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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.

Archive for the ‘David Rudkin’ tag

 

Weekend links 329

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Josef Vyletal borrows figures from Aubrey Beardsley’s Salomé for a Czech poster promoting The Immortal Story (1969) by Orson Welles. Vyletal’s own paintings were often strange and surreal. • Pale Fire is Nabokov’s “great gay comic novel,” says Edmund White. A surprising but not inappropriate reappraisal. White has noted in the past that Nabokov “hated […]

Posted in {art}, {black and white}, {books}, {design}, {electronica}, {film}, {gay}, {horror}, {music}, {science fiction}, {television} | Comments Off

 


The Quietened Bunker

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Bunkers were a recurrent feature in the media of the 1980s, a consequence of increasing Cold War tensions following the election of Ronald Reagan and the Soviet invasion of Afghanistan. The decade birthed new horrors of the body-mutating variety, and also reanimated some older ones in the figure of the knife-wielding psychopath, but the omnipresent […]

Posted in {design}, {electronica}, {film}, {horror}, {music}, {politics}, {science fiction}, {television} | 2 comments »

 


Penda reborn

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Penda’s Fen is one of the most important British television dramas of the 1970s, and would increasingly be recognised as such if the licensing problems which have dogged an official DVD release could be resolved. That was how I ended the section about Penda’s Fen in the David Rudkin essay I wrote last year for […]

Posted in {film}, {television} | 3 comments »

 


Folk Horror Revival: Field Studies

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The particularly British sub-genre of folk horror receives a substantial examination in Folk Horror Revival: Field Studies, a 500-page collection of essays, interviews and artwork edited by Andy Paciorek. Featuring essays and interviews by many great cinematic, musical, artistic and literary talents, Folk Horror Revival: Field Studies is the most comprehensive and engaging exploration to […]

Posted in {books}, {film}, {horror}, {music}, {television}, {theatre}, {work} | 2 comments »

 


Weekend links 285

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Some of the art from my collage adaptation of The Picture of Dorian Gray appears on the cover of The Graphic Canon: Volume 2, published this month in a German edition by Verlag Galiani. Out next month (although possibly available now) is the same book in a Brazilian edition from Boitempo Editorial. One of the […]

Posted in {art}, {books}, {collage}, {comics}, {drugs}, {electronica}, {film}, {gay}, {horror}, {music}, {painting}, {photography}, {politics}, {surrealism}, {television}, {work} | 1 comment »

 


Weekend links 283

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Behind by Lisa Wassmann. • “Without space art, nobody would know what Mars would look like.” Artist David A. Hardy talking to Nadja Sayej about a life spent painting the cosmos and—briefly—working for Hawkwind. Visions of Space, an exhibition of astronomical art, is at the Wells & Mendip Museum throughout November. • Mixes of the […]

Posted in {abstract cinema}, {animation}, {art}, {books}, {collage}, {cormac}, {electronica}, {events}, {film}, {horror}, {illustrators}, {lovecraft}, {music}, {photography}, {science fiction}, {science}, {surrealism}, {uncategorized} | Comments Off

 


Weekend links 273

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Byronic I by Boris Pelcer. Via Full Fathom Five. • “Music determines everything in terms of our narrative. Music demands, music suggests. Whereas traditional Hollywood animation is all based on character development—you know, there’s Toy Story and it’s Tom Hanks’s voice pushing the thrust of the action. For us, décor is all part of it. […]

Posted in {animation}, {art}, {books}, {drugs}, {electronica}, {film}, {horror}, {lovecraft}, {music}, {painting}, {science fiction}, {television} | 2 comments »

 


The Living Grave by David Rudkin

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Having recently discovered two episodes from the BBC’s long-running Leap in the Dark series (In the Mind’s Eye, and Alan Garner’s To Kill a King), I was hoping the episode written by David Rudkin might turn up eventually. And here it is, posted to YouTube last month. Leap in the Dark, which ran from 1973 […]

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The Edge Is Where The Centre Is

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Design by Rob Carmichael. “I am afflicted by images, by things that are seen, pictures of things. They are extraordinary, momentary, but they stay with me.” (David Rudkin, 1964) “The pattern under the plough, the occult history of Albion – the British Dreamtime – lies waiting to be discovered by anyone with the right mental […]

Posted in {books}, {film}, {gay}, {horror}, {politics}, {television}, {theatre} | Comments Off

 


Weekend links 234

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The Devil in the Green Coat by Andrea Dezsö, an illustration for a new, uncensored edition of the Grimm Brothers’ Fairy Tales. • That { feuilleton } object of cult attention, Penda’s Fen, a 1974 television film by David Rudkin directed by Alan Clarke, continues its long journey out of the shadows. To coincide with […]

