{sculpture} – Page 46 – { feuilleton }

Deutsche Kunst und Dekoration #25

A design by Emanuel Margold.

This post concludes the delve into back numbers of Deutsche Kunst und Dekoration, the German periodical of art and decoration. Volume 25 covers the period from October 1909 to March 1909, and while the Internet Archive has further editions available they make a big jump after this number to 1923. The later editions are still interesting, of course, but in presentation and content they’re very different to what went before. Despite the text of these magazines being entirely German it’s been an education going through them not only for the detailed attention given to artists often passed over in books, but also for the articles reporting notable events in European art history as they happened. We have the Robarts Library of the University of Toronto to thank for having made these publications available.

An illustration from a series by Carl Otto Czeschka for Die Nibelungen by Franz Keim.

Continue reading “Deutsche Kunst und Dekoration #25”

Passage 15

Directing your attention elsewhere again today, to the latest edition of Passage the Dutch webzine run by my good friend Ed Jansen. Number 15 is described thus:

Passage 15 is, with a few exceptions, entirely devoted to art. Images govern our lives, literally and figuratively. Gaudier-Brzeska nearly a hundred years ago and Antony Gormley today affect our way of looking. Odd Nerdrum does so with his painting on a very different way. The music of Polly Jean Harvey made us curious about her sources of inspiration. The piece about Gallipoli is actually a kind of enormous footnote to her latest cd “Let England Shake”. The photo section provides an overview of exhibitions and performances in the past few months in and around The Hague, Netherlands.

Seeing Gaudier-Brzeska’s sculptures reminds me that I haven’t seen Ken Russell’s film of the artist’s life, Savage Messiah, for many years. The large Antony Gormley work on the cover (Exposure) makes a welcome change from the artist’s cast-iron clones. I’m still waiting for Gormley to create the Ejaculating Man, a seawater-spurting statue he proposed for Seattle. It was rejected, of course, and it’s difficult to imagine any American city exhibiting something of that nature given the current climate. Maybe he should try Amsterdam.

Back at Ed’s work, his varied Flickr stream includes some recent views of Futuro, a mobile holiday home designed by Matti Suuronen in 1968. What was once futuristic now has a Jetsons-like retro glamour.

Previously on { feuilleton }
• Passage 14
• Passage 13
• Passage 12
• Passage 11
• Passage 10

Phallic casts

After the phallic parades of a couple of weeks ago, here’s something a bit more contemporary. Artist Jos Karis works under the name Josephtailor creating a variety of sculptural pieces in different media. Among the examples on his website there’s what appears to be a papier-mâché torso covered with a collage of gay porn pictures, and also a series of penises cast from plaster. The phallic works immediately bring to mind the penis memorials of Cynthia Plaster Caster, famous (notorious, even) for preserving in plaster form the erect members of notable musicians. Josephtailor’s casts seem to be anonymous (his site is short on detail) but he makes more of the end result. Cynthia has also made casts of women but not enough to create a Great Wall of Vagina like British caster Jamie McCartney. One of the contributors to McCartney’s wall was Ms Hayley Campbell who discussed the experience here. (Thanks to Paul for the Josephtailor tip!)

Update: Josephtailor sent some pictures of 100, his phallic wall piece.

Elsewhere on { feuilleton }
• The gay artists archive

Previously on { feuilleton }
• Return of the Triumphant Phallus
• The Choise of Valentines, Or the Merie Ballad of Nash His Dildo
• The fascinating phallus
• The Triumph of the Phallus
• Le Phallus phénoménal
• Phallic bibelots
• The New Love Poetry
• Phallic worship
• The art of ejaculation

The mirror of Narcissus

Browsing another fin de siècle magazine—Revue des Arts Décoratifs for 1897—turned up this design for a hand-mirror by Henri Nocq (or Henry as they also name him). Illustrational design was a common feature of the Art Nouveau period, and Nocq’s Narcissus-themed mirror is an ingenious confection complete with etched pond ripples, pearl-flowered lily pads, and even (though you can barely see it here) a carnelian frog. The body of the mirror was silver with narcissus flowers moulded into the obverse side. I’m surprised I haven’t come across this object before which makes me think it may not have survived. (Unless you know better…) As for Henri Nocq, there’s far more attention devoted to the portrait of him by Toulouse-Lautrec (also 1897) than there is to the designer.

For a more contemporary sculptural take on the theme, there’s Narcissus, an early work from 1969 by British artist William Pye. See his website for other work including some gorgeous water sculptures.

Previously on { feuilleton }
• Le Baiser de Narcisse
• Reflections of Narcissus
• Narcissus

Weekend links 57

A 1973 Ballantine edition of William Burroughs’ novel with a cover illustration from Metamorphosis of Narcissus (1937) by Salvador Dalí. Via the Burroughs Book Covers archive.

The Sel Publishing House, Turkey, published a new translation of The Soft Machine by William Burroughs in January, an edition which is now under investigation by the Istanbul Prosecutor’s Office following a report by the (deep breath) Prime Ministry’s Council for Protecting Minors from Explicit Publications. The Council lodged a number of complaints, among them assertions of “lacking unity in its subject matter,” “incompliance with narrative unity,” “using slang and colloquial terms” and “the application of a fragmented narrative style.” Details here. Does Turkey still want to join the EU? Because this kind of persistently illiberal bullshit (see the earlier treatment of Orhan Pamuk) isn’t helping their case at all.

• Related to the above: Evan J Peterson reads Allen Ginsberg’s Howl in the toilet of a Seattle gay bar; Ginsberg himself reads Kaddish and other works here.

• More illiberal bullshit: LGBT activists arrested during royal wedding; Queer Resistance released a statement about the arrests. MPs, activists and trade unionists condemn new attacks on the right to protest.

• The Dorian Gray That Wilde Would Want Us To Read. Harvard University Press publishes an uncensored and annotated edition of Wilde’s novel. Kudos for using Caravaggio’s Narcissus on the cover.

One weekend in late 1967, they all decamped to a hotel suite in California’s Ojai Valley for a brainstorming session. Amid clouds of pot smoke, they talked all weekend with the tape recorder running. [Jack] Nicholson then took the tapes and turned the conversations into a screenplay; according to Rafelson, he structured it while on LSD.

Revisiting The Monkees’ psychedelic movie, Head.

Kraftwerk icons for Windows and Mac OS X by Dave Brasgalla.

• Robert Louis Stevenson gets his revenge on sneaky literary agent – 120 years later. And Michael Moorcock imagines tales of unseen Mervyn Peake pictures.

Painting doesn’t look so good on the web. It looks better in life. Sculpture looks better in life. What you end up with is just a reproduction. Whereas with film or with sound or with poetry, you get the deep primary experience not the secondary experience. The web delivers those primary experiences very well.

Ubuweb’s Kenneth Goldsmith interviewed.

• Arkhonia’s Another Dispatch in a World of Multiple Veils is now a free download.

• The story of This Is The Sea: An interview with Mike Scott of The Waterboys.

• Fairlight: The Rolls Royce of synthesizers.

• Haeckel Clock, a free app for the iPad.

• What is totalitarian art?

• Porpoise Song (1968) by The Monkees | Hope For Happiness (1969) by The Soft Machine | I’m A Believer (1974) by Robert Wyatt.