{architecture} – Page 39

Weekend links 414

Czech poster for Robert Bresson’s Une Femme Douce (1969) by Olga Polácková-Vyletalová. There’s more about Polácková-Vyletalová’s striking poster designs (and this one in particular) at Mubi. See also the Polácková-Vyletalová collection at Terry Posters.

• “I heard that in Japan the tendency is to hammer down the nails that stick out. I think that Haruomi Hosono is a nail that sticks out. And has maintained that.” Van Dyke Parks on Haruomi Hosono, best known in the West for being one third of Yellow Magic Orchestra but a prolific artist in his own right. Hosono’s early solo albums are being reissued by Light In The Attic later this year.

• Hua Hsu on The Spectacular Personal Mythology of Rammellzee. “Rammellzee will always feel like part of the underground,” says Geeta Dayal in a review of the Rammellzee exhibition currently showing in New York.

• Mixes of the week: Hassell’s Children, a Fourth World mix by Ban Ban Ton Ton, The Island of Bright Tombs by SeraphicManta, and a Radio Belbury mix by The Advisory Circle.

• More Robert Aickman: The Fully-Conducted Tour, a complete short story. Related: Matthew Cheney reviews the new Aickman collection, Compulsory Games.

• Another Kickstarter bid, this time for a reprint of Art Nouveau designs and illustrations by Carl Otto Czeschka.

• Oliver Burkeman reviews How to Change Your Mind: The New Science of Psychedelics by Michael Pollan.

• Art/design/architecture magazines online at the International Advertising & Design Database.

• Tonedeaf in our nose: Gerri Kimber on the musicality of James Joyce’s writing.

• More William Hope Hodgson: Greydogtales examines Hodgson’s poetry.

• The Art of Elsewhere: Jed Perl on the world of Edward Gorey.

• At Dennis Cooper’s: Records.

• Beat Bop (1983) by Rammellzee vs. K-Rob | Equation (1989) by Material ft. Rammellzee | No Guts No Galaxy (1999) by Ramm Ell Zee & phonosycographDISK

Weekend links 409

Poster for Steppenwolf (1974), a film directed by Fred Haines (his only one) based on the novel by Herman Hesse, and starring Max von Sydow and Dominique Sanda. No artist or designer credited.

• “…in her 20s, she heard two elderly folk singers and was struck by their ‘gentle dignity’. It cemented her own philosophy: ‘No dramatising a song, no selling it to an audience, no overdecorating in a way that was alien to English songs, and most of all, singing to people, not at them.'” Laura Snapes on Shirley Collins and her memoir, All in the Downs.

• Many of the BBC’s sound effects were available for years in necessarily small collections on vinyl, tape and CD. Now you can download over 16,000 of them for free here. The interface is still primitive so try typing some words into the search box to see what shows up.

• Carl Swanson on Natalie Frank’s paintings based on Pauline Réage’s Story of O, and the problems these caused when she tried to exhibit them.

• Pictures of the Jazz Age: Regina Marler reviews three books about photographer Berenice Abbott.

• “The late Juraj Herz was a one-man wave of Czechoslovak horror,” says Kat Ellinger.

• Mark Dery on William S. Burroughs and the dead-end horror of the Centipede God.

• Mixes of the week: FACT mix 648 by Laraaji, and XLR8R Podcast 538 by Fluxion.

• Kashmir by Forming The Void, and Kazakhstan by Brian Eno.

• At Dennis Cooper’s: Dominique Sanda Day.

• PixaTool by Kronbits.

• Born To Be Wild (1968) by Steppenwolf | Steppenwolf (1976) by Hawkwind | Der Steppenwolf (2015) by Selofan

The Smoke

London in 1898 was the most populous city in the world, a metropolis of “four million souls” as Arthur Conan Doyle continually reminds us in the Sherlock Holmes stories. The stereotypical representation of London in the 19th century is of a city wreathed in fog but the reality was closer to the dense smogs that plague Chinese cities today. The four million souls heated themselves by burning wood and coal, and the resulting smoke (and a fair amount of steam, no doubt) combined with the British climate to create the noxious, tinted “fogs” that fill the streets of Victorian fiction.

Whatever the health hazards, the vaporous atmosphere had its champions in artists such as Claude Monet and James Whistler, both of whom relished the way the smoky air softened the silhouettes of the city. William Hyde may be added to the list for this superb series of etchings showing London at its most tenebrous, another chance discovery at the Internet Archive. London Impressions is an ambivalent celebration of the capital as a city of shadows, smoke and fog, the essays by Alice Meynell ruefully admitting that while the industrial cities of the north may rival London for their polluted atmosphere, their smaller size means that blue sky is never far away, something the Londoner of 1898 couldn’t take for granted. This is a marvellous book, and one I’d love to own if it wasn’t so rare; there’s a copy on eBay at the moment for $1,640. At least we can read it (and download the pages) here.

