8.5 million visitors per year. This blog was viewed about 900,000 times in 2015. If it were an exhibit at the Louvre Museum, it would take about 39 days for that many people to see it.

The busiest day of the year was January 18th with 3,460 views. The most popular post that day was The gay artists archive.

No surprise about the most popular section of the site which frequently gets double the traffic of any single post. Input to that section of the blog has fallen off over the past year but I do have a couple more posts lined up when I get a spare moment.

These are the posts that got the most views in 2015.

1 The art of NoBeast June 2007
2 The art of Takato Yamamoto June 2007
3 Phallic casts 2011
4 Compass roses August 2011
5 The art of Thomas Eakins, 1844–1916 March 2006

The phallic casts post had a huge spike of traffic on New Year’s Day for some reason. Some of the attention for these posts will be from Facebook but since I don’t have an account there—and Facebook also hides their referral details—you can’t be certain. As always, my thanks to everyone who takes the time to read and to comment.

Vintage Mishima

Penguin reprinted several volumes of Mishima in their Vintage line in 2010 with covers designed by Anna Crone. Seven of the covers are shown here although there are one or two more, not all of them available as large images. (Not for the first time I wonder why major publishers don’t make their new covers available at a decent size.) I’d have been wary of using Hokusai’s waves on a Mishima cover but colouring the water red makes it readable as a wave of blood.

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The Strange Case of Yukio Mishima

This is another of those excellent television documentaries that I have imprisoned on a video tape somewhere so it was good to find on YouTube. The Strange Case of Yukio Mishima (1985) was directed by Michael MacIntyre for the BBC’s Arena arts strand. This was the year that Paul Schrader’s Mishima: A Life in Four Chapters was released so the documentary had some topical value even though Schrader’s film isn’t mentioned at all (something that wouldn’t happen today). MacIntyre begins as Schrader does, however, with the events of the final day of Mishima’s life on November 25th, 1970, before rewinding to present a biographical portrait of the writer/actor/director. There’s more footage than I remembered of Mishima discussing his work (in English) while John Hurt reads from Mishima’s writings. Commentary is supplied by biographer Henry Scott Stokes, translator Donald Keene, photographer Eikoh Hosoe (creator of the famous Mishima beefcake poses), director Nagisa Oshima, and Mishima’s lover Akihiro Maruyama, an actor who the credits also describe as a “female impersonator”.

Previously on { feuilleton }
• Tamotsu Yato’s men with katanas
• Forbidden Colours
• Mishima’s Rite of Love and Death