{television} – Page 66 – { feuilleton }

TV Wipeout

Another of the videocassette releases on Cabaret Voltaire’s Doublevision label, TV Wipeout was released in 1984 as a “video magazine”. This and Johnny YesNo were the two Doublevision releases I was most interested in, and I did get to see some of the former release when Cabaret Voltaire’s first appearance at the Haçienda in 1983 was preceded by an hour of “Doublevision Presents…”. The most memorable sights from that screening were the weird and scary Renaldo & The Loaf film and the video for Terminus by Psychic TV, a very Wild Boys-esque piece directed by Peter Christopherson. The Cabs’ Stephen Mallinder explained why the contents of the tape tended to be more commercial than other releases on the label:

Q: The next Doublevision was the TV Wipeout video which was a sort of disposable magazine compilation. It contained a fairly wide variety of contributors, from people like The Fall and Test Dept to some more mainstream groups like Bill Nelson and Japan.

Mal: The point was that Virgin Films were quite happy to work with us; they even gave us money in the form of advertising revenue for using some film clips from the Virgin catalogue. We were then able to camouflage them into the whole set-up and make them look as if they were part of the whole nature of the video compilation.

Q: One of those clips was a particularly inane interview with David Bowie. Was its inclusion merely a selling point?

Mal: Yes, it was purely that. There are a lot of people who will buy anything with David Bowie on it. So we said “Fuck it, why not use that as a selling point!” Actually the interview is appalling, it’s terrible. Our including it was almost like a piss-take. We were saying “you really will buy anything with David Bowie on it if you buy this”.

From Cabaret Voltaire: The Art of the Sixth Sense by M. Fish and D. Hallbery

Unlike some of the other Doublevision releases this one doesn’t seem to have been uploaded anywhere but since much of the content was music videos it’s possible to compile an incomplete playlist. The Paul Morrissey films (Heat and Flesh), Eating Raoul and Plan 9 from Outer Space were cult items that weren’t being screened on TV so this was an opportunity to see them outside a cinema. Some of the other selections—the Chel White, Steve Binnion and Space Movie—are still a mystery. Lost Possibilities Of Modern Dreams was footage of a painting exhibition by Phil Barnes soundtracked by the Cabs. The Claude Bessy piece is the only one from the original tape, a short film of the Haçienda’s VJ shot by Ikon Video’s Malcolm Whitehead in the basement of the club.

Bill Nelson: Flaming Desire
Bill Nelson interview
Plan 9 from Outer Space excerpt
Clock DVA: Resistance
Chel White: Industrial Park
Cabaret Voltaire: Just Fascination
Steve Binnion: Mediaevil
Renaldo & The Loaf: Songs For Swinging Larvae
David Bowie interview for Merry Christmas, Mr. Lawrence
Andy Warhol: excerpt from Heat
The Fall: Live at The Venue (1983) with documentary footage
Space Movie excerpt
The Box: Old Style Drop Down
IKON FCL advertisement featuring various groups on the Factory label
Japan: excerpt from Oil On Canvas
Andy Warhol: excerpt from Flesh
Test Dept: Shockwork
Dieter Meier interview
Yello: excerpt from Jetzt Und Alles
Eating Raoul excerpt
Psychic TV: Terminus
Phil Barnes featuring Cabaret Voltaire: Lost Possibilities Of Modern Dreams
Marc & The Mambas: Caroline Says
Claude Bessy: Operating Instructions

Previously on { feuilleton }
• Seven Songs by 23 Skidoo
• Elemental 7 by CTI
• The Crackdown by Cabaret Voltaire
• Network 21 TV

Seven Songs by 23 Skidoo

Along with Elemental 7 by CTI, this was another Doublevision video release that I never got to see in its original videocassette form. Seven Songs is the first and arguably the best of the 23 Skidoo albums, released in 1982 on Fetish Records in a great sleeve by Neville Brody. Production was by “Tony, Terry & David” aka Ken Thomas, Genesis P-Orridge & Peter Christopherson. The latter two were still in Throbbing Gristle at the time so there’s a further connection with the CTI release. The video director was Richard Heslop who can be seen with his Super-8 camera on the inner sleeve of 23 Skidoo’s second album. Seven Songs is his first credited film work.

The videos are very much of their time, layered and cut-up images mixing footage from numerous sources—tribal rituals, totalitarian politics, animation, medical or scientific films, shots of the group performing, and so on—with the whole mélange processed through a video synthesiser. While it may look outmoded now, thirty years ago this degree of intensity and fragmentation was still radically unlike anything being offered by broadcast television. Pop video directors and ad agencies weren’t slow to adopt similar techniques for far more commercial ends. Richard Heslop went on to work with Derek Jarman, and recently directed a feature of his own, Frank. Low-quality bits of Seven Songs have been on YouTube for a while but Heslop posted the whole thing to Vimeo a few months ago along with the Tranquiliser footage that rounded out the original cassette release. 23 Skidoo are still active, and are playing a gig in London next Sunday with the former singer from Can, Damo Suzuki. Details about that event here.

Previously on { feuilleton }
• Elemental 7 by CTI
• Neville Brody and Fetish Records

Weekend links 133

Lower Manhattan (1999) by Lebbeus Woods.

RIP Lebbeus Woods, an architect and illustrator frequently compared to Piranesi not only for his imagination and the quality of his renderings but also for the way both men built very little from a lifetime of designs. Lots of appreciations have appeared over the past few days including this lengthy piece by Geoff Manaugh at BLDGBLOG. (Geoff interviewed Woods in 2007.) Elsewhere: A slideshow at the NYT, Steven Holl remembers Lebbeus Woods and Lebbeus Woods, visionary architect of imaginary worlds. See also: Lebbeus Woods: Early Drawings and this post about Woods’ illustrations for an Arthur C Clarke story collection. Woods was at his most Piranesian with Gothic designs for an artificial planet that would have been the principal location in Vincent Ward’s unmade Alien 3.

• Arkhonia draws to the end of a year of blogging about and around the Beach Boys’ errant masterwork, Smile (1967). Witty, discursive and frequently scabrous accounts of how Brian Wilson’s magnum opus was derailed and marginalised until it became convenient for commercial interests to exploit its reputation. Anyone following those posts won’t have been surprised by Wilson’s sacking from his own group by Mike Love in September.

• “We’ve been underground for 27 hours now. Everyone is caked in mud, with grit in their hair.” Will Hunt explores the catacombs and sewers of Paris.

I think the only remotely interesting drug was acid. I had a slightly peculiar attitude towards it I think. Just about everything about hippydom I hated. I liked the 60s up to about ’65 or ’66. I liked the mod clothes, I liked the look. I wasn’t a keen taker of speed because I didn’t like the comedown from it. Then everything changed and became looser, I didn’t like the clothes at all. I felt rather out of step with it. The acid thing was interesting though. I come from Salisbury and from the age of 12 I had a friend who was 30 years older than I was who I saw regularly up until when he died a couple of years ago, whose obituary I wrote in The Times. This man was called Ken James and he was deputy head at the chemical warfare unit at Porton Down [the MOD’s Defence Science and Technology Laboratory]. He then became head of the scientific civil service; he was the man who introduced computing into the civil service and he had taken acid as early as 1950. This was long before Aldous Huxley.

Sharp Suits And Sparkle: Jonathan Meades On Acid, Space And Place by John Doran. Marvellous stuff. Meades’ new book is Museum Without Walls.

• In New York later this month: A Cathode Ray Séance – The Haunted Worlds of Nigel Kneale.

• More acid: Kerri Smith talks to Oliver Sacks about his drug experiences.

• “It starts with an itch”: Alan Bennett (again) on his new play, People.

Lower Manhattan last Wednesday. Photo by Iwan Baan.

• Back issues of OMNI magazine can now be found at the Internet Archive.

• Alan Moore & Mitch Jenkins present their new film, Jimmy’s End.

• At BibliOdyssey: Atlas title pages part one & part two.

• Raw Functionality: An interview with Emptyset.

• Athanasius, Underground

• Vintage Caza

• Stormy Weather (1979) by Elisabeth Welch.

Elemental 7 by CTI

Design by CTI and Kevin Thorne.

