Weekend links 41

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Being an inveterate Kubrickphile I was naturally pleased to hear that some of the excised scenes from 2001: A Space Odyssey have survived in a watchable form, even though I’m often ambivalent about the restoration of such material. While it was good to see at last the missing French compound sequence of Apocalypse Now, for example, that sequence added nothing to the film as a whole and its inclusion was spoiled by music which Coppola used for sentimental reasons. In Kubrick’s case, there’s a longer version of The Shining which the director allowed to be screened on UK TV in the 1980s but, again, most of the unseen material was incidental and added nothing to the film.

• Related: Roger Ebert’s review of 2001 from 1968; Olivier Mourgue, designer of the Djinn chairs seen in the film’s space Hilton scenes; Magnificent obsession, a Vanity Fair piece from 2002 about the search for the missing scenes from The Magnificent Ambersons. Meanwhile, the trailer for Terrence Malick’s new film, The Tree of Life, features some surprising cosmic moments among its scenes of family life.

The separate history [of gay and lesbian artists] has been kind of edited out of art history but in fact art history is very much interwoven with gay or queer history. In a way the two can’t be separated. America doesn’t like anything uncomfortable. I find in my dealings with museums that if I ask a question and the answer is ‘no,’ they don’t answer. If the answer is ‘yes,’ I get these amazingly enthusiastic responses. I find it sort of strange sometimes, not being American myself. In a way what they’re doing is editing out the uncomfortable. David Wojnarowicz’s work can make you uncomfortable — and they’ve edited out that possibility in the show.

Canadian artist AA Bronson (see below).

• More on the Smithsonian versus David Wojnarowicz affair: Frank Rich examined the train of events in a comment piece, Gay Bashing at the Smithsonian, for the NYT; the Andy Warhol Foundation threatened to withdraw their funding for future Smithsonian events unless the work is reinstated, the Robert Mapplethorpe Foundation will be doing the same; another artist featured in the National Portrait Gallery exhibition, AA Bronson, requested that the gallery withdraw his work from the show in protest; the NPG refused, citing a contractual arrangement; among the increasing number of galleries showing support for Wojnarowicz, Tate Modern, London, will host an event in January which will feature a screening of the contentious video; lastly, there’s a protest event in New York City today (Sunday, December 19th) at 1.00pm, details here.

• More censorship in America: Jeffrey Deitch Censors Blu’s Political Street Art Mural. In the book world, writer Selena Kitt finds her erotic incest stories removed from Amazon’s Kindle store. Other authors, Jess C Scott and Esmerelda Green, have had their erotic titles removed from the store. Selena Kitt says:

When some of my readers began checking their Kindle archives for books of mine they’d purchased on Amazon, they found them missing from their archives. When one reader called to get a refund for the book she no longer had access to, she was chastised by the Amazon customer service representative about the “severity” of the book she’d chosen to purchase.

Can you imagine buying a paper book and the bookstore then paying you a visit to forcibly reclaim it? To date no adequate explanation from Amazon has been forthcoming but they’ll be happy to sell you a Kindle edition of the Marquis de Sade’s The 120 Days of Sodom.

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Galaxy M51 aka The Whirlpool. One of the Top Astronomy Pictures of the Year from a selection by Bad Astronomy. Photo by the Hubble Heritage Team & Robert Gendler.

• More cosmic events: there’ll be a total lunar eclipse this coming Monday, visible in much of the Northern Hemisphere.

• “Heterosexuality is the opiate of the masses!” The Raspberry Reich (2004), a film by Bruce LaBruce.

New editions of Borges poetry. Fine so long as you accept that the translations can never truly satisfy.

• Just the thing for the winter weather, illustrations for Pushkin’s Queen of Spades from 1966.

• Another Ghost Box download: Radio Belbury Programme 1: “Holidays & Hintermass”.

Monsters, Inc: Arcimboldo and the Wunderkammer of Rudolf II.

• Silent Porn Star found some burlesque lamps.

Giant airship powered by algae.

Space Oddity (1969) by David Bowie.

Weekend links 40

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Manchester, August, 1819: yeomanry on horseback charge a crowd of demonstrators; London, November, 2010: Mounted police charge demonstrators; London, December, 2010: “…police horses have charged the crowd once and appear to be about to do so again.”

Rise like lions after slumber
In unvanquishable NUMBER!
Shake your chains to earth, like dew
Which in sleep had fall’n on you:
YE ARE MANY–THEY ARE FEW.

Percy Shelley, The Masque of Anarchy (1819).

• Amid the rest of the week’s tumult, discussion and activity around the censoring of David Wojnarowicz’s A Fire in My Belly film at the National Portrait Gallery, Washington DC, continues to rumble on. I’d missed this appraisal of the exhibition at The Smart Set. Hide/Seek: Too shocking for America features an interview with Jonathan Katz, co-creator of the exhibition in the eye of the storm:

“When,” Katz asks, “will the decent majority of Americans stand against a fringe that sees censorship as a replacement for debate?” Hide/Seek sought to conquer what Katz calls “the last acceptable prejudice in American political life” – but the conservative right, rampant after last month’s midterm elections, won’t relinquish their prejudices without a fight. And so, “an exhibition explicitly intended to break a 21-year blacklist against the representation of same-sex desire,” says a dispirited Katz, “now finds itself in the same boat.”

