Weekend links 589

mackintosh.jpg

The Three Perfumes (1912) by Margaret Macdonald Mackintosh.

• “…we have empowered this monopoly to strike fear into the hearts of authors. And that may be unprecedented in history. Through our own complicity as consumers, their market share only grows.” Dave Eggers talking to Rachel Krantz about the dominance of Amazon, and his new novel, The Every.

• “People will readily flock to yoga and Pilates classes, but how many show up for soundscape therapy or take a sound-walk?” Bernie Krause on the healing powers of quietude, the Ba’Aka tribe, and Japanese forest bathing.

• “Difficulty is my drug of choice, I guess.” Dennis Cooper (again) talking to Troy James Weaver about his new novel, I Wished.

• At Wormwoodiana: Mark Valentine reviews Shadows of London by Jonathan Wood.

• Robert Fripp’s drive to 1981: Joe Banks on Discipline and the return of King Crimson.

• End times and rapture: Ken Hollings remembers Richard H. Kirk.

• Daniel Spicer on The Strange (Parallel) World of Miles Davis.

• Mix of the week: XLR8R Podcast 715 by Uffe.

• Steven Heller’s font of the month is Oposta.

Perfumed Metal (1981) by Chrome | Ode To Perfume (1982) by Holger Czukay | Perfume (2006) by Sparks

Weekend links 577

preisler.jpg

Black Lake (1904) by Jan Preisler.

• Upcoming releases on the Ghost Box label will include a new album by {feuilleton} faves Pye Corner Audio, plus the surprising appearance of figures from Bruegel on a Ghost Box cover design.

Tilda Swinton and Olivier Saillard pay tribute to the films of Pier Paolo Pasolini. (Or to Pasolini’s costume designer, Danilo Donati.)

• New music: Spectral Corridor by The House In The Woods, and Re:Moving (Music for Choreographies by Yin Yue) by Machinefabriek.

• At Spoon & Tamago, Technopolis gets all the good things: “Giant kitty now greets commuters at Shinjuku Station.”

Anil Ananthaswamy on the ways in which psychedelics open a new window on the mechanisms of perception.

• Mixes of the week: Isolated Mix 112 by Suna, and GGHQ Mix #56, “An Unfortunate Kink”, by Abigail Ward.

• In this week’s impossible task, Alexis Petridis attempts to rank The Velvet Underground’s greatest songs.

• DJ Food unearths more flyers for London’s Middle Earth club, plus covers for the East Village Other.

• Global signals: Aki Onda on Holger Czukay and radio’s power to connect.

• At The Paris Review: Paintings and collages by Eileen Agar (1899–1991).

Will Sergeant’s favourite albums.

The Babel Tower Notice Board

Shaking Down The Tower Of Babel (1983) by Richard H. Kirk | Pärt: An Den Wassern Zu Babel (1991) by Estonian Philharmonic Chamber Choir conducted by Paul Hillier | The Black Meat (Deconstruction Of The Babel-Tower of Reason) (1994) by Automaton

Weekend links 554

yokoo.jpg

Tadanori Yokoo Emphasizes Deliberate Misalignment in Contemporary Woodblock Series.

• Another week, another Paris Review essay on Leonora Carrington. This time it’s Olga Tokarczuk exploring eccentricity as feminism. At the same publication there’s more eccentricity in Lucy Scholes‘ feature about the neglected novels of Irene Handl, a woman best known for the characters she played in many British films and TV dramas. I’ve long been curious about Handl’s writing career so this was good to see.

• “The denial of our participation in the world, [Fisher] implies—the disavowal of our desire for iPhones even as we diligently think anti-capitalist thoughts—is incapacitating. It leads to a regressive utopianism that cannot envision going through capitalism, but only retreating or escaping from it, into a primitive past or fictional future.” Lola Seaton on the ghosts of Mark Fisher.

• More ghosts: Paranormal is the latest collection of spooky, atmospheric electronica from Grey Frequency, “an audio document exploring extraordinary phenomena which have challenged orthodox science, but which have also grown and evolved as part of contemporary culture and a wider folkloric landscape.”

• “Items billed as THE BEST EVER can stop us cold, and even cause us to take them for granted, never reassessing them, as we instead gesture, often without thought, to where they sit in the corner, under a halo and backdrop of blue ribbons.” Colin Fleming on Miles Davis and Kind Of Blue.

• “Diaboliques and Psycho both achieve something very rare: a perfect plot twist but an unspoilable movie,” says Milan Terlunen.

• Richard Kirk returns once more as “Cabaret Voltaire” with a new recording, Billion Dollar.

• Even more Leonora Carrington: some of the cards from her Tarot deck.

DJ Food on Zodiac Posters by Simboli Design, 1969.

Kodak Ghosts (1970) by Michael Chapman | Plight (The Spiralling Of Winter Ghosts) (1988) by David Sylvian & Holger Czukay | The Ghosts Of Animals (1995) by Paul Schütze

Weekend links 502

wilson.jpg

The Byrds (1967) by Wes Wilson.