Yet another of those things I’ve known about for years but have only seen recently thanks to YouTube. Elemental 7 was an early music + video release by Chris Carter and Cosey Fanni Tutti following the split of Throbbing Gristle in 1981. They’d already recorded under the Chris & Cosey name but in 1983 formed CTI—Creative Technology Institute—a side project that allowed for the release of works such as this that differed from their usual electronic output. Elemental 7 is a 50-minute video that for want of a better term might be classed as ambient, the visuals being grainy, impressionistic or semi-abstract images by John Lacey with a soundtrack that’s on the whole less rhythmic than the C&C albums. The whole thing was made for £500, and the quality isn’t supposed to compete with broadcast television. In 1983 it was still a rare thing for groups to take control of their own video production. In the UK few people were doing this aside from Factory Records, who had their own Ikon video label, and some of the Industrial groups such as Cabaret Voltaire, Psychic TV and 23 Skidoo. Cabaret Voltaire released the tape and soundtrack album of Elemental 7 on their Doublevision label.

It’s a curious thing being able to see this after so long. I’m very familiar with the music (it was always good late-night listening) but, as with Cabaret Voltaire’s Johnny YesNo film and other Doublevision releases, I didn’t have any means of watching video tapes through much of the 1980s. Nothing this unusual ever appeared on TV, of course. The ritualistic sequences are reminiscent of the early films of Derek Jarman, not least In the Shadow of the Sun which had a soundtrack by Throbbing Gristle, while the opening sequence, Temple Bar, has some historical value in showing the stone gate of the City of London sitting abandoned in Theobalds Park before it was returned to the capital in 2003.

Elemental 7 has never been reissued since its tape release so this is the only way you’ll get to see it for now.

Elemental 7: part 1 | part 2 | part 3 | part 4 | part 5

1. Elemental 7 0:13
2. Temple Bar (The Forgotten Ancient Gates Of London) 12:30
3. Dancing Ghosts (Midnight At Robinwood Mill) 10:37
4. Meeting Mr. Evans (A Moving Experience) 04:13
5. Invisible Spectrum (Ritual By Candlelight) 10:35
6. Sidereal (Time Measured By Movement Of The Stars) 05:23
7. Well Spring Of Life (Gathering The First Waters Of Spring) 06:39
8. The Final Calling (Physical Exorcism) 03:21
9. CTI Credit Sequence 02.17

Previously on { feuilleton }
• Gristleism
• A=P=P=A=R=I=T=I=O=N
• In the Shadow of the Sun by Derek Jarman

A playlist for Halloween: Hauntology

Flyers by Julian House for tonight’s Ghost Box event at Mono Cafe Bar, Glasgow.

It’s a tradition here to post some recommended listening each Halloween. This year there’s an embarrassment of riches with five listings chosen from the multitudes at Mixcloud. Hauntology is the theme, not Jacques Derrida’s spectral musings but Simon Reynolds‘ deployment of the term to define the music produced by artists on the UK’s Ghost Box label—Belbury Poly, The Focus Group, The Advisory Circle, Pye Corner Audio et al—and their allies delving into similar areas: “folklore, vintage electronics, library music and haunted television soundtracks”. I’ve been plugging the Ghost Box people for years but going by Mark Pilkington’s recent introduction to the sub-genre some still find this information to be news.

All the following mixes feature Ghost Box tracks, with the Ghost Radio mix being almost solely derived from the label’s releases. All the mixes are a year or so old apart from the Samhain Seance which was posted at the weekend. I’ve been playing these round the clock for the past couple of days, enjoying the way one playlist bleeds into another. Given the choice of only one I’d pick Samhain Seance, a great selection and very adeptly sequenced. Among the highlights there’s a lengthy extract from the occult-themed TV serial I mentioned yesterday, Children of the Stones, which had a superb vocal score by contemporary classical composer Sidney Sager. The Aethereus Mix also features Sager’s score, and opens with a warning from The Stone Tape which has even greater resonance today: “It’s in the computer!”

(Note: I corrected some of the track credits.)

