{illustrators} – Page 131

Deutsche Kunst und Dekoration #15

Continuing the delve into back numbers of Deutsche Kunst und Dekoration, the German periodical of art and decoration. This week there’s another jump in the running order, from volume 12 to 15, and it’s impossible to avoid feeling frustrated by this when some of the previous editions have been so good. Volume 15 covers the period from October 1904 to March 1905, and includes work by the Wiener Werkstätte whose rectilinear designs mark the transition from Art Nouveau to what would eventually be called Art Deco. There’s also another feature on the Glasgow Arts and Crafts movement based around Charles Rennie Mackintosh with a look at the designs for Hill House in Helensburgh, Scotland. As usual, anyone wishing to see these samples in greater detail is advised to download the entire volume at the Internet Archive. There’ll be more DK&D next week.

The peculiar Symbolist paintings of gay artist Sascha Schneider are featured once again, and typically for this artist there’s a profusion of male flesh on display.

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Thomas Mackenzie’s Aladdin

The tip for this one came via Beautiful Century. Thomas Mackenzie (1887–1944) was a minor British illustrator whose work I hadn’t seen before, and if I’d seen the picture above uncredited I might have taken it for something by Kay Nielsen or Edmund Dulac. Mackenzie’s colour plates for the 1919 edition of Aladdin and His Wonderful Lamp in Rhyme by Arthur Ransome are very similar to his more famous contemporaries, while the black-and-white pieces owe a considerable debt to Aubrey Beardsley, especially the title page below. Not all the drawing is as assured as one might hope but the book as a whole is still worth a look.

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Weekend links 51

James Bidgood’s luscious and erotic micro-budget masterpiece Pink Narcissus (1971) receives a screening at the IFC Center Queer/Art/Film festival, NYC, on Monday. The film is presented by Jonathan Katz, curator of the Hide/Seek gay art show whose controversial history was recounted here in December. The NYT ran a short piece about Bidgood, now 77 and not the first artist to be disappointed by his past work; they also have a Bidgood slideshow. Hide/Seek, meanwhile, is now a touring exhibition.

• Related: the delightful Drew Daniel of Matmos (and Soft Pink Truth) posing in a jockstrap at the Club Uranus, San Francisco circa 1990; he also used to go-go dance wearing a fish.

• The Isle of Man may have one of the oldest parliaments in the world but its laws have often been out of step with its neighbour across the Irish Sea. This week the island joined the rest of the UK in granting civil partnerships to its citizens. Now the name whose punning appeal so delighted James Joyce doesn’t seem as inappropriate.

• Howard Jacobson: “The novelist Yukio Mishima posed pointing a Samurai sword to his chest and ultimately had himself beheaded in public. This is what’s called taking your art seriously.”

The Realm of the Queen of the Night (1974) by Wolfgang Hutter from Zauberflote at 50 Watts.

The revelatory operations of the chance encounter lie at the heart of le merveilleux (“the marvelous”)—the Surrealist conception of beauty. You find something marvelous in the world (an object, an image, a person, a place) that corresponds, like a piece clicking into a puzzle, to a deep inner need.

Slicing Open the Eyeball: Rick Poynor on Surrealism and the Visual Unconscious by Mark Dery.

• Boy from the Boroughs: Alan Moore interviewed by Pádraig Ó Méalóid; Michael Moorcock interviewed at Suicide Girls.

• Illustrations from Quark, the anthology of speculative fiction edited by Samuel Delany & Marilyn Hacker in 1970.

• The Residents, sans masks, filmed at their San Francisco home in the 1970s.

• Bach’s Toccata and Fugue in D minor played on a glass harp.

• What art can do for science (and vice versa).

• You can never have too much Virgil Finlay.

• Lydia Kiesling reviews Lolita.

• Alain Resnais film posters.

• Red Mug, Blue Linen.

• No GDM (dub version) (1979) by Gina X | L. Voag’s Kitchen (2004) by Soft Pink Truth.

Die Andere Seite by Alfred Kubin

Re-reading Alfred Kubin’s strange fantasy novel Die Andere Seite (The Other Side) this week, I found myself suffering the same frustration as when I bought the book, namely that the illustrations in the Dedalus edition are very poor reproductions. When this new translation appeared in 2000 there wasn’t any convenient way to see better copies of Kubin’s drawings unless you had the earlier (and for me, elusive) Penguin edition. Thanks to Flickr we can now see reproductions from the first printing of 1909 in this set of photos. Not all the drawings are featured but the ones present are better than those in my volume. The illustrations are often rather perfunctory, and they lack the finesse and erotic weirdness of Kubin’s better known works, but a couple are as macabre as one would expect. And I love the cover design.

As to the story, it concerns an unnamed narrator who receives a request from an old school friend, Claus Patera, to leave Munich and go with his wife to live in the city of Pearl, a newly-built metropolis in a nation known as “The Dream Realm” which Patera has founded in the Far East. Having travelled there the couple find themselves in a city filled with other displaced Europeans which is at first eccentric then increasingly nightmarish. It’s the kind of book you might expect an artist like Kubin to have written, in other words, and since the narrator is a thinly-veiled counterpart of the author we can occasionally glimpse the man behind the works. Anyone interested in Kubin the artist is advised to seek it out.

• Alfred Kubin at Weimar

Elsewhere on { feuilleton }
• The illustrators archive

Previously on { feuilleton }
• The Hourglass Sanatorium by Wojciech Has
• Kafka’s porn unveiled
• Hugo Steiner-Prag’s Golem

The art of Mario Laboccetta

Tales of Hoffmann (1932).

Another great illustrator about whom information is scant; I need better reference books, the web is often no use at all. Monsieur Thombeau posted the cover to Laboccetta’s edition of Les Fleurs du Mal (below) which had me looking around for other work by the artist. VTS has pages from a 1932 edition of Tales of Hoffmann while more of the Baudelaire pictures can be found on various bookdealers’ sites. As to the artist, we’re told he was an Italian living in Paris, and this French site has a small list of his illustrated editions. It’s frustrating to see that Les Paradis Artificiels is among these; what did he make of Baudelaire’s opium visions?

Tales of Hoffmann (1932).

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