Weekend links 56

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Ad Astra (1907) by Akseli Gallen-Kallela.

• Andres Serrano’s works are photo prints so you can’t damage an exhibition item the way you can with a painting. That didn’t stop Catholic protestors in France attacking a copy of Piss Christ on Monday. By coincidence, Dave Maier had posted an essay about Serrano’s work a few hours earlier, and with a reminder that the notorious photograph was part of a series, a detail which is often forgotten or conveniently ignored.

• The Avant Garde Project which made available deleted experimental audio works (see this earlier post) ceased activity a while ago so it’s good to see that its archives will now be hosted at Ubuweb.

…African Head Charge again was a studio name I had to start with, and it evolved into a band about eight years later. That started out again I read an interview in a newspaper where Brian Eno talked about he’d made an album called My Life in the Bush of Ghosts with another musician—that Talking Heads fellow [David Byrne]—and he said “I had a vision of a psychedelic Africa”. And I thought, “Oh, that’s pretentious”. But then I thought about it, and thought “No, what a good idea! Make really trippy African dub”.

Adrian Sherwood on thirty years of On-U Sound.

• Related: Brian Eno has a new album out in July, Drums Between The Bells, a collaboration with Rick Holland.

“Do you think Lord Leighton could by any chance have been a homosexual?” enquired Richard. “It says here,” I replied, consulting a laminated information card, “that there is no evidence one way or the other.”

“Rent boys leave no evidence,” said Richard.

A private view of Lord Leighton’s home in Holland Park, London, which opened to the public again last year.

Passengers, an exhibition of urban transit photos by Chris Marker at Peter Blum, NYC. For a different kind of rail transport there’s this exploration of London’s disused underground Post Office Railway.

• Reappraising the recent past: Jon Savage on Taxi zum Klo, Christiane F, David Bowie and the seedy attraction of Berlin in the 70s and 80s; Iain Sinclair on the Festival of Britain sixty years on.

Stella Steyn’s illustrations for Finnegans Wake as seen in transition magazine, 1929. And speaking of literary magazines, the return of New Worlds has been announced.

Clive Hicks-Jenkins is an art monograph published next month by Lund Humphries. Clive enthused about the book’s arrival.

• 50 Watts announces the Polish Book Cover Contest.

• 4th June, 2011 is Radiophonic Creation Day.

• Americans: has your state banned sodomy?

Stardust (1931) by Louis Armstrong | Stardust (1940) by Artie Shaw | Stardust (1957) by Nat King Cole.

Weekend links 48

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Nite Flights (1978) by The Walker Brothers. Cover design by Hipgnosis.

something attacked the earth last nite
with a kick that man habit-eye
cut the sleep tight boys who dreamed and dreamed
of a city like the sky

Scott Walker quotes Brion Gysin (and who knows what else) in Shutout (see below), one of the four remarkable songs he wrote for the final Walker Brothers album, Nite Flights. That album cast a shadow over David Bowie’s Lodger a year later, and led Bowie to try his hand at a cover of the title track in 1993.

• Frédéric Chaubin’s photographs of what he calls Cosmic Communist Constructions. Also a new book from Taschen, and an exhibition at the Karlsruhe Museum of Contemporary Art. PingMag interviewed Chaubin back in 2006.

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From Disparate works by Romanian artist Marcel Chirnoaga (1930–2008). See also the Virtual Museum of Marcel Chirnoaga.

The immense size of modern databases gives us a feeling of meaninglessness. Information in such quantities reminds us of Borges’s library extending infinitely in all directions. It is our task as humans to bring meaning back into this wasteland.

Freeman Dyson on The Information: A History, a Theory, a Flood by James Gleick.

• In the Tumblr labyrinth this week: Mr Rossignol, the Elephant House for Edward Gorey, and Brion Gysin.

• Related to the last, Mutate or Die is “a bioart project being conceived of and executed by Tony Allard and Adam Zaretsky”.

• Barry Miles’s top 10 counterculture books. Related: Rick Poynor on Richard Neville’s Playpower.

“The sooner literary fiction recognises & accepts its generic identity, the sooner it can get help.”

• Is YouTube user “Kosinski” the ever-elusive Chris Marker? “All signs point to yes.”