The Aethereus Mix by Soulless Central Radio

The Box Of Delights by Roger Limb
Ecneuqes Rorrim by Pye Corner Audio
The Unseeing Eye by Malcolm Clarke
Cheyne Walk by Jon Brooks
Manège by Jaques Lasry
Children Of The Stones by Sidney Sager
Chocky by John Hyde
A Year And A Day by Belbury Poly
Willow’s Song by Paul Giovanni
Saturn by Neu! [What? This isn’t Neu! It’s a piece by an American artist, Neue.]
Variation 19 by Andrew Lloyd Webber
House Among The Laurels by Jon Brooks
The Ghost Of John by Kristen Lawrence
Double Trouble by John Williams
Windfall by Dead Can Dance

Fantasmagories by Timewriter

Funerailles Des Vampires by Acanthus
Hypnosis by Atrium Carceri
The Moonlawn by Belbury Poly
The Giving Of The Grape by Blood Stereo
Enferissimo by Camille Sauvage
Dream Music by Jonathan Elias
Evaparizione by Ennio Morricone
Spellbound by Creed Taylor
Sequenza Psichedelica by Piero Umiliani
Fantasm by Bernard Fevre
Funeral Organ by Fred Myrow
Uomini Al Bando by Bruno Nicolai
Lucifer Rising by Jimmy Page
Black Mass by Mort Garson
Spookies by James Calabrees
Forest Of Evil by Frank Reidy & Eric Allen
Hell House by Brian Hodgson & Delia Derbyshire
Raven’s Lament by The Haxan Cloak
Voodoo by The Natural Yoghurt Band
Lost World by Moran Russell
Falling by Delia Derbyshire
Sang Pourpre by Igor Wakhévitch
Untitled by Vladimir Ussachevsky

Ghost Radio by elevatoresque

Activate The Poacher by Moon Wiring Club
The Willows by Belbury Poly
Sundial by The Advisory Circle
The Third Eye Centre by Mount Vernon Arts Lab
Hey Let Loose Your Love by The Focus Group
Mind How You Go by The Advisory Circle
Ghost Radio by Moon Wiring Club
Owls And Flowers by Belbury Poly
Civil Defence Is Common Sense by The Advisory Circle
Inside Shoebox Garden by Moon Wiring Club
Albion Festival Report by The Focus Group
Erosion Of Time by The Advisory Circle
Opening Leaves by Moon Wiring Club
Meditation On Nothingness by Roj
Feldspar by Mount Vernon Arts Lab
Nuclear Substation by The Advisory Circle
Far Off Things by Belbury Poly
Plant Room by Mordant Music
Jam Jar Carnival by The Focus Group
Everyday Electronics by The Advisory Circle
They Are In The Room With Us Right Now by Roj
Wool Book by Moon Wiring Club
Post Apocalypse Listings by Mordant Music
From An Ancient Star by Belbury Poly
Fire, Damp And Air by The Advisory Circle

The Insomniacs Almanac by Melmoth The Wanderer

While London Sleeps by Mount Vernon Arts Lab
So Run Down by The Caretaker
Moondial (Theme) by Unknown
The Bane Tree (intro) by (Episodes From) The Field Bazaar
Sorcerer by Ataraxia
The Black Drop by Mount Vernon Arts Lab
In A Beautiful Place Out In The Country by Boards Of Canada
Of Grace And Providence (Remixed) by The Caretaker
The Voice by Brian Hodgson & Delia Derbyshire
The Wicker Man by Paul Giovanni
Children Of The Stones Theme by Sidney Sager
Legend Of Hell House by Brian Hodgson & Delia Derbyshire

Samhain Seance by The Ephemeral Man

Twins Of Evil (extract)
Forest Of Evil (Dawn) by Demdike Stare
Blackthorn Winter by Sproatly Smith
The Harmony Programme by The Focus Group
Sulphur by Cyclobe
The Power Of The Witch (extract) Rare BBC Documentary
Another Witch Is Dead by The Eccentronic Research Council
Blood On Satan’s Claw (intro)
Disorder by The Haxan Cloak
Black Blind Light by Moonstone
Denned Earth (Decay And Rebirth) by Ruhr Hunter
Children Of The Stones — Episode 3 (extract), soundtrack by Sidney Sager
Strung Like Lights At Thee Printemps by Godspeed You Black Emperor
Grim Reaper by Teen Suicide
The Globe Inn by The Future Kings Of England
Halloween 3 (ending)

Previously on { feuilleton }
• A playlist for Halloween: Orchestral and electro-acoustic
• A playlist for Halloween: Drones and atmospheres
• A playlist for Halloween: Voodoo!
• Dead on the Dancefloor
• Another playlist for Halloween
• The Séance at Hobs Lane
• A playlist for Halloween
• Ghost Box