SteamPunk Magazine

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The phone line trouble was resolved quicker than I expected thanks to a couple of efficient engineers and a new line. Normal service is now resumed.

Last month seemed to be one rush job after another, of which this was one of the results, a cover for a forthcoming collection of pieces from SteamPunk Magazine. Another collage work mostly, juxtaposed against one of the photos I took years ago of rusting rail bridge supports in central Manchester. Those photos get used a lot when I need some organic textures: one of the others fills in the background of the cover for Jeff VanderMeer’s Finch. I really ought to get some fresh pictures.

I’m not sure when this collection will be out but when it is the news will be mentioned here. And while we’re on the subject, it’s worth mentioning again that SJ Chambers, co-editor with Jeff V of The Steampunk Bible, will be appearing at The Last Tuesday Society in London this coming Tuesday. Details here.

Previously on { feuilleton }
Morlocks, airships and curious cabinets
The Steampunk Bible
Steampunk Reloaded
Steampunk overloaded!
More Steampunk and the Crawling Chaos
Steampunk Redux
Steampunk framed
Steampunk Horror Shortcuts

Maps and legends

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Following the mention yesterday of my facsimile John Speed map I set about searching for the map in question since it’s managed to survive all these years. For the moment I haven’t been able to find it but going through a portfolio of old drawings I finally found this item, a map or chart or the Nine Worlds of Norse mythology which I drew when I was 11 years old. Various family traumas mean a lot of my early artwork hasn’t survived so this drawing is the earliest piece of my work that I own. (Click below for a bigger view.)

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Sol in her Sun Chariot. The horse evidently looked better after a second attempt.

I can be specific about my age since I remember drawing this in 1973 shortly after moving to secondary school. The paper is the horrible stuff that was standard issue at that place, rough and terrible for pencil work. I’d been given a new set of coloured pencils so took advantage with this to use just about every colour in the box.

Continue reading “Maps and legends”

Art is magic. Magic is art.

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Cover concept by Chip Kidd.

I noted the imminent arrival of Gary Spencer Millidge’s labour of love last month and the volume itself turned up this week, and what a book it is, a heavyweight hardback that’s far more lavish than I anticipated. The first surprise comes when removing the dust jacket to find Alan’s scowling visage embossed on the boards. Inside there’s a wealth of Moore ephemera from biographical material (lots of family photos) to insights into the scripting process behind the comics. I already knew Alan made little thumbnail sketches of his comic layouts before writing his scripts, having been fortunate enough to see one of the work-in-progress books for From Hell one time when I was chez Moore. Now everyone can have that opportunity. In addition there’s a thorough overview of Alan’s career, from the earliest juvenilia through to recent issues of Dodgem Logic. The comics career often overshadows his other work but in a later part of the book there’s considerable attention given to his collaborations with musicians, dancers and others for the Moon and Serpent performances. For my part it’s a pleasure to see some of the designs I created for the Moon and Serpent CDs printed large-size and in better quality than pressing plants manage with compact discs. None of those releases sold in great quantities and all are now out-of-print so the artwork often feels lost.

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The front board.

What else? How about two sections of the book with fold-out pages? How about the first ever public appearance of Alan’s huge chart mapping the progress of every character through the unfinished Big Numbers? How about an introduction by Michael Moorcock where he calls Alan “a Robert Johnson of the Age of Doubt; questioning, confronting, mourning and yearning, representing his readers in profound ways, an intellectual autodidact, one of my few true peers for whom I have limitless respect.”? How about a compact disc featuring extracts from the Moon and Serpent CDs plus many other previously unreleased songs including pieces by the Emperors of Ice Cream? This is a gorgeous production designed by Simon Goggin and art directed by Julie Weir, and I haven’t even begun to read it yet. Is it necessary to state that it’s an essential purchase for anyone with more than a passing interest in Mr Moore and his many talented collaborators? Yours for twenty-five quid from Ilex Press. Some page samples follow.

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Front endpapers showing Alan’s working notes and sketches.

Continue reading “Art is magic. Magic is art.”

Weekend links 69

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Peacock Apocalypse (detail) by Julie Evans in collaboration with Ajay Sharma.

Here at { feuilleton }, home of the curly bracket affectation, your correspondent is still surprised to find his postings the subject of a critique by Rick Poynor in the latest edition of Eye magazine, the international review of graphic design. I haven’t seen a print copy yet but you can read Mr Poynor’s appraisal here. Meanwhile, over at Design Observer this week there’s another Poynor piece about the collage illustrations of Andrzej Klimowski.

Alan Moore (yes, him again) discusses the moment when the League of Extraordinary Gentlemen gets all swinging and psychedelic. And Iain Sinclair (yes, him again) is still doing the interview rounds promoting his current book, Ghost Milk.

Ayin Acla, a short film by Anna Thew with a soundtrack by Cyclobe. The most recent Cyclobe album, Wounded Galaxies Tap at the Window, was previously vinyl-only but is now available on CD.

• Bones and beads and other things in Wren Britton’s Pure Vile clothing and accessories. Related: Patrick Veillet’s wearable bone sculptures.

Lambshead Cabinet of Curiosities Q&A: Ann & Jeff VanderMeer answer questions about their latest anthology at Fangoria.

• Being a lifelong introvert, I’m sympathetic to Four Ways Technology Can Enable Your Inner Introvert by Philip Bump.

• In an all-too-rare meeting of minds and talents, Roy Harper talks to Joanna Newsom.

Jon Macy’s Teleny and Camille is reviewed at Lambda Literary.

• Author Carol Birch tells us how best to read Finnegans Wake.

Joel Pirela’s Design Classics posters.

Each And Every Word Must Die (1999) by Cyclobe | Brightness Falls From The Air (2001) by Cyclobe | Indulge Yourselves With Our Delicious Monster (2006) by Cyclobe

John Dee’s Monas Hieroglyphica

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I swear I didn’t go hunting for this. Among the various library collections at the Internet Archive one can find The Getty Alchemy Collection, a substantial gathering of very old alchemical texts scanned in a variety of formats. John Dee’s Monas Hieroglyphica caught my eye during a random search, a third edition of his treatise from 1564 in which he describes his Monas Hieroglyphica, a glyph designed to combine symbols of the Sun, the Moon, the Elements and Fire in a single figure.

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The glyph also intentionally resembles a human form, and Dee relates its individual parts to various astrological and chemical symbols. I’ve mentioned before that Dee scholar Derek Jarman deliberately based Prospero on John Dee in his 1979 film of The Tempest, giving the magus a scrying wand shaped to resemble the Monas Hieroglyphica.

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I produced my own variations on the glyph in 2009 when working on the cover of Jeff VanderMeer’s novel, Finch. The symbol recurs in Jeff’s fictional city of Ambergris and I seem to recall there being some discussion about including this doorway design somewhere in the book. In the end it was incorporated into the cover design in a rather subtle fashion. I think this is the first time the design alone has appeared in public.

The Internet Archive has a few other Dee-related items, including Lists of manuscripts formerly owned by Dr. John Dee; with preface and identifications (1921), a 500-page book by antiquarian and ghost story writer MR James.

Previously on { feuilleton }
Mister Jarman, Mister Moore and Doctor Dee
Alchemically Yours
Laurie Lipton’s Splendor Solis
The Arms of the Art
Splendor Solis
Amphitheatrum Sapientiae Aeternae
The Tempest illustrated
Cabala, Speculum Artis Et Naturae In Alchymia
Digital alchemy
Designs on Doctor Dee