Posted in {art}, {books}, {electronica}, {film}, {gay}, {horror}, {illustrators}, {music}, {occult}, {television} | 4 comments »

 


Weekend links 232

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Forget Me Not (no date) by Caitlin Hackett. • Halloween brings out the articles about weird fiction: “No one would now write of [HP Lovecraft] as the critic Edmund Wilson did, in the New Yorker in 1945: ‘The only real horror in most of these fictions is the horror of bad taste and bad art.’ […]

Posted in {art}, {books}, {design}, {electronica}, {fantasy}, {film}, {horror}, {lovecraft}, {music}, {occult}, {painting}, {television} | 1 comment »

 


Afore Night Come by David Rudkin

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RSC programme, 1962. Not a review, this, you can’t really review a stage play you’ve never seen. Following the re-viewing of David Rudkin’s White Lady I’ve gone back to some of the published plays. If all you know of Rudkin’s work is his television drama, the plays are instructive for showing the consistency of his […]

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White Lady by David Rudkin

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Amy: Dad? What’s a parable. Gil: Parable? A sort of story, with something in it…strange. To help you remember it. And think. About something important. I first heard about David Rudkin’s White Lady (1987) from Grant Morrison during a conversation about Penda’s Fen, Morrison having been a Rudkin-head as far back as the original screening […]

Posted in {film}, {horror}, {television} | 2 comments »

 


Weekend links 216

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Why Do The Heathen Rage? (2014) by The Soft Pink Truth. Cover art by Mavado Charon. Drew Daniel’s latest release as The Soft Pink Truth is Why Do The Heathen Rage?, a witty electronic riposte to the often reactionary attitudes of black metal music and the people who create it. (The album is dedicated to […]

Posted in {architecture}, {art}, {books}, {comics}, {electronica}, {film}, {gay}, {illustrators}, {music}, {painting}, {photography}, {politics}, {pulp}, {science fiction}, {symbolists}, {technology}, {television}, {work} | Comments Off

 


The Horror Fields

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Cover art: In the Palm of the Absinthe Woods by Aria/ShePaintsWithBlood. Last year I was asked to contribute a piece of fiction to a rural horror special of Morpheus Tales. In time for the Spring Equinox, The Horror Fields, edited by Matt Leyshon, is now unleashed. Inside there’s my short story, Figures in a Landscape, […]

Posted in {books}, {horror}, {work} | Comments Off

 


Robin Redbreast by John Bowen

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This TV play from 1970 was one of the films I watched last year at Halloween, a very poor bootleg copy from the BBC archives with a timecode running away in one corner. So it’s been a surprise to find the BFI releasing it so soon after on DVD. I never saw Robin Redbreast originally, […]

Posted in {film}, {horror}, {television} | 1 comment »

 


Red Shift by Alan Garner

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“I know things, and feel things, but the wrong way round. That’s me: all the right answers at none of the right times. I see and can’t understand. I need to adjust my spectrum, pull myself away from the blue end. I could do with a red shift. Galaxies and Rectors have them. Why not […]

Posted in {fantasy}, {film}, {television} | 2 comments »

 


Brecht and Bowie

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While David Bowie is still making the news it’s worth revisiting Baal, an hour-long BBC TV adaptation of the Bertolt Brecht play broadcast in 1981. Bowie stars as the title character, a thoroughly disagreeable poet and café singer who ruins the lives of those around him. This caused a stir at the time more for […]

Posted in {film}, {music}, {television}, {theatre} | 1 comment »

 


“Who is this who is coming?”

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Whistle and I’ll Come to You (1968). He blew tentatively and stopped suddenly, startled and yet pleased at the note he had elicited. It had a quality of infinite distance in it, and, soft as it was, he somehow felt it must be audible for miles round. It was a sound, too, that seemed to […]

Posted in {art}, {black and white}, {books}, {film}, {horror}, {illustrators}, {television} | 20 comments »

 


Weekend links 25

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A commemorative Borges coin. He says, “Two aesthetics exist: the passive aesthetic of mirrors and the active aesthetic of prisms. Guided by the former, art turns into a copy of the environment’s objectivity or the individual’s psychic history.” There, of course, he sums up all of realism, no? “Guided by the latter, art is redeemed, […]

Posted in {architecture}, {books}, {borges}, {burroughs}, {design}, {electronica}, {gay}, {music}, {politics}, {religion}, {theatre} | 3 comments »

 


 



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