Harry Clarke: His Graphic Art

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In today’s post, the Ur-text of Harry Clarke studies by the late Nicola Gordon Bowe. The book was published by Ireland’s Dolmen Press in 1983, and is difficult to find in fine condition for under £50; I was fortunate on both counts. In addition to a detailed biography the book contains many drawings for magazines and smaller publications which have seldom been reproduced elsewhere, together with works like the illustration below, intended for the Clarke-illustrated edition of Swinburne’s poetry but suppressed by the publisher. File next to The Life and Work of Harry Clarke (1989), Nicola Gordon Bowe’s continuation of the scholarship begun here.

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Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
Harry Clarke and others in The Studio
Harry Clarke’s Fairy Tales of Charles Perrault
Harry Clarke in colour
The Tinderbox
Harry Clarke and the Elixir of Life
Cardwell Higgins versus Harry Clarke
Modern book illustrators, 1914
Illustrating Poe #3: Harry Clarke
Strangest Genius: The Stained Glass of Harry Clarke
Harry Clarke’s stained glass
Harry Clarke’s The Year’s at the Spring
The art of Harry Clarke, 1889–1931

Weekend links 545

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Colour wheel from The Natural System of Colours (1766) by Moses Harris.

• The Vatican’s favourite homosexual, Michelangelo di Lodovico Buonarroti Simoni, receives the ludicrously expensive art-book treatment in a huge $22,000 study of the Sistine Chapel frescos. Thanks, but I’ll stick with Taschen’s XXL Tom of Finland collection which cost considerably less and contains larger penises. Related: How Taschen became the world’s most famous erotic publishers.

• “In a metaphorical sense, a book cover is also a frame around the text and a bridge between text and world.” Peter Mendelsund and David J. Alworth on what a book cover can do.

The Night Porter: Nazi porn or daring arthouse eroticism? Ryan Gilbey talks to director Liliana Cavani about a film that’s still more read about (and condemned) than seen.

What is important about reading [Walter] Benjamin’s texts written under the influence of drugs is how you can then read back into all his work much of this same “drug” mind-set; in his university student days, wrangling with Kant’s philosophy at great length, he famously stated, according to Scholem, that “a philosophy that does not include the possibility of soothsaying from coffee grounds and cannot explicate it cannot be a true philosophy.” That was in 1913, and Scholem adds that such an approach must be “recognized as possible from the connection of things.” Scholem recalled seeing on Benjamin’s desk a few years later a copy of Baudelaire’s Les paradis artificiels, and that long before Benjamin took any drugs, he spoke of “the expansion of human experience in hallucinations,” by no means to be confused with “illusions.” Kant, Benjamin said, “motivated an inferior experience.”

Michael Taussig on getting high with Benjamin and Burroughs

• “Utah monolith: Internet sleuths got there, but its origins are still a mystery.” The solution to the mystery—if there is one—will be inferior to the mystery itself.

After Beardsley (1981), a short animated film about Aubrey Beardsley by Chris James, is now available on YouTube in its complete form.

• Mix of the week: The Ivy-Strangled Path Vol. XXIII – An Ivy-Strangled Midwinter by David Colohan.

Charlie Huenemann on the Monas Hieroglyphica, Feynman diagrams, and the Voynich Manuscript.

Katy Kelleher on verdigris: the colour of oxidation, statues, and impermanence.

• A trailer for Athanor: The Alchemical Furnace, a documentary about Jan Švankmajer.

All doom and boom: what’s the heaviest music ever made?

• At Strange Flowers: Ludwig the Second first and last.

• At Dennis Cooper’s: Krzysztof Kieślowski Day.

Ralph Steadman’s cultural highlights.

• RIP Daria Nicolodi.

Michael Angelo (1967) by The 23rd Turnoff | Nightporter (1980) by Japan | Verdigris (2020) by Roger Eno and Brian Eno

The Viyi by Esteban Maroto

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The latest announcement from Eureka Entertainment includes the welcome news of a debut UK release for Viy (1967), the Russian horror film directed by Konstantin Yershov and Georgi Kropachyov. To celebrate this, here’s Esteban Maroto’s gorgeous version of the witchy folk tale as it appeared in Warren’s Dracula magazine in 1972. There’s more Maroto in the collected edition of Dracula which, like all the Warren publications, is now out-of-copyright. I don’t think there was ever a book 2 in the US but here in Britain we were lucky to get the entire run of Dracula in a single volume.

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Previously on { feuilleton }
More Esteban Maroto
The Dracula Annual

Weekend links 544

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“You may if you please, call a partial View of Immensity, or without much Impropriety perhaps, a finite View of Infinity.” An illustration from Thomas Wright’s An Original Theory or New Hypothesis of the Universe (1750).

• If you read about electronic music for any length of time today you’ll eventually come across the term “pad”, referring to a feature of the music itself not the instrumentation. I’ve noticed increasing instances of this with no accompanying explanation of what the term actually refers to. Rob Wreglesworth has the answer.

• At Dangerous Minds: Richard H. Kirk talks to Oliver Hall about Cabaret Voltaire and Shadow Of Fear. No comment from Kirk as to why the new album warrants the CV name when the music is indistinguishable from his many solo works.

• Eyeball Fodder: The Art of the Occult Edition. S. Elizabeth presents artwork featured in her new book, together with links to artist interviews, including one to the interview we did for Coilhouse magazine a few years ago.

• More electronica: Music From Patch Cord Productions is a new compilation of music by Mort Garson that features some previously unreleased pieces. Great cover art by Robert Beatty as well.

• A trailer for Fireball: Visitors from Darker Worlds, a documentary film about meteorites by Werner Herzog and Clive Oppenheimer.

• From 2019: John Waters and Lynn Tillman in conversation. “The pair discussed Waters’s recent exhibitions and art career.”

Harlan Ellison’s The Last Dangerous Visions may finally be published, after a five-decade wait.

Turn your feline into a god with this cardboard Shinto shrine for cats.

• Mix of the week: XLR8R Podcast 670 by Dadub.

• At Dennis Cooper’s: Harry Dean Stanton Day.

John Cooper Clarke‘s favourite songs.

Meteor Storm (1994) by FFWD | The Third Chamber: Part 5 – 7pm Tokyo Shrine (1994) by Loop Guru | Fireball (1994) by Sun Dial

The art of Shinji Horimura

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Lagrimas del Mar (2016).

The gay artists archive continues to be the most popular destination on these pages which makes me feel I ought to add to it more often than I do. Not all of Shinji Horimura’s art is homoerotic but these drawings from his WAH series certainly are. In these and other works Horimura renders the male body with broken outlines that fragment into abstract patterns. In the black-and-white drawings these might be read as tattoos but in his colour art they suggest the hallucinatory revelations of Alex Grey’s paintings. There’s more to see on the artist’s Coroflot pages.

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Loosen (2016).

Continue reading “The art of Shinji Horimura”