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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.

Archive for the {painting} category

 

January

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January, Skating on the Frozen River (First half of the seventeenth century) by Jan Wildens. The first month of the year doesn’t seem to provide much inspiration going by the few examples at Wikipaintings and the Google Art Project/Cultural Institute. We haven’t had any snow so far this winter, the days more closely resemble Isidre […]

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The weekend artists, 2013

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“Chloromgonfus detectis, a dragonfly that can detect volatile pollutants.” A speculative insect by artist Vincent Fournier. The annual review of artists/designers/photographers featured in the weekend posts should have run at the end of December but MR James got in the way. Big thanks, and happy new year to Form is Void and Beautiful Century for […]

Posted in {art}, {black and white}, {books}, {design}, {gay}, {illustrators}, {music}, {painting}, {photography}, {psychedelia}, {sculpture} | Comments Off

 


02014

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Self-Portrait in Yellow Vest (1914) by Egon Schiele. Happy new year. 02014? Read this. Coloured Composition of Forms (1914) by August Macke. Young Man with a Fountain Pen (1914) by Diego Rivera. The Sawmill, December Sun (1914) by Ester Almqvist. The Bottle of Anís del Mono (1914) by Juan Gris.

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Weekend links 191

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Two cover designs from Eliash Strongowski’s 30 Days—30 Covers project. My thanks once again to Dennis Cooper for placing this blog on his end-of-year lists. Meanwhile. one of the albums I designed earlier this year, Cold Mission by Logos, made the 30 Best Album Covers of 2013 list at FACT. • “Many of their more […]

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Opening the Seven Gates of Transcendental Consciousness

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Wilburn Burchette Opens The Seven Gates Of Transcendental Consciousness (1972). Art by Caren Caraway. For the next two weeks I’ll be playing out the end of the year with a 2-CD compilation from Light In The Attic, I Am The Center (Private Issue New Age Music In America, 1950–1990), 20 tracks of ambient/meditation music, most […]

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Gare d’Orsay to Musée d’Orsay

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Gare d’Orsay, coupe transversale (1898). Plan de Victor Laloux. The Google Art Project is currently featuring a slideshow history of the Musée d’Orsay in Paris, showing the museum’s evolution from the world’s first all-electric rail terminal to its current status as a major repository of 19th-century art. The Gare d’Orsay was built to bring visitors […]

Posted in {architecture}, {art}, {film}, {painting}, {sculpture} | 2 comments »

 


Eduardo Paolozzi at New Worlds

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I was working on this book throughout the autumn, and it could hardly be more different to some of the visual extravagance that came before and after. Eduardo Paolozzi at New Worlds is published by Savoy Books this month. Predominantly an examination by David Brittain (no relation to David Britton) of the connections between artists […]

Posted in {art}, {design}, {magazines}, {painting}, {science fiction}, {sculpture}, {work} | 5 comments »

 


Weekend links 189

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The Outsider (1956), 1963 edition; The Occult (1971), 1973 edition. The cover of the 1973 UK paperback of Colin Wilson‘s mammoth overview of occultism can still be offered as a pinnacle of hyperbole. The book itself is a very serious and informative study but its success set Wilson on a path as a writer about […]

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Albert Goodwin’s fantasies

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Viriconium (Millennium/Gollancz, 2000). Painting: The Gates of the Inferno (no date). The web continues to be an incomparable treat for anyone interested in art history. One of the great advantages of the BBC’s Your Paintings site is having the opportunity to see pictures by artists whose output would rarely be deemed important enough to appear […]

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Martin Sharp, 1942–2013

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Oz magazine no. 15, October 1968. The psychedelic art of Australian artist Martin Sharp has featured here on several occasions. Unlike his British and American contemporaries who maintained a single graphic style, Sharp was a versatile artist whose work could range from loose, often cartoony drawing and painting to very detailed collage designs; he was […]