Related: Q&A with Hide/Seek curators Jonathan Katz and David C. Ward. The Smithsonian Institution issued a fatuous statement saying they stand by the exhibition despite having forced the removal of one of its works. One of the NPG commissioners resigned in protest at the gallery’s capitulation to political pressure. Other protestors were banned from the Smithsonian after playing a video of the work on an iPad. There’s video of the iPad protest here and the protestors have their own blog. In my earlier post on the subject I noted that the actions of censorious Catholics have given Wojnarowicz’s work far more public exposure than it would otherwise receive. The LATimes has details of some of the galleries throughout the US showing the video as a result of its removal in Washington.

• Related to the above, Bruce Sargeant and His Circle: Figure and Form, a book by artist Mark Beard about the work of his “Bruce Sargeant” alter ego. Homotography has a preview.

• “We focus most strongly at the margins, on the music that others may be blind to. We don’t care whether it is electronic, metal, jazz, folk, classical, noise, world music or whatever. We are as excited by the experimental, as we are exhausted by the ephemeral. We listen. We mosh. We think. We dance. We write words. We capture images. We hope to do justice to the art which inspires us. We are The Liminal”.

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Rotary Signal Emitter, a vinyl zoetrope by audiovisual duo Sculpture.

Rest Easy Sleazy, a small mix dedicated to Peter Christopherson. Related: A Peter Christopherson tribute mix. Another mix: Mixhead was a 1997 promo CD by Portishead.

• Related to the above: What if we could touch our music again? (Hello? Some of us still play—and create—CDs and vinyl…) Is the mix tape as object-of-seduction a dead concept in a virtual world? “We traded connection for convenience,” says I Miss My Pencil. Their proposed solution, C60 Redux, is an RFID reader plus speakers, packaged in a smart 12-inch case.

• Iannis Xenakis: How an architect took music back to mathematical roots. Related: the Xenakis exhibition at MOCA, Los Angeles.

The Body Electric at Ikon, Birmingham, is the first retrospective exhibition in the UK of work by New Zealand artist Len Lye.

Hayley Campbell has a blog. This week you can read about her contribution to Jamie McCartney‘s Great Wall of Vagina.

More David Lynch: he really does love cherry pie but isn’t 100% sure how magnets work. I sympathise on both counts.

2019: A Future Imagined. Visual Futurist Syd Mead reflects on the nature of creativity and how it drives the future.

Quashed Quotatoes by Michael Wood, reviewing a new edition of Finnegans Wake.

New Weird Australia.

• Portishead’s 2008 performance for the Canal+ show Concert Privé is one of their best filmed concerts. YouTube has the whole thing.

Weekend links 38

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Arriving in the post this week was Lovecraft Black & White, an Italian book whose contents are spelled out in the title, black-and-white illustrations based on the work of the Providence master. Among the featured works is my 1999 rendering of Azathoth. There’s more about the book here and here.

Also on the work front, one of the books I designed interiors for a couple of months back was The Search for Philip K. Dick, a sombre biography and memoir by Anne R. Dick, the author’s third wife. Ms Dick discussed the book with the NYT a few days ago. The design was mostly straightforward layout but I did make a quick ASCII portrait of PKD from one of Anne Dick’s photos.

Farewell, the documentary film about Lady Grace Drummond-Hay’s flight around the world in the Graf Zeppelin, can be viewed here.

• “I personally think that the pages look better on the iPad than they do in real life.” Artist Tom Phillips again on the Humument iPad app.

The Birds Are Flying Elsewhere: singer/songwriter Linda Perhacs. Related: Parallelograms – A Short Film About Linda Perhacs.

St Eia, guitar improvisations by Zali Krishna, “Keywords: jazzgazing; entropy circus; st ives; cornwall; psychogeography”.

Moon Wiring Club and DD Denham: music for children, by children. Related: Moon Wiring Club’s Jayston Mix.

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The 1970s was another country, they did things differently there. One of a number of illustrations for science textbooks by Phil Kirkland at A Journey Round My Skull.

• “Fellatio has become a recurrent theme in your work hasn’t it, I say.” Alan Bennett sheds some inhibitions.

Talking To The Sci-Fi Lord: Regenerations & Ruminations With Michael Moorcock.

Time and the Gods (1906) by Lord Dunsany, illustrated by Sidney Sime.

City of Silence, a calendar for 2011 by Thom Ayres.

Scientists glimpse universe before the Big Bang.

• Photography by Josef Sudek (1896–1976).

Aurora photo gallery, November 2010.

The Last Tuesday Society.

Parallelograms (1970) by Linda Perhacs | Six AM (1979) by Thomas Leer & Robert Rental | Rockin’ Back Inside My Heart (1989) by Julee Cruise.

In another place

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Where we’re from the birds sing a pretty song, and there’s always music in the air.

My internet connection has been steadily degrading over the past few days to the extent that I’m now reduced to posting this via the antiquated miracle of dialup. Things will be quiet here for the next day or so while I attempt to get to the bottom of the problem. In the meantime, for anyone curious enough, I’ll activate the archive feature to summon random posts from the past.

Picture from Twin Peaks since I’ve been re-watching the series over the weekend.