• The Internet Archive is making its books available to US libraries.

• The Castle of Shadows at BLDGBLOG.

• The Light Painting Pool at Flickr.

• Scott Walker (with the Walker Brothers): Shutout |Nite Flights | The Electrician.

Weekend links 43

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From the video for I See, So I See So by Broadcast.

RIP Trish Keenan of Broadcast. Tributes here and here. The Broadcast/Focus Group collaboration …investigate Witch Cults of the Radio Age was The Wire‘s album of the year for 2009. Joseph Stannard interviewed Trish Keenan and James Cargill in October of that year.

Who Knows What Tomorrow Might Bring, a new pay-what-you-please Arthur mixtape. Also at Arthur, Sunday Lectures by Freeman House here, here, here and here.

• Cormac McCarthy’s description of American pioneers in Suttree (1979) kept coming to mind during the past week:

Where hunters and woodcutters once slept in their boots by the dying light of their thousand fires and went on, old teutonic forebears with eyes incandesced by the visionary light of a massive rapacity, wave on wave of the violent and the insane, their brains stoked with spoorless analogues of all that was, lean aryans with their abrogate semitic chapbook reenacting the dramas and parables therein and mindless and pale with a longing that nothing save dark’s total restitution could appease.

Born This Way: “A photo/essay project for gay viewers (male and female) to submit pictures from their childhood (roughly ages 4 to 14), with snapshots that capture them, innocently, showing the beginnings of their innate LGBT selves. It’s nature, not nurture!”

Mischievous street art characters. Chris Marker wouldn’t want us to forget Monsieur Chat. Speaking of Chris Marker, there’s Plato’s Cave as Kino: Owl’s Legacy Excerpt & Becoming Imperceptible.

With the point of a knife Dr. LeBaron took from the little round box a small quantity of a dark, greenish-colored gum, which, as it was passed from one to another for inspection, gave off an agreeable, aromatic odor. Then, as he was engaged in filling two capsules from the box, he explained:

“As le docteur read from ze book of Monsieur Richet, ze favoreet méthode in ze Orient ees to take ze Haschisch by ze smoke in ze Persian pipe—ze hookah, ze nargileh. But zey also take eet in ze great varieté. Ze principal kind zat come to ze market of Europe, ees zat I show you—ze Haschisch, an’ ve take eet like ze dose of quinine,” said he, as he handed a well-filled capsule to both Smith and Arnold.

Throwing back his head, Smith bolted his dose without ceremony, and Arnold immediately followed his example.

Haschisch: A Novel (1886) by Thorold King. Related: Haschisch Hallucinations (1905) by HE Gowers.

• Dan Hill’s personal report from the drowned world of Brisbane. Related: Hayley Campbell recalls swimming in the city’s hazardous floodwaters when she was a wild child. Also: Canoeing in McDonald’s.

Cabinet Card Backmarks, florid advertisements from Victorian cabinet photos. Callum James made a post on the subject in 2008 and has a Flickr set showing his discoveries.

• The Brothers Quay made a public information film about AIDS in 1996. (Now deleted from YouTube…boo!)

The secret stories of book inscriptions. Related: The Book Inscriptions Project.

• Ani, Turkey: City of 1001 Churches, all of them abandoned and ruined.

Vulgar Army: Octopus in Propaganda and Political Cartoons.

• Designer John Gall makes collages in his spare time.

Phantasmaphile at Tumblr.

Witch Cults and I See, So I See So, both by Broadcast & The Focus Group.

Junkopia

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A curious short film over at Ubuweb by Chris Marker, John Chapman and Frank Simeone, depicting driftwood sculptures at the shore of San Francisco Bay which resemble the remnants of some Ballardian cargo cult. The film was made in 1981 and the sculptures look weathered and dated enough (rainbow stripes; what appears to be a lunar lander) to be products of the early 1970s. The atmospheric soundtrack is reminiscent of Max Eastley’s recordings, some of which use the force of sea-borne winds to generate their sounds.

And while we’re on the subject of Mr Marker, I hadn’t noticed this Marker-related blog before.

Previously on { feuilleton }
Max Eastley’s musical sculptures
Penguin Labyrinths and the Thief’s Journal
Short films by Walerian Borowczyk
Monsieur Chat
Sans Soleil