Weekend links 120

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• More Nabokov: The University Poem by Vladimir Nabokov, translated by Dmitri Nabokov and read by Ralph Fiennes. And Breitensträter – Paolino, a short story from Nabokov’s Russian period that’s only just been translated into English.

• More LSD: “For decades, the U.S. government banned medical studies of the effects of LSD. But for one longtime, elite researcher, the promise of mind-blowing revelations was just too tempting,” says Tim Doody.

• More Marker: The Guarded Intimacy of Sans soleil by Jonathan Rosenbaum, The Revolutionary Cinema of Chris Marker by Patrick Higgins, and Chris Marker’s Faces by Brian Dillon.

• “A private realm, not easily penetrated, from which emerged music that would give rise to so much of the music we know today.” Guy Horton on Kraftwerk’s Kling Klang studio.

• A narrative from the swamps of Borneo: BLDGBLOG on the mephitic enigma of London’s sewers.

• At Coilhouse: The Incredibly True Adventures of Gerda Wegener and Lili Elbe.

• “What some people call idleness is often the best investment,” says Ed Smith.

• Book cover design: Rick Poynor on Pierre Faucheux and Le Livre de Poche.

• Metaphysical psychedelia: Erik Davis on Rick Griffin: Superstar.

Diamanda Galás discusses her 13 favourite albums.

• Rudy Rucker’s Memories of Kurt Gödel.

• The Men of the Folies Bergère

Olympics or gay porn?

Smoketography

The songs of bowhead whales | Another Moon Song (2009) by Espers | One Thousand Birds (2012) by Six Organs of Admittance.

Weekend links 119

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The BFI’s recent DVD release of Peter de Rome’s gay porn films has been mentioned here a couple of times already but I only bought a copy this week. It’s a remarkable release for a number of reasons, not least for showing how much attitudes towards pornography in Britain have changed in recent years. De Rome’s films are explicit enough to ensure that in the 1970s and 1980s anyone caught selling them in the UK might have been imprisoned. That you can now buy them uncut from a high street shop on a disc packaged with the usual care by the British Film Institute means another small part of our iniquitous past has gone for good. Among the extras there’s a documentary with the 88-year-old director discussing his work. This week he talked to BUTT magazine who also have one of his shorter films from the DVD, Hot Pants, on their site.

• “Reading this book, it is hard not to feel that the largest mental health problem – the really crazy thing – is society’s attitude to drugs in general and LSD in particular…” Phil Baker reviews Albion Dreaming: A Popular History of LSD in Britain by Andy Roberts.

• “Loved by aristocrats and immortalized in literature, Denham Fouts remains virtually unknown in his own hometown.” Richard Wall on The World’s Most Expensive Male Prostitute.

The very etiology of rabies is mythic: once the bite heals and the virus has traveled to the brain, “the wound will usually return, as if by magic, with some odd sensation occurring at the site.” Then there’s the fact that no definitive diagnosis can be made without taking a biopsy of the sick animal’s brain, leaving only one gory solution: decapitation.

Rabies is horror’s muse. In almost all iterations of the genre, those we most trust suddenly turn strange: a boyfriend morphs into a wolf at midnight, a fiancé turns out to be harboring a mad first wife in the attic, a friend is bit by a zombie and goes berserk.

Alice Gregory reviews Rabid: A Cultural History of the World’s Most Diabolical Virus by Bill Wasik and Monica Murphy.

• The Horror of Philosophy: Erik Davis talks to Eugene Thacker about Lovecraft, medieval mysticism, and thinking the world-without-us.

Eagle Scouts Returning Our Badges: A Tumblr for those protesting the current anti-gay stance of the Boy Scouts of America.

• His Father’s Best Translator: Lila Azam Zanganeh on the late Dmitri Nabokov.

Les Liaisons dangereuses: illustrations by Alastair (Hans Henning Voigt).

• Andrea Scrima looks at Robert Walser’s Der Spaziergang (The Walk).

10 Great Places to Meet Lesbians If You Have a Time Machine.

• Jesse Bering in Scientific American asks “Is Your Child Gay?

As Above, So Below (1981) by Tom Tom Club | Genius Of Love (1981) by Tom Tom Club | Mea Culpa (1981) by Brian Eno & David Byrne.

Tomorrow Never Knows

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Episode 38 of The Beatles (1967).

The Beatles’ Yellow Submarine was released on Blu-ray earlier this month. The quality is as good as you’d expect, it looks and sounds fantastic with the songs really benefitting from their remixes and high-definition audio. The film atoned for Al Brodax and George Dunning’s earlier role as producers of the lamentable The Beatles animated TV series which ran for 39 episodes from 1965 to 1967. The series as a whole may be cheap and nasty but the penultimate number is notable for being the only one featuring two of John Lennon’s songs inspired by his acid trips: Tomorrow Never Knows and She Said, She Said. These tiny eruptions of psychedelic culture into children’s film and television have always fascinated me, and this is one example I’d missed until now. No wonder it had to end, the Fab Four were getting far too weird. Okay kids, sing along now: “I know what it’s like to be dead…”

Previously on { feuilleton }
The Dukes declare it’s 25 O’Clock!
Yellow Submarine comic books
A splendid time is guaranteed for all
Heinz Edelmann
Please Mr. Postman
All you need is…

Weekend links 113

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Wunderkammer (2011) by Emma Leonard.

As someone who was eight years old at the time of the Apollo moon landing, I remember calculating that I would be thirty-nine in the magic year 2000 and wondering what the world would be like. Did I expect I would be living in such a world of wonders? Of course. Everyone did. Do I feel cheated now? It seemed unlikely that I’d live to see all the things I was reading about in science fiction, but it never occurred to me that I wouldn’t see any of them.

A quote from Of Flying Cars and the Declining Rate of Profit, an essay by David Graeber. Related: Another World: David Graeber interviewed by Michelle Kuo at Artforum.

Constellation, a series of portraits by Kumi Yamashita: “This body of work consists of three simple materials that, when combined, produce the portraits: a wooden panel painted a solid white, thousands of small galvanized nails, and a single, unbroken, common sewing thread.”

Nicole Rudick at The Paris Review on the history of psychedelic art. Related: The psychedelic art and design of Keiichi Tanaami. Also Manifesting the Mind: Footprints of the Shaman, a two-hour documentary about psychedelic drugs.

• Already mentioned here, The Lost Tapes, a 3-CD collection of previously unreleased recording by the mighty Can, is out on Monday. There’s a preview of ten of the tracks here.

• “I can’t think of anybody who would have a good word to say for centipedes…” Duncan Fallowell (a Can associate for many years) interviewed William Burroughs in 1982.

Herb Lubalin: American Graