Weekend links 68

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Every man and every woman is a star by Sveta Dorosheva.

• Matt Taylor (illustration) with Gregg Kulick and Paul Buckley (design) provide new Penguin covers for John Le Carré. I love the look which seems inspired by Daniel Kleinman’s title sequence for Casino Royale even if it doesn’t quite suit the shabby world of George Smiley and the Circus.

[Deborah Kass] told me that when she was going to art school in the ’70s, she tripped on LSD almost every week and she said she felt it was her “moral duty as an artist to take the trip.” […] I think psychedelic experience makes you think that there are multiple realities, that there isn’t just this one normal real world to which we’re supposed to conform, but that the reality changes depending on the state of consciousness that we’re in when we’re experiencing it. So, any different kind of art kind of posits a different reality. (more)

New York Times art critic Ken Johnson discussing his new book Are You Experienced?: How Psychedelic Consciousness Transformed Modern Art.

• “That got me thinking that evolution really isn’t survival of the fittest, when it comes to these things, it is more like survival of the interesting, survival of the beautiful, survival of the weird, cool stuff that managed to evolve.” Laurie Anderson and David Rothenberg discuss music and animals.

• Laura Cumming on the late Lucian Freud. And Stephen Heller on Alex Steinweiss, the originator in 1939 of the artistic record sleeve who also died last week.

• Alan Moore says “Think Locally: Fuck ‘Globally'”. He and Queen Calluz explain how Dodgem Logic magazine puts their ideas into practice.

Adam Curtis gets interviewed while Alan Bennett returns to Armley Public Library in Leeds.

Peacock’s Garden, a celebration of pavonine splendour.

• A visit to Seher Shah’s studio in Brooklyn, New York.

• Maximum androgyny at Epicenity, a Tumblr.

Does your god have a penis?

Chrysalide (1978) is an album of “cosmic” guitar instrumentals by Michel Moulinié which sounds at times like a French equivalent of Manuel Göttsching. It’s never been released on CD but a copy can be found here.

Detmold’s insects

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The White-Faced Decticus.

Edward Julius Detmold’s (1883–1957) skill at drawing animals gave him a great advantage when it came to illustrating Kipling’s The Jungle Book and Aesop’s Fables, still among the very best editions of those books. Less well-known are his illustrations for Fabre’s Book of Insects (1921), a guide by naturalist Jean-Henri Fabre. Bud Plant has details about the artist’s unhappy life, while the Internet Archive also has copies of the Aesop and the Kipling.

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The Praying Mantis.

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Italian Locusts.

Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
Entomologia
Fantastic art from Pan Books

Further oddities

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Another of my Lambshead title pages.

A slight return to that book. Co-editor Jeff VanderMeer posted a page of Lambshead links which he’ll be following up with extracts from some of the contributors. He’ll also be having a draw to give out signed copies to people who write something about the book:

Bloggers (non-contributors) who post the link to their mention of the antho in the [Ecstatic Days] comments thread will be in the drawing for a free copy of the book, signed by the editors, as well as a copy of the coffee table book The Steampunk Bible, along with a few surprises…

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Monstrum alatum, & cornutum instar Cacodaemonis.

And by coincidence, the latest post at BibliOdyssey is a selection of woodcut illustrations from Ulissi Aldrovandi’s Monstrorum Historia (1642). Many of these (or copies of the same) are familiar from later collections but as always it’s good to see the original printings.

Elsewhere on { feuilleton }
The etching and engraving archive

Previously on { feuilleton }
The Thackery T. Lambshead Cabinet of Curiosities
Liceti’s monsters
Portuguese Diseases
The specimens of Alex CF
Walmor Corrêa’s Memento Mori
Pasticheur’s Addiction
The art of Ron Pippin
Custom creatures
Jan Švankmajer: The Complete Short Films
Cryptozoology
The Museum of Fantastic Specimens

The Thackery T. Lambshead Cabinet of Curiosities

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Cover design by James Iacobelli.

