Weekend links 584

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Cover for the 1970 US edition of Moonchild by Aleister Crowley. No artist credited (unless you know better…). Update: The artist is Dugald Stewart Walker, and the drawing is from a 1914 edition of Hans Christian Andersen’s fairy tales. Thanks to Mr TjZ!

• “…a very mid-Seventies cauldron of Cold War technology, ESP, sociology, black magic and white magic, experimental science and standing stones, secret radar and satanic rituals, whirring aerials and wild moors: a seething potion of Wyndham and Wheatley.” Mark Valentine on The Twelve Maidens, a novel by Stewart Farrar.

• “The line in the song ‘feed your head’ is both about reading and psychedelics. I was talking about feeding your head by paying attention: read some books, pay attention.” Grace Slick explains why those three little words have been attached to these pages since 2006.

Freddie deBoer reposted his “Planet of Cops” polemic, a piece I linked to when it first appeared in 2017, and which used to come to mind all the time before I absented myself from the poisonous sump of negativity that we call social media.

• RIP Charlie Watts. The Rolling Stones’ last moment of psychedelic strangeness is Child Of The Moon, a promo film by Michael Lindsay-Hogg featuring an uncredited Eileen Atkins and Sylvia Coleridge.

• Old music: A live performance by John Coltrane and ensemble of A Love Supreme from Seattle in 1965 that’s somehow managed to remain unreleased until now.

• A short film about Suzanne Cianni which sees her creating electronic sounds and music for the Xenon pinball machine in the early 1980s.

• “I’ll be in another world”: A rediscovered interview with Jorge Luis Borges.

Steven Heller explains why Magnat is his font of the month.

Clive Hicks-Jenkins on the allure of toy theatre.

• New music: Vexed by The Bug ft. Moor Mother.

• At Dennis Cooper’s: Nikola Tesla Festschrift.

Moon Child (1964) by The Ventures | Moonchild (1969) by King Crimson | Moonchild (1992) by Shakespears Sister

Weekend links 583

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Faun (1897) by Karel Hlavacek.

A teaser trailer for Mad God, a stop-motion animated feature by Phil Tippett. 30 years in the making and not the usual saccharine fare. The director talks about his film here.

• For those who missed Johnny Trunk’s book about Sainsbury’s Design Studio several years ago (or would like more of the same), packaging design at the Sainsbury Archive.

• Mixes of the week: Ces Gens-Là – Avec Bart De Paepe by David Colohan, and Phased Induction Phototaxis by The Ephemeral Man.

• Smoking dope and comparing bad reviews: Stephen Sondheim and James Lapine discuss the early days of their collaboration.

• At the cat-loving Spoon & Tamago: This cat table gives your feline a seat in the table.

John Lurie‘s tales of Bohemian living with The Lounge Lizards in 1979 New York.

• Luxury assortment: the British artists behind Cadbury’s chocolate boxes.

Kevin Richard Martin’s favourite albums.

• At Dennis Cooper’s: Skeletons 2.

Hymn To Pan (2008) by Blood Ceremony | The Great God Pan (2011) by Blood Ceremony | Faunus (2013) by Blood Ceremony

Weekend links 582

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Illustration by Gustave Doré from L’Espagne (1874) by Jean Charles Davillier.

• Warp Records has announced the forthcoming publication of Atmospherics by Jon Hassell, a short book collecting the diary extracts, composition notes and other ephemera that Jon compiled as an evolving appendix for his website. I was involved with the first iteration of the Atmospherics when we were working on his site in 2004, and for me this section was always the most interesting part of the project, comprising unique, personal material. The book will be published in October.

• “Almost everything in his book would be dismissed by today’s streaming behemoths as ‘too quirky, too local, too slow, too dry, too difficult, too weird’.” Sukhdev Sandhu reviewing The Magic Box, a history of British TV from the 1950s to the 1980s by Rob Young.

• New music: Cobalt Desert Oasis by Marco Shuttle, Angel’s Flight (AD 93) by Biosphere, and The Shildam Hall Tapes: The Falling Reverse by Stephen Prince, a sequel to an earlier release by A Year In The Country which includes an accompanying novella.

• Mix of the week, month and year: Sentimental Ornament: A Broadcast Rarities Mix by Aquarium Drunkard. First posted almost a year ago, I only discovered it last week; Aquarium Drunkard is now added to my RSS feed to avoid further neglect.

• I didn’t post anything for Bloomsday this year but if I’d seen these caricatures by Craig Morriss back in June I would have linked to them at the time.

• At Unquiet Things: The Eerie Moods and Pulpy Frights of Henri Lievens.

• Whole lotta rarities: the strangest Led Zeppelin artwork.

• Old music: A Willow Swept By Train by Janet Beat.

Instant Lettering Database

Atmospheres (1967) by Wimple Winch | Atmospheric Lightness (2018) by Brian Eno | Ligeti: Atmosphères (2019) by Orchestre Philharmonique de Radio France; Alan Gilbert

Gene Szafran album covers

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Sibelius: 4 Legends From “The Kalevala”, Op. 22 (1968); Buffalo Philharmonic Orchestra, Lukas Foss.

Gene Szafran (1941–2011) was an American artist who painted illustrations for magazines and provided cover art for many science-fiction paperbacks throughout the 1970s. He shared with fellow paperback artist Bob Pepper a parallel career producing album cover art for Elektra Records and Elektra’s subsidiary for classical recordings and contemporary composition, Nonesuch, the latter contributing to William S. Harvey’s policy of making classical albums look as vibrant and contemporary as their neighbours in the rock sphere. Bob Pepper’s album covers, however, tend to resemble his book covers whereas Szafran’s book covers are simpler in style than his album art which fills out the larger space in a post-psychedelic style that’s often very detailed and done in a variety of media. It took me a while to realise that I’d known Szafran’s name for a long time via his cover for Pictures At An Exhibition by Tomita, the art for which isn’t a painting but a relief sculpture of the head of Tomita-san. A similar use of three-dimensional elements occurs on other album covers, and extends to a form of collage in which painted backgrounds are overlaid with physical objects, a technique which became a common sight in the 1980s but which wasn’t common at all in the 1960s. There might have been more work like this but Szafran’s career was cut short by multiple sclerosis in the late 1970s. Glimmer Graphics has several pages dedicated to his life and art.

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The Ages Of Rock (1968) by Cy Coleman.

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John Cage: Concerto For Prepared Piano & Orchestra / Lukas Foss: Baroque Variations (1968).

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The Nonesuch Guide To Electronic Music (1968) by Paul Beaver & Bernard L. Krause.

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The Moray Eels Eat The Holy Modal Rounders (1968) by The Holy Modal Rounders.

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