Weekend links 697

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The Haunted Room, Painted at a Farmhouse on Exmoor (1952) by Alfred James Munnings.

• “In Scotland, children made terrifying jack-o’-lantern turnips and piled cabbage stalks around doors and windows, baiting fairies to bring them new siblings.” It’s that time of year again. Public Domain Review looks at The Book of Hallowe’en (1919) by Ruth Edna Kelley.

• At Wormwoodiana: Mark Valentine on the centenary of Visible and Invisible, EF Benson’s collection of horror stories.

• At Dennis Cooper’s: DC’s ostensibly favourite haunted attractions of Halloween season 2023 (international edition).

Mostly it was down to the environments of their sound. The aerial acrobatics of Fraser’s voice. The architecture of sound that came from Guthrie’s effects-treated guitars; not just the often-cited often-derided ‘cathedrals of sound’ but all manner of sunken ballrooms, tunnels, factories, attics, foundries, observatories, caverns. If any category was required, Cocteau Twins could have been placed within Symbolism, a hallucinatory death-rattle of romanticism in the industrial age, when all that had been discarded returned in dreams and decadence, orgiastic excess, disembodied spectral heads and ornate altars, lonely demons and alluring succubi, jewels and masks and apparitions, all the minutiae of things that the steam engine and the printing press had yet to fully exorcise.

Darran Anderson on the Cocteau Twins’ Head Over Heels at 40. His digs at the music press are a welcome riposte to the nostalgia that often attends discussion of the weekly snark-machine that was the NME, Sounds et al in the 1980s

• Follow the footsteps of the Beast in a guide to Aleister Crowley’s British haunts, with text by Gary Lachman and design by Michelle Merlin. Also at Herb Lester: Occult Paris: City of Night.

• At Print Magazine: Charlotte Beach talks to illustrator and author Edward Carey about his spooky drawings.

• “Silent movies are full of friendly ghosts.” Kathleen Rooney on Caspar, Colleen [Moore] and the Beyond.

• New music: Mizuniwa by Yui Onodera.

Spooksville (1963) by The Nu-Trends | Spooks (1981) by Tom-Tom Club | Spooky Rhodes (1997) by Laika

Weekend links 423

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The Miracle (Genet’s Dream) (2001) by Delmas Howe.

• “Zachary Lipton, an assistant professor at the machine learning department at Carnegie Mellon University, watched with frustration as this story transformed from ‘interesting-ish research’ to ‘sensationalized crap’.” Oscar Schwartz on how the media gets AI alarmingly wrong.

• The Aesthetics of Science Fiction: what does SF look like after cyberpunk? Very Brutalist if you ask Rick Liebling, although the first example shown in his piece—the Brunel University Lecture Centre—appears briefly as future architecture in A Clockwork Orange.

• At Expanding Mind: Erik Davis talks with philosopher and religious studies professor Dustin Atlas about ancient skepticism, Madhyamaka Buddhism, the taste of honey, Montaigne, Robert Anton Wilson, and the path of doubt.

• At Muddy Colors: Part 1 of their choices for best fantasy book covers of the year so far, a list which includes my cover for Moonshine by Jasmine Gower. Thanks!

• Soundtracking with Edith Bowman, episode 84: director Todd Haynes on the music of Wonderstruck, I’m Not There, Carol and Far From Heaven.

• Mixes of the week: FACT mix 663 by Space Afrika, Secret Thirteen Mix 262 by Mieko Suzuki, and Black Minimalism, a playlist by David Toop.

• Two minutes, eight barrels: drone and GoPro footage of surfer Koa Smith riding the waves of the Namibia shoreline.

• David Lynch’s Sacred Clay: Shehryar Fazli reviews Room to Dream by David Lynch and Kristine McKenna.

Charlotte Higgins on myths, monsters and the maze: how writers fell in love with the labyrinth.

• Monstrous Geometries in the Fiction of HP Lovecraft by Moritz Ingwersen.

Listen to the mournful wails of planets and moons.

• A Peel Session by Laika

Surf Ride (1956) by Art Pepper | Surf (1976) by Tim Blake | Surfside Sex (1982) by Patrick Cowley