Weekend links 306

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• The Midian Books Occulture catalogue launched this week sporting a cover that I pieced together for Midian’s Jonathan Davies. The design pastiches the look of the Process Church magazines of the early 1970s; inside there’s a haul of Process material on sale together with COUM/Throbbing Gristle ephemera (that’s Cosi Fanni Tutti on the right, as seen on her modelling business card), Kenneth Anger ephemera (that’s Bobby Beausoleil on the left) and much more.

• More occulture: Lost Envoy: The Tarot Deck of Austin Osman Spare launches on 11 May at Camden Arts Centre, Arkwright Road, London NW3 6DG, from 7–9pm. All are welcome.

• Out this week: Close To The Noise Floor – Formative UK Electronica 1975–1984: Excursions in Proto-Synth Pop, DIY Techno and Ambient Exploration.

• Mixes of the week: Spin Doctor’s All Vinyl Prince Tribute Mix, and the Rum Music Mix by Russell Cuzner.

David Gentleman’s illustrations for New Penguin Shakespeare books, 1967–1977.

• More electronica: Walberswick by Jon Brooks is now available in a digital edition.

• Blown up: Steve Rose on how cinema captured the dark heart of the swinging 60s.

• Six Quietus writers choose favourite Prince songs. Related: The A–Z of Prince

A Timeline of Slang Terms for Male Homosexuality by Jonathan Green.

Berenice Abbott’s views of New York streets then and now.

• Jan Švankmajer is crowd-funding his next film, Insects.

Laurie Anderson on the creation of O Superman.

• Blood Ceremony: The Great God Pan (2011) | Oliver Haddo (2011) | Ballad Of The Weird Sisters (2013) | Let It Come Down (2014)

Jan Švankmajer, Director

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As I have always said, my aim is to make Surrealist documentaries. I want to show that our world is imaginative by nature, that you can look at it imaginatively. It has something that escapes the quotidian gaze. And it is possible to reveal it through the technique of animation. Animation thus becomes a sort of new alchemy.

Thus Jan Švankmajer whose production company, Athanor, is named after the furnace used by medieval alchemists. Jan Švankmajer, Director (2009) is an hour-long documentary by Martin Sulík, one of several films from Golden Sixties, a Czech television series about film directors. Švankmajer has been the subject of several documentaries following his rise to international prominence, one of which, Les Chimeres des Švankmajer (2001), may be found on the BFI’s DVD set of the complete short films. Martin Sulík’s documentary doesn’t cover as much ground as the French film—the focus is on the 1960s—but has an advantage by allowing Švankmajer to talk at length about his work. Topics include his discovery of the usefulness of animation, his approach to filmmaking (and art in general), and peripheral subjects such as the soundtrack music of Zdeněk Liška, and the activities of the Prague Surrealist group. (Via MetaFilter.)

Jan Švankmajer, Director: Part one | Part two | Part three | Part four

Previously on { feuilleton }
Don Juan, a film by Jan Švankmajer
The Pendulum, the Pit and Hope
Two sides of Liška
The Torchbearer by Václav Švankmajer

Weekend links 298

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The Gathering (2015) by Kristen Liu-Wong.

• Tom of Finland’s house in Echo Park, Los Angeles, “is a trove of homoerotic masterpieces“. The house and its former owner are celebrated in Tom House, a book by Michael Reynolds with photos by Martyn Thompson. Related: Tom House exposed by Rizzoli.

• “Underlying the heightened nature of the films was a deep, questioning soulfulness related to literary antecedents coupled with a vision of cinema open to shifting levels of perception and fantasy.” David Thompson on Andrzej Żuławski.

• Memories of the Space Age: Photos by Roland Miller of the ruins of NASA’s old launch pads, bunkhouses and research facilities. A British equivalent (and a much more modest affair) is the Highdown Rocket Site on the Isle of Wight.

• Statues allegedly made for the John Huston film of The Maltese Falcon are among the most expensive props in cinema history even though there’s still dispute about their authenticity. Bryan Burrough investigates.

• Mixes of the week: The Solar Gate: Female Private Press New-Age Music – Vol.1 by Michael Tanner, and an “alchemical” Bowie selection by The Ephemeral Man.

• “What Does It Take To Be A ‘Bestselling Author’? $3 and 5 Minutes.” Brent Underwood on why Amazon ratings can’t be trusted.

Edward Gorey/Derek Lamb title sequences from the PBS/WGBH show Mystery! (1981).

• A Painter Possessed: Kate Kellaway on the occult abstractions of Hilma af Klint.

Invertebrate Harmonics: a new composition by Chris Watson.

• Frozen in time: Inside Bangkok’s first ever department store.

Roly Porter’s Favourite Space Records

• Space-Age Couple (1970) by Captain Beefheart & His Magic Band | Space Age Batchelor Pad Music (Mellow) (1993) by Stereolab | Space Age Ballad (2001) by Acid Mothers Temple & The Melting Paraiso U.F.O.

An Optical Poem by Oskar Fischinger

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Oskar Fischinger’s only successful collaboration with a Hollywood studio was this 7-minute animation made for MGM in 1937. As with some of Fischinger’s earlier films, a piece of classical music is illustrated with dancing shapes of cut-out paper. The music in this instance is Liszt’s Second Hungarian Rhapsody, and this short was one of the films that brought Fischinger’s to Walt Disney’s attention when the Disney studio was planning a similarly abstract sequence for Fantasia. Fischinger worked on the Toccata and Fugue opening but his early efforts for Disney were dismissed as “too dinky” by the man responsible for a ubiquitous anthropomorphic mouse.

Elsewhere on { feuilleton }
The abstract cinema archive

Mea Culpa, a film by Bruce Conner

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More David Byrne. Artist Bruce Conner made two films in 1981 using pieces of music from Byrne & Eno’s My Life In The Bush Of Ghosts album: America Is Waiting and Mea Culpa. The latter is the more abstract of the two, with the drums and fragmented voices matched to dancing particles from science films. Watch it here.

Previously on { feuilleton }
The South Bank Show: Talking Heads
The Catherine Wheel by Twyla Tharp
Moonlight in Glory
My Life In The Bush Of Ghosts