• RIP Wes Wilson, one of the first of the San Francisco psychedelic poster artists of the 1960s, and also one of the more visible thanks to the popularity of his compressed type designs, some of which were derived from a style developed by Alfred Roller for the Vienna Secession circa 1900. When Playboy magazine wanted a cover that reflected the psychedelic art trend in late 1967 it was Wilson they called. Related: Wes Wilson’s posters at Wolfgang’s.

• “In the ’70s, New Age music offered listeners, trapped in the urban rat-race, audio capsules of pastoral peace to transform their homes into havens. Today the Internet and social media form a kind of post-geographic urban space, an immaterial city of information whose hustle ‘n bustle is even more wearing and deleterious to our equilibrium.” 2010–19: Back To The Garden: The Return Of Ambient And New Age by Simon Reynolds.

• “This pointed-finger symbol goes by many names: mutton fist, printer’s fist, bishop’s fist, pointer, hand director, indicule, or most unimaginatively as ‘a hand’. Scholarly consensus has pretty much settled on the word ‘manicule’, from the Latin maniculum, meaning ‘little hand’.” John Boardley on the typographic history of the pointing hand.

Tales Of Purple Sally (1973) by Alex. All instruments by Alex Wiska apart from bass by Holger Czukay, and drums by Jaki Liebzeit. The latter pair also produced the album. Related: Jah Wobble talking to Duncan Seaman about working with Czukay and Liebeziet.

• “On Jan 25, 2020, tired of negative film lists on Twitter, I asked people for ‘obscure [or] underseen films you adore and think more people should know about.’ This was the result.”

Flash Of The Spirit by Jon Hassell & Farafina “hails from a time when the possibilities of music seemed less well-defined, and borders felt more open,” says Geeta Dayal.

The Art Of Computer Designing: A Black and White Approach (1993) by Osamu Sato. There’s more of Sato’s print work at the Internet Archive.

• At the Morgan Library: Jean-Jacques Lequeu: Visionary Architect. Drawings from the Bibliothèque nationale de France.

• New from Strange Attractor: Inferno: The Trash Project: Volume One by Ken Hollings.

• At Dennis Cooper’s: Storm de Hirsch Day.

Celeste by Roger Eno & Brian Eno.

Ben Watt‘s favourite music.

The Inferno (1968) by The Inferno | Inferno (1990) by Jah Wobble’s Invaders Of The Heart | Inferno (1993) by Miranda Sex Garden

Weekend links 450

redon.jpg

Orpheus (c. 1903–1910) by Odilon Redon. One of 30,000 public-domain images from the Cleveland Museum of Art’s collection.

• Network DVD has announced the premiere home release of Orson Welles’ Great Mysteries, a British TV series that ran from 1973 to 74. Welles’ involvement was limited to introducing each episode but the series itself was one I enjoyed a great deal: 26 short adaptations of period mystery stories that featured a wealth of British and American acting talent. The theme by John Barry was an additional bonus.

• The trailer for Apollo 11, a documentary by Todd Douglas Miller which presents for the first time the 70mm footage recording the Earth-bound parts of the Moon mission. Related: Michelle Santiago Cortés on how NASA used art to shape our vision of the future.

• At Dangerous Minds: a preview of Third Noise Principle, the latest in an excellent series of electronic music compilations from Cherry Red, and Cosey Fanni Tutti talks about her first solo album since 1983.

“The way I understood theory, primarily through popular culture, is generally detested in universities,” Mark [Fisher] told me in 2005, when I interviewed him for the Village Voice. “Most dealings with the academy have been literally clinically depressing.” He darkly surmised that his blog, K-Punk, and the surrounding blogosphere, “seemed like the space—the only space—in which to maintain a kind of discourse that had started in the music press and the art schools, but which had all but died out, with appalling cultural and political consequences.” Mark and the Village Voice are both dead now, leaving unfathomable voids in their wake.

Geeta Dayal on Mark Fisher

• At The Witch Wave: Peter Bebergal and Pam Grossman discuss Bebergal’s latest book (also my current reading), Strange Frequencies: The Extraordinary Story of the Technological Quest for the Supernatural.

• At Bandcamp: another release from the retro-synth cosmos of Jenzeits, and Ufology , an investigation of Britain’s flying-saucer landscape by Grey Frequency.

• Surprising collaboration of the week: Beth Gibbons and Krzysztof Penderecki have made a new recording of Henryk Górecki’s Third Symphony.

Alchemy (1969) the debut album by the Third Ear Band, receives an expanded reissue next month.

The Burn: a science-fiction story by Peter Tieryas with illustrations by Arik Roper.

• Mix of the week: Self-Titled Needle Exchange 275 by Black To Comm.

Amy Turk plays Bach’s Toccata and Fugue in D Minor on her harp.

Chrismarker.org is seeking donations.

Mystery Train (1955) by Elvis Presley | Mystery R.P.S. (No 8) (1981) by Holger Czukay, Jah Wobble, Jaki Liebezeit | Mystery Room (1985) by Helios Creed