The weekend artists, 2013

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“Chloromgonfus detectis, a dragonfly that can detect volatile pollutants.” A speculative insect by artist Vincent Fournier.

The annual review of artists/designers/photographers featured in the weekend posts should have run at the end of December but MR James got in the way. Big thanks, and happy new year to Form is Void and Beautiful Century for pointing the way to many of these people.

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Two cover designs from Eliash Strongowski’s 30 Days—30 Covers project.

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Pink Boy by Melinda Gebbie.

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Seam Stress (1987) by Laurie Lipton. The Drawings of Laurie Lipton is out now from Last Gasp.

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The Baron in the Trees (2011), a book-cut sculpture by Su Blackwell.

Continue reading “The weekend artists, 2013”

Weekend links 191

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Two cover designs from Eliash Strongowski’s 30 Days—30 Covers project.

My thanks once again to Dennis Cooper for placing this blog on his end-of-year lists. Meanwhile. one of the albums I designed earlier this year, Cold Mission by Logos, made the 30 Best Album Covers of 2013 list at FACT.

• “Many of their more outlandish ideas never saw fruition: an organ powered by an entire factory, an electro-acoustic orchestra mounted on a fleet of airplanes.” Colin McSwiggen reviews Sound in Z: Experiments in Sound and Electronic Music in Early 20th Century Russia by Andrey Smirnov.

Queer Pagan Punk, a major film retrospective of the work of Derek Jarman, will take place in February and March 2014 at the BFI Southbank, London.

• “For over forty years, Iain Sinclair’s work has combined obsessive myth-making with urban despair. But what do we know about him?” asks Fatema Ahmed.

• “Rather than trying to intercept alien communications, perhaps we should go looking for alien artefacts.”

• Mix of the week: Radio Belbury Programme 12, and Winter Hours, the Cafe Kaput 2013 winter mix.

BEEP BEEP. BLOOP BLEEP: Road Runner cartoons soundtracked by a Eurorack synthesizer.

Historia Discordia: Documenting the Origins, History & Chaos of the Discordian Society.

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Pink Boy by Melinda Gebbie.

Suffered From The Night: Queering Stoker’s Dracula edited by Steve Berman.

• At Dangerous Minds: An interview with soundtrack composer Cliff Martinez.

Sarah Schoenfeld puts recreational drugs under the microscope.

• Powerplant Art-déco, a set of photos by Romain Veillon.

Adrian Curry chooses the best film posters of 2013.

Portent’s Content Idea Generator

Tarkovsky at Pinterest

The Sea Named Solaris (1977) by Tomita | Is That What Everybody Wants? (2002) by Cliff Martinez | Reyja (2011) by Ben Frost & Daníel Bjarnason

Weekend links 190

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Seam Stress (1987) by Laurie LiptonThe Drawings of Laurie Lipton is out now from Last Gasp.

• The Quietus continues to be essential reading: John Doran talks to Richard H Kirk about Cabaret Voltaire | Sarah Angliss, musician and inventor of music machines, talks to Stuart Huggett | “…the most overt literary lodestar for The Art Of Falling Apart is John Rechy, trailblazing chronicler of the gay underbelly of hustlers and queens zig-zagging across America, and author of Numbers, the book from which Soft Cell’s song takes its name.” Matthew Lindsay looks back at Soft Cell’s second (and best) album.

• “The English have something of a tradition where they like to scare you out of your mind at Christmas, a kind of sobering up of the senses by forces that seem to be beyond them.” Colin Fleming on The Signal-Man by Charles Dickens. More ghosts: Lisa Kerrigan explains why she loves Nigel Kneale’s 1989 TV adaptation of The Woman in Black by Susan Hill, and the BFI resurrects The Mistletoe Bough (1904), “the oldest film version of a classic Christmas ghost story”.

• “…the story is filled with a whole mess of embarrassed and embarrassing euphemisms for (ahem) big dick—stiff language, so to speak, like ‘bludgeon,’ like ‘giant concupiscence’ and ‘ostentatious organ.'” Steven Cordova on A Visit to Priapus and Other Stories by Glenway Wescott.

• “Never produced, the screenplay for The Way to Santiago is credited to Orson Welles. A quick look at the text leaves no doubt it was the work of the Citizen Kane filmmaker when he was at the peak of his arrogant brilliance. The script begins: ‘My face fills the frame.'”

• If you’re at all interested in the current state of the British musical underground, the end-of-year lists at Ears For Eyes are worth your attention.

Pee-wee’s (Remastered) Christmas Adventure: An interview with Paul Reubens. Related: Grace Jones sings Little Drummer Boy for Pee-wee.

• “I’m like a drag queen at Halloween.” John Waters on his favourite time of year: Christmas.

• Mix of the week: Secret Thirteen Mix 099, an “(anti)Christmas mix” by Robert Curgenven.

• The British Library makes over a million free-to-use images available at Flickr Commons.

• Lost in Translation: Notes on adapting Ballard by Calum Marsh.

MR James at Pinterest.

Book Map by Dorothy.

Martin (1983) by Soft Cell | Ghost Talk (1985) by Cabaret Voltaire | For Laika (2011) by Spacedog

Bad Behaviour Boys 2014 calendar

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Marco Blaze.

Who knew there were hot guys in the Black Lodge? Not another calendar of mine (I don’t know anyone this attractive) but a new calendar from Ross Brownsdon and Travis de Jonk at Bad Behaviour Publishing who notified me about this yesterday. See François Sagat as a drawing, Chi Chi LaRue as herself, and much more here (but only if you’re not alarmed by penises). The calendar is on sale here.

Previously on { feuilleton}
Bad Behaviour

Jarman (all this maddening beauty)

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February 2014 will see the 20th anniversary of the death of Derek Jarman. Between then and now I expect we’ll see some retrospectives, although we’ve already had an excellent cinematic one, Isaac Julien and Tilda Swinton’s memorial/documentary Derek (2008). I’d be pleased to see more of Jarman’s films given a decent release on disc: In the Shadow of the Sun has never been available on DVD, and Sebastiane has yet to be released in an uncensored print. When the BFI is releasing Peter de Rome’s gay porn uncut on DVD there’s no longer any excuse for this.

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Stephen Benedicto filmed by Ben Carver.

Jarman (all this maddening beauty) is a multimedia solo performance work by playwright Caridad Svich currently in production, with plans for performance in the US later next year. Most of us are unlikely to see this but there is a short promo/trailer by Ben Carver featuring some Jarmanesque imagery, albeit a lot more high-def than Derek was usually allowed. I’d have been tempted to use slowed-down Super-8 if you can still find the cameras or film stock. Production company force/collision has more information about the project in pdf form. Via Towleroad.

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Previously on { feuilleton }
Sebastiane by Derek Jarman
A Journey to Avebury by Derek Jarman
Derek Jarman’s music videos
Derek Jarman’s Neutron
Mister Jarman, Mister Moore and Doctor Dee
The Tempest illustrated
In the Shadow of the Sun by Derek Jarman
Derek Jarman at the Serpentine
The Angelic Conversation
The life and work of Derek Jarman