The sequel to The Thackery T. Lambshead Pocket Guide to Eccentric & Discredited Diseases is published next week in the US but we have permission to write about it before the official release. The Thackery T. Lambshead Cabinet of Curiosities is a chunky hardback of 320 pages with a host of contributors including Holly Black, Greg Broadmore, Ted Chiang, Rikki Ducornet, Amal El-Mohtar, Minister Faust, Jeffrey Ford, Lev Grossman, N.K. Jemisin, Caitlín R. Kiernan, China Miéville, Mike Mignola, Michael Moorcock, Alan Moore, Garth Nix, Naomi Novik, James A. Owen, Helen Oyeyemi, J.K. Potter, Cherie Priest, Ekaterina Sedia, Jan Švankmajer, Rachel Swirsky, Carrie Vaughn, Jake von Slatt, Tad Williams, Charles Yu and others. I provided title pages for the various sections of the book, as well as a variety of found and bespoke illustrations. And seeing as how I seldom miss an opportunity to take a dig at Rupert Murdoch (especially this week), it would be remiss of me if I didn’t mention that it’s published by an imprint of HarperCollins which means I’m currently feeling somewhat tainted by the Evil Empire. Mea culpa. When you sup with the devil, use a long spoon.

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My title spread.

That aside, this is a treat for anyone who enjoys the more experimental, eccentric and surreal end of the fantasy spectrum:

After the death of Dr. Thackery T. Lambshead at his house in Wimpering-on-the-Brook, England, a remarkable discovery was unearthed: the remains of an astonishing cabinet of curiosities. Many of these artifacts, curios, and wonders related to anecdotes and stories in the doctor’s personal journals. Others, when shown to the doctor’s friends, elicited further tales from a life like no other. Thus, in keeping with the bold spirit exemplified by Dr. Lambs­head and his exploits, we now proudly present highlights from the doctor’s cabinet, reconstructed not only through visual representations but also through exciting stories of intrigue and adventure. A carefully selected group of popular artists and acclaimed, bestselling authors has been assembled to bring this cabinet of curiosities to life.

From what I’ve read so far the general tone is a lot less overtly wacky than the first book, and if set beside some of the more clichéd and pedestrian fantasy works being jobbed out at the moment will probably seem downright avant garde. Editors Ann and Jeff VanderMeer have been at pains to emphasise that this isn’t another steampunk collection although seeing as how many people now equate steampunk with any kind of antique graphics that’s the way some may take it. Alan Moore aficionados should know that Alan’s piece, Objects Discovered in a Novel Under Construction, is a riff on some of the contents of his forthcoming novel Jerusalem. My illustration for that entry is below.

Jeff had some blog posts this week related to the book, one looking back at the Disease Guide, the other with details of the US tour he and Ann will shortly be undertaking. A couple of my other contributions follow.

Continue reading “The Thackery T. Lambshead Cabinet of Curiosities”

The Worlds of Mervyn Peake

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Illustration by Mervyn Peake for The Sphinx by Oscar Wilde (1949).

The centenary of writer, artist and poet Mervyn Peake is being celebrated this year with a number of events in the UK. Mervyn Peake: A Centenary Celebration is a small exhibition of Peake’s drawings which has been running since April at the Pallant House Gallery, Chichester. That show ends on July 17th so if you want to be glared at by Fuchsia Groan you’re advised to get your skates on.

The Worlds of Mervyn Peake is a more substantial affair opening this week at the British Library, London, which promises to have materials from the British Library collection and the Peake archive on display. Two evenings of talks are also scheduled although the first of these, Mervyn Peake’s Gormenghast, is now sold out. The Guardian ran a feature at the weekend with pieces by some of the people who’ll be involved in the discussions, including Michael Moorcock, who’s been championing Peake’s work since the early 1960s, and China Miéville. For those who can’t make it to the exhibitions, there are also books: The Gormenghast Trilogy has been republished in a new illustrated edition, and the British Library is selling an American edition of Maeve Gilmore’s Peake’s Progress, a 592-page selection of writings, drawings and poetry which has been out-of-print in the UK for years. Essential purchases for any Peake enthusiast.

Update: There’s also an exhibition of artwork by Mervyn Peake and Maeve Gilmore at Viktor Wynd, London. Thanks to Vadim for the tip.

Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
A profusion of Peake
Joseph Cavalieri’s stained glass
Mervyn Peake at Maison d’Ailleurs
Peake’s Pan
Buccaneers #1
Mervyn Peake in Lilliput
The Illustrators of Alice