Dance of Flames (1925) by Hayami Gyoshu.
Happy new year. 02025? Read this.
Oben und Links (1925) by Wassily Kandinsky.
Aus Torbole (1925) by Stephanie Hollenstein.
Coronilla (1925) by Paul Nash.
Demonstration (1925) by Franz Wilhelm Seiwert.
Tag: Alberto Martini
The weekend artists, 2013
“Chloromgonfus detectis, a dragonfly that can detect volatile pollutants.” A speculative insect by artist Vincent Fournier.
The annual review of artists/designers/photographers featured in the weekend posts should have run at the end of December but MR James got in the way. Big thanks, and happy new year to Form is Void and Beautiful Century for pointing the way to many of these people.
Two cover designs from Eliash Strongowski’s 30 Days—30 Covers project.
Pink Boy by Melinda Gebbie.
Seam Stress (1987) by Laurie Lipton. The Drawings of Laurie Lipton is out now from Last Gasp.
The Baron in the Trees (2011), a book-cut sculpture by Su Blackwell.
Weekend links 154
Collage by Chloé Poizat.
• Xenis Emputae Travelling Band plays the Music of John Dee, and free at Bandcamp: Victorian Machine Music by Plinth, the “creaking, winding, piping, chiming and wood-knocking of Victorian parlour music machines”.
• Jeremy Willard on Mikhail Kuzmin, “the Oscar Wilde of Russia”. Related: Conner Habib on the Disinfo podcast discussing pornography, sexuality, and whether sex be a revolutionary act.
• Ed Vulliamy paid a visit to Hawkwind’s Hawkeaster festival. The Hawks’ Warrior On The Edge Of Time album is released in a remastered edition next month.
• Blasts from the past: Mahavishnu Orchestra, live in France, August 23rd, 1972, and Ashra (Manuel Göttsching & Lutz Ulbrich) in Barcelona, 1981.
An illustration by Alberto Martini for Raw Edges (1908) by Perceval Landon.
• NASA’s cover designs for Space Program manuals, guidebooks, press kits, reports and brochures.
• PingMag—”Art, Design, Life – from Japan”—makes a welcome return as an active blog.
• Suzanne Treister‘s Hexen 2.0 Tarot designs.
• Listening to records that no longer exist
• The architectural origins of the chess set
• The Bohemian Realm of Absinthiana
• Les sources d’une île: a Tumblr
• Hammer Without A Master (1998) by Broadcast | Test Area (1999) by Broadcast | Make My Sleep His Song (2009) by Broadcast & The Focus Group
Illustrating Poe #5: Among the others
The Conqueror Worm (c. 1900) by František Kupka.
Poe’s illustrators are legion, you could easily devote an entire blog to nothing but depictions of his stories and poems. By way of rounding off this week of posts I thought I’d point to some of the works which have caught my attention over the years, several of them being obscure enough to warrant further investigation.
František Kupka’s drawing is, as far as I can gather, one of a series based on Poe’s poem; this seems to be a related piece. As with many Symbolists artists, you can spend a great deal of time scouring the available resources to find more of their work. We’re told that one of Kupka’s more well-known paintings, The Way of Silence (1903), was inspired by the poem Dream-land.
Berenice (1905) by Alberto Martini.
Alberto Martini (1876–1954) is a fascinating artist whose work bridges the decline of Symbolism and the rise of Surrealism. He’s also another talent whose work is woefully underrepresented on the web so let’s hope that changes soon. Wikipedia describes him as having produced 135 Poe illustrations of which only a small handful are visible online, and most of the ones that are go unlabelled. I know this one is for Berenice since I have it in a book but any Poe reader should guess the title from those blazing teeth. A few more of Martini’s drawings can be seen here.