Weekend links 780

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An early illustration by Burne Hogarth from Federal Illustrator, Winter 1931–1932, credited to the artist’s original name, Bernard Spinoza Ginsburg. (Via)

• RIP Simon House, a musician whose death was announced in the same week as news of a remixed edition of Hall Of The Mountain Grill by Hawkwind, the first of the group’s albums to feature House on violin and keyboards. House’s keyboards made a considerable difference to Hawkwind’s sound, expanding the range of their songwriting; the melodramatic scale of Assault And Battery/The Golden Void wouldn’t have been possible without those massed Mellotrons. Post-Hawkwind it was House’s violin that was sought after during his time as a session musician, on songs like Yassassin by David Bowie, and Talking Drum by Japan. He’s also one of the musicians credited on Thomas Dolby’s biggest hit, She Blinded Me With Science (violin again), although his contribution there is easy to mistake for a synthesizer.

• “We did want the name to be weighty and metal-related because it is a kind of a metal band. So what is heavy and what is metal: that was the answer.” Hildur Gudnadóttir talking about Osmium, an experimental quartet comprising Gudnadóttir with James Ginzburg, Rully Shabara and Sam Slater.

• At Criterion: Stephanie Zacharek on Richard Lester’s The Three Musketeers and The Four Musketeers, films from a time “when delighting audiences meant more than catering to the predetermined whims of a dogged fandom”.

• The week in maps: At Public Domain Review, Bernard Sleigh’s Anciente Mappe of Fairyland (ca. 1920 edition); at Nautilus, the first maps of the Earth’s magnetic field.

• The eleventh installment of Smoky Man’s exploration of The Bumper Book of Magic has been posted (in Italian) at (quasi), and in English at Alan Moore World.

• Not on any map: Mark Valentine describes the time he tried to buy a phantom island from the Hudson’s Bay Company.

• At Colossal: “In surreal portraits, Rafael Silveira tends to the garden of consciousness“.

• New music: Osmium by Osmium, and Along The Wind Spear by Survey Channel.

• Anne Billson chooses Anjelica Huston’s ten best roles.

Owls in Towels

Five Owls (1970) by Canned Heat | Night Owl (1996) by System 7 | Owls And Flowers (2006) by Belbury Poly

Weekend links 457

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Imagination of Letters by Ikko Tanaka.

Kankyo Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990 is the latest compilation from Light In The Attic, and another excellent package both musically, physically and design-wise. The album was compiled by Spencer Doran of Visible Cloaks who talked to The Quietus a couple of years ago about his favourite Japanese (and other) music. Simon Reynolds reviewed Kankyo Ongaku last month, and drew attention to Spencer Doran’s Fairlights, Mallets and Bamboo mixes which may be heard here and here.

Michael O’Shea playing his home-made musical instrument (an old door, paintbrushes, etc) on RTÉ in 1980. Shea’s one-and-only album has been deleted for years but was reissued in January. The story of O’Shea’s surprising involvement with Bruce Gilbert and Graham Lewis of Wire (which led to the recording of his album) is recounted here.

Lou Thomas suggests five reasons to watch Shinya Tsukamoto’s Tetsuo: The Iron Man on its 30th anniversary.

…Topor generates a world in which the great unsaid realities of human life are painfully laid bare, amplified through a series of confrontations with “le sang, la merde et le sexe” (“blood, shit, and sex”). While few of his texts have been made available in English, they are nevertheless representative of his wider body of work, in which the reader constantly trips over these same themes as if stumbling upon a naked corpse in a darkened room. They predicate an oeuvre of carnivalesque and necrophilic eroticism, and draw out the pungent, animalistic core hidden within the norms of our everyday existence. Topor’s narratives are shot through with macabre irony, orgiastic scatology, and physical and psychological cruelty, which constitutes a fundamental reframing of the characteristics of human interaction with others.

Andrew Hodgson on Roland Topor’s neglected writings

An anciente mappe of Fairyland: newly discovered and set forth (1920) by Bernard Sleigh.

Maggot Brain: an impromptu Funkadelic cover by Albatross Project.

Anne Billson on purr evil: cinematic cats with hidden agendas.

Sayonara: one of the most Japanese words in the dictionary.

• Painting the Beyond: Susan Tallman on Hilma af Klint.

• RB Russell on bookseller’s labels: part one & part two.

Christopher G. Moore on The Immortals and Time.

• Fuck the Vessel,” says Kate Wagner.

• Japanese Farewell Song (Sayonara) (1957) by Martin Denny | Sayonara: The Japanese Farewell Song (1976) by Haruomi Hosono | Sayonara (1991) by Ryuichi Sakamoto