Continue reading “The Smoke”

Weekend links 405

Taro Okamoto’s Tower of the Sun on the cover of an Expo ’70 guide.

• Last week I was watching the restored print of Howard Brookner’s excellent William Burroughs documentary, Burroughs. Among the later scenes are shots of the writer visiting Britain in the autumn of 1982 for the Final Academy events, a visit also recorded on Super-8 by Derek Jarman, and by the video cameras of the Haçienda nightclub at a reading I was fortunate to attend. Included in the Brookner film are brief snatches of an interview with Burroughs for BBC Radio 1 by John Peel’s producer, John Walters, something I missed when it was first broadcast.

• Taro Okamoto’s Tower of the Sun was built in Osaka for Expo ’70, and unlike many one-off expo buildings has managed to survive years of neglect and threats of demolition. Visitors to the Tower may now explore the restored “Tree of Life” interior, although places are limited so it’s necessary to book in advance. Related: Expo ’70 at ExpoMuseum, and Tower Of The Sun (1997) by Shonen Knife.

• Also at Dangerous Minds this week: a 1969 TV recording of Krzysztof Penderecki’s notorious The Devils of Loudon, an opera based on the same Aldous Huxley book as Ken Russell’s The Devils, and which includes (among other things) a singing nun enduring a forced enema.

• The new Cavern Of Anti-Matter album, Hormone Lemonade, is released this week. XLR8R has a preview. Related: an old/undated mix by Tim Gane for The Brain radio show here.

• Milton Glaser on some of his favourite posters. Milton Glaser Posters, a book collecting 427 poster designs, is published this week by Abrams.

• The Ghosts of Empty Moments: Christopher Burke reviews M. John Harrison’s You Should Come with Me Now.

• Mixes of the week: FACT mix 644 by Susanna, and XLR8R Podcast 534 by Pär Grindvik.

• Emily Temple found 25 of the most expensive books you can buy on the internet.

• Towers Of Dub (1992) The Orb | Tower Of Our Tuning (2001) by Broadcast | Television Tower (2001) by Monolake

Weekend links 401

TIME, June 21st 1968. Cover by Roy Lichtenstein.

• “Forget the democratic processes, the judicial system and the talent for organization that have long been the distinctive marks of the US. Forget, too, the affluence (vast, if still not general enough) and the fundamental respect for law by most Americans. Remember, instead, the Gun. That is how much of the world beyond its borders feels about the US today. All too widely, the country is regarded as a blood-drenched, continent-wide shooting range where toddlers blast off with real rifles, housewives pack pearl-handled revolvers, and political assassins stalk their victims at will.” The TIME magazine feature with the famous Roy Lichtenstein cover (prompted by the assassination of Robert Kennedy) will be fifty years old in June.

• “Where do we feel at home? What do our cities look like? How do we see? In 1908, architect and theorist August Endell set out to answer these deceptively simple questions.” Endell’s The Beauty of the Metropolis is coming from Rixdorf Editions in May.

• Beardsley 120: The Death of Pierrot is a series of events in Aubrey Beardsley’s birthplace, Brighton, taking place throughout the month of March.

Like the Bloomsbury Group and the Beats, the Surrealists could be incestuous, choosing lovers from inside the circle and often remaining close to their exes. When [Max] Ernst and [Leonora] Carrington reached Paris, he introduced her to Leonor Fini, his friend and former lover. Tall, dazzling, and bejeweled, Fini cultivated a baroque theatricality; every day with her was a masked ball. Recognizing Carrington as “a revolutionary,” she claimed her as an astrological twin—a feat possible only because Fini lied about her age. “This chronological charade, combined with later cosmetic surgeries, sustained the image of youth and beauty that remained vital to Leonor’s self-image, the sexuality and her sense of her place in the world,” writes Chadwick:

Imperious and mercurial, she was also generous, loving and happy to share her rich intellectual life with the younger woman she considered her double. Like Leonora, she believed that cats possessed highly developed psychic powers, that horses had mythological powers that identified them with the feminine, and that painting was an alchemical process.

Regina Marler reviewing three new books about Leonora Carrington and the women artists of the Surrealist movement

• As Serious As Your Life: Black Music and the Free Jazz Revolution, 1957–1977 by Val Wilmer receives a welcome republication next month.

• At Dangerous Minds: Occultism, cinema and architecture: How a ouija board built the Bradbury Building.

• When Books Read You, a Defence of Bibliomancy by Ed Simon.

• Ä Brïëf Hïstöry Öf Mëtäl Umläüts by Mike Rampton.

• Joey Zone Illustration – Art from The joey Zone.

• At Dennis Cooper’s: Brad Dourif Day.

• Alva Noto‘s favourite albums.

• Eddie Campbell, Dammit!

• Metropolis (1978) by Edgar Froese | Metropolis (1979) by Motörhead | Under The Gun (Metropolis Mix) (1993) by The Sisters Of Mercy