Portrait of James Joyce (1929) by Constantin Brancusi. A post for Bloomsday. Joyce’s writing was always concerned more with words and phonics than with the appearance of things—understandable given his failing eyesight—but throughout his life he was a persistently attractive subject for portraits and caricatures. This was partly a consequence of being surrounded by artists […]
Presenting the latest Coulthart calendar. Last year’s Lovecraft-themed collection was well-received (and is on sale again this year) so I thought I’d try a similar accumulation of horror imagery. Much of the artwork this time is from my intensive painting period circa 1996–1998, and includes one piece—the red painting below—that hasn’t been made public before. […]
Savoy Books, 1984. A couple more recent arrivals that feature my work. These are of minority interest but worth noting since academic articles don’t always travel beyond a small audience of subscribers. A recent issue of Foundation (The International Review of Science Fiction), Volume 45.1, number 123, contains an article by Mark P. Williams, Underground […]
Out Of Limits (1963) by The Marketts. Did you know that Marius Constant, composer of the theme for The Twilight Zone, had a career as a serious composer? I didn’t. I wonder what Constant thought about the reworking of his theme into a surf tune by Michael Z. Gordon and The Marketts in 1963. Gordon’s […]
Oskar Schlemmer’s Triadic Ballet of the 1920s is one of the more famous products of the Bauhaus movement, a radical reinvention of the medium which encased the dancers in cumbersome costumes. The outfits and stage designs are familiar from Bauhaus histories but you’re less likely to see an actual performance, something that’s possible with this […]
Savoy • Savoy • Savoy: The first wave of book covers pinned to the Beardsley wallpaper of the Deansgate office. I often feel I’m in a minority in never having been desperate to see my work in a gallery. We are, after all, living in the Age of Mechanical Reproduction (thanks, Walter), and the idea […]
I thought I was done with Druillet for this week but no, there’s more. I hadn’t come across Du Tac au Tac before, a French TV show from the early 70s in which three (sometimes four) different comic artists are given a total of 15 minutes to improvise a drawing on a single board. The […]
If it’s a surprise to see Cockney geezer Phil Daniels masquerading as the erudite (and non-Cockney) Thomas De Quincey in The Art of Tripping, it’s even more of a surprise to see Hugh Grant in wig and hippy gear as Richard Neville in this 1991 dramatisation of the obscenity trial against Neville’s Oz magazine. Grant […]
Untitled glass sculpture by Richard Roberts. • Lord Horror: Reverbstorm, my collaboration with David Britton, makes The Quietus list of Literary Highlights of 2013. At the same site there’s Russell Cuzner talking to English Heretic. “His methodology takes in magick, psychogeography and horror film geekdom, along with firm roots in Britain’s industrial music culture of […]
December brings a new chapbook story from Supervert: Empire Creep Joint, a tale of the Empire State Building being transformed into “102 Floors of Sodom”. Or so the citizens of New York believe… Rather a Ballardian idea, if there’s any currency left in that over-used label. To find out more you’ll need to acquire a […]
One Hundred Lavish Months of Bushwhack (2004) by Wangechi Mutu. I wouldn’t be so bold as to call Benjamin Noys’ contribution to the recent The Weird conference at the University of London a highlight, but it was a surprise to find Lord Horror in general and the Reverbstorm book in particular being discussed alongside so […]
Crowding Towers. The work of architectural renderer Hugh Ferriss (1889–1962) has appeared here before. The Metropolis of Tomorrow (1929) was a major influence on the architectural style I deployed in the Reverbstorm series, together with Berenice Abbott’s photographs of New York City in the 1930s. Ferriss’s hazy proposals for cities of the future are more […]
This one has been a long while gestating. Evan J. Peterson asked me late last year to contribute a cover to a new edition of Seattle’s Gay City anthology which he was editing with Vincent Kovar. In May this year the anthology successfully covered some of its production costs with a Kickstarter fund, and the […]
Keith Seward’s Horror Panegyric was a concise examination of David Britton’s multimedia Lord Horror project which Savoy Books published in 2007. I designed the book, the cover of which was my Arcimboldo pastiche of Lord Horror’s profile which appeared on the cover of issue 3 of Reverbstorm. The Supervert site which hosts an online copy […]
One of A Pair of Peacocks (2012) by Feanne. • Jonathan Barnbrook reveals his package design for the new David Bowie CD. The Barnbrook studio has also designed the catalogue for the forthcoming V&A Bowie exhibition. And there’s more (don’t worry, it’ll be over soon): Jon Savage on When Bowie met Burroughs. • “Witches have […]
First editions of Ulysses (1922) and Finnegans Wake (1939). I like Peter Mendelsund’s book cover designs so it’s good to find the designer given the opportunity to provide new covers for James Joyce. Mendelsund’s blog post announcing the news mentions nothing about his intentions, instead we have a reminiscence about Ireland à la Molly Bloom, […]
At long last, the news that many people have been waiting for: the Reverbstorm book is now on sale at Savoy. From the hyperbolic press release: “Surfin’ bird Bbbbbbbbbbrbrbrbrbrb…awawawawawawawaaaaaah! A-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-ooma-mow-mow Papa-oom-mow-mow!” The Trashmen, Surfin’ Bird Welcome to the nightmare metropolis of Torenbürgen, where New York’s Art Deco architecture has fused with the termination machinery of […]
Arriving in the post this week, a Christmas gift from Supervert, a chapbook featuring a new piece of writing that purports to be the unauthorised biography of American artist/photographer Joel-Peter Witkin. The premise is that the facts of the real Witkin’s life are far too mundane to account for his extraordinary photo tableaux so Supervert […]
Or The Wild Boys revisited. These are two of Emma Doeve’s Wild Boys paintings from the Academy 23 book which was published in October by WhollyBooks to coincide with the recent London event remembering and celebrating The Final Academy, a William Burroughs-themed series of events held in London and Manchester in 1982. I’ve mentioned before […]
A couple of months ago I was starting to wonder whether I’d ever see this book printed, the production process became so tortuously drawn out. But Reverbstorm is finally in print and looking exactly the way I intended with black boards, black endpapers and black ink on the page edges. The latter proved to be […]
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