Weekend links 497

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Poster by Zdenek Ziegler for Roma (1972), a film by Federico Fellini.

• At Dennis Cooper’s: a short history of Straight to Hell, a long-running fanzine launched by Boyd McDonald in 1971 dedicated to true stories of men having sex with other men. The post gives an idea of the contents but for a deep dive I’d suggest Meat (1994) at the Internet Archive, a collection of the best of the early editions of STH. Related: “Straight to Hell was an immensely popular underground publication. John Waters, William S. Burroughs, and Robert Mapplethorpe were fans; Gore Vidal called it ‘one of the best radical papers in the country.'” Erin Sheehy on Boyd McDonald’s determination to kick against the pricks.

• RIP psychedelic voyager and spiritual guide Richard Alpert/(Baba) Ram Dass. The Alpert/Ram Dass bibliography includes The Psychedelic Experience: A Manual Based on the Tibetan Book of the Dead (1964), an acid-trip manual written in collaboration with Timothy Leary and Ralph Metzner from which John Lennon borrowed lines for the lyrics of Tomorrow Never Knows. But the most celebrated Ram Dass volume is Be Here Now (1971), a fixture of countless hippy bookshelves whose first editions were all handmade.

• “An Einstein among Neanderthals”: the tragic prince of LA counterculture. Gabriel Szatan talks to David Lynch, Devo and others about the eccentric songwriter, performer and voice of Lynch’s Lady in the Radiator, Peter Ivers.

• For the forthcoming centenary of Federico Fellini’s birth Stephen Puddicombe offers suggestions for where to begin with the director’s “exuberant extravaganzas”. Related: Samuel Wigley on 8½ films inspired by .

• “I met resident Tony Notarberardino for the first time in 2015 and entering his apartment was like crossing into another dimension.” Collin Miller explores the Chelsea Hotel.

• “More green tea, professor?” The haunted academic, a reading list by Peter Meinertzhagen. Related: Our Haunted Year: 2019 by Swan River Press.

• “30 July, Yorkshire. Thunder, which is somehow old-fashioned.” Alan Bennett’s 2019 diary.

• More acid trips: Joan Harvey on the resurgence of interest in psychedelic drugs.

• At Lithub: Werner Herzog’s prose script for Nosferatu the Vampyre.

Tief gesunken, a new recording by Bohren & Der Club Of Gore.

In Heaven (1979) by Tuxedomoon | Die Nacht Der Himmel (1979) by Popol Vuh | Roma (1981) by Steve Lacy

Weekend links 407

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Cover art by Alonso for a 1929 Spanish edition of The Canterville Ghost by Oscar Wilde.

• Major music news of the week is the announcement, after a hiatus of nine years, of a new Jon Hassell album. Listening To Pictures (Pentimento Volume One) will be released on Hassell’s new label, Ndeya, in June. Meanwhile, Paul Schütze has a new album (also his first in a long while), The Sky Torn Apart, released at the end of this month by Glacial Movements. For those impatient for new sounds, Red Goddess (of this men shall know nothing) by Hawthonn is out now, and very good it is too.

Ghost Story (1974): a British film directed by Stephen Weeks, and starring (among others) Marianne Faithfull, Penelope Keith, Murray Melvin and (in a rare appearance) Vivian MacKerrell, the real-life model for Withnail from Bruce Robinson’s Withnail and I. Also from 1974, a TV adaptation of Oscar Wilde’s The Canterville Ghost starring David Niven.

Nandini Ramnath on how an Indian film distributor in London (Mehelli Modi of Second Run DVD) is helping rescue forgotten classics from obscurity.

Simon Reynolds explains why he thinks Boards of Canada’s Music Has the Right to Children is the greatest psychedelic album of the ’90s.

• At I Heart Noise: an interview with Dylan Carlson about his forthcoming solo album, Conquistador.

• At Dennis Cooper’s: David Ehrenstein presents…Donald Cammell Day.

• Photos by David Graham of Mexico City’s “gay subway”.

Circuit Des Yeux‘s favourite albums.

The Gospel of Filth: a book list.

Fountain Of Filth (1974) by Devo | The Heart’s Filthy Lesson (1995) by David Bowie | Filthy/Gorgeous (2004) by Scissor Sisters

Weekend links 390

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French poster by Basha (Barbara Baranowska) for Andrzej Zulawski’s extraordinary Possession (1981).

• “Alive from Off Center, renamed Alive TV in 1992, was an American arts anthology television series aired by PBS between 1984 and 1996. Each week, the series featured experimental short films by a mixture of up-and-coming and established directors. Notable episodes included As Seen on TV, starring comic actor Bill Irwin as an auditioning dancer who becomes trapped in a television, wandering among daytime dramas, MTV, and PBS’s own Sesame Street and the atmospheric puppet melodrama Street of Crocodiles, adapted by the Brothers Quay from the Bruno Schultz story. […] Arguably the series’ best-known episode was What You Mean We? a short film written by, directed by, and starring Laurie Anderson, which aired in 1986.” Alive from Off Center, 11 episodes at Ubuweb.

• “[Count] Stenbock was a homosexual convert to Roman Catholicism and owner of a serpent, a toad, and a dachshund called Trixie. It was said that toward the end of his life he was accompanied everywhere by a life-size wooden doll that he believed to be his son. His poems and stories are replete with queer, supernatural, mystical, and Satanic themes; original editions of his books are highly sought by collectors of recherché literature.” Of Kings and Things: Strange Tales and Decadent Poems by Count Eric Stanislaus Stenbock will be published by Strange Attractor in March, 2018.

• Music news of the week (in this house, anyway) is a new song, The Mysterious Vanishing of Electra, by Anna von Hausswolff. A new album, Dead Magic, is due in March, and I’m doubly-thrilled to read that Randall Dunn of Master Musicians of Bukkake (and producer/engineer for Earth, Sunn O))), etc.) is involved.

• “Why do Texas prisons ban Freakonomics but not Adolf Hitler’s Mein Kampf?” asks Lauren McGaughy. On the banned list is the three-volume The Graphic Canon, edited by Russ Kick, which includes my adaptation of The Picture of Dorian Gray.

• “To understand how other planets are made, exogeologists are synthesizing those planets in miniature in the earthbound equipment in their labs.” BLDGBLOG on speculative mineralogy.

• “What does the Bardo sound like?” Lauria Galbraith on Éliane Radigue‘s Trilogie de la Mort, three hour-long electronic compositions based on The Tibetan Book of the Dead.

• And speaking of Earth, Joseph Stannard talked to Dylan Carlson (Earth) and Kevin Martin (The Bug) about their recent collaboration.

• Mixes of the week: FACT mix 630 by Hanz, XLR8R Podcast 519 by Setaoc Mass, and Secret Thirteen Mix 239 by Blush Response.

• The League’s seven deadly sins: Reese Shearsmith on the cinematic influences behind The League of Gentlemen’s TV series.

Donnie & Laurie, a jam from the late 1970s with Laurie Spiegel on Electrocomp 101 synthesizer, and Don Christensen on drums.

• Guests and dates for the Dublin Ghost Story Festival have been announced.

David Bowie sang for Devo, and Mark Mothersbaugh might have the tapes.

• The albums of the year according to The Quietus.

• At Dennis Cooper’s: Isabelle Adjani Day.

Possessed (1979) by MX-80 Sound | Possession (1988) by Danzig | Possessed (1992) by Balanescu Quartet