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Weekend links 188

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The Baron in the Trees (2011), a book-cut sculpture by Su Blackwell. Kurt Andersen at Vanity Fair examines the latest claims that Vermeer used a combination of lenses and mirrors to aid the creation of his remarkable paintings. David Hockney caused a considerable fuss in 2006 when he made similar assertions. Andersen recounts how Tim […]

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Bookmark: Mervyn Peake

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Another not-so-old TV documentary. It’s good to keep finding these as I have no means at the moment of viewing all the video tapes I’ve kept. Bookmark is (or was) a BBC series about the lives of various writers. This edition concerns author and artist Mervyn Peake, and was broadcast in 1998, shortly before the […]

Posted in {art}, {books}, {fantasy}, {illustrators}, {painting}, {television} | 3 comments »

 


Schalcken’s paintings

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Self Portrait by Candlelight (1695). One additional pleasure of Le Fanu’s story and Leslie Megahey’s film is the way they draw attention to the work of an artist who might otherwise have remained overshadowed by his more famous contemporaries. Ever since seeing the meticulous chiaroscuro of Joseph Wright’s An Experiment on a Bird in an […]

Posted in {art}, {film}, {horror}, {painting}, {television} | 4 comments »

 


Schalcken the Painter revisited

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Illustration by Brinsley Sheridan Le Fanu from The Watcher and Other Weird Stories (1894) by J. Sheridan Le Fanu. The stranger stopped at the door of the room, and displayed his form and face completely. He wore a dark-coloured cloth cloak, which was short and full, not falling quite to the knees; his legs were […]

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Weekend links 186

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One Hundred Lavish Months of Bushwhack (2004) by Wangechi Mutu. I wouldn’t be so bold as to call Benjamin Noys’ contribution to the recent The Weird conference at the University of London a highlight, but it was a surprise to find Lord Horror in general and the Reverbstorm book in particular being discussed alongside so […]

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Weekend links 185

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L’uomo che piantava gli alberi (2013) by Sofia Rondelli. Via Form Is Void. • I’m looking forward to hearing the new album by Chrome Hoof, a band whose ambition and attitude makes many of their contemporaries seem lukewarm at best. Mick Middles gets to grips with Chrome Black Gold here. John Doran interviewed the group […]

Posted in {art}, {books}, {comics}, {design}, {electronica}, {gay}, {music}, {occult}, {painting}, {photography}, {surrealism} | 2 comments »

 


Autumn

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Autumn (1755) by John Cheere. The season of mists in a variety of media at the Google Art Project. Autumn Sea (1867) by Gustave Courbet. Autumn (1907) by Helmer Osslund.

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Ignacio Goitia interviewed

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Acrílico sobre tela (My Other Self, 2009). Back in 2010 I wrote the following about Ignacio Goitia: Ignacio Goitia is a Spanish artist whose depictions of opulent aristocracy manage to be subversively homoerotic thanks to the addition of figures we can interpret as boyfriends, sex slaves or wish-fulfilling phantasms; Ludwig II would no doubt approve […]

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Witches

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Scene of Witchcraft (1510) by Hans Baldung Grien. Earlier this year Pam Grossman declared 2013 to be the Year of the Witch, so in honour of that (and the season) here’s a handful of sorceresses through the ages. Most can be found in higher quality at the Google Art Project but a couple are from […]

Posted in {art}, {occult}, {painting}, {photography} | 4 comments »

 


Weekend links 183

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La table qui tourne (1943) by Robert Doisneau. In [Gödel, Escher, Bach], Hofstadter was calling for an approach to AI concerned less with solving human problems intelligently than with understanding human intelligence—at precisely the moment that such an approach, having borne so little fruit, was being abandoned. His star faded quickly. He would increasingly find […]

Posted in {art}, {books}, {comics}, {design}, {electronica}, {film}, {horror}, {music}, {occult}, {painting}, {photography}, {science}, {technology}, {theatre}, {typography} | 3 comments »

 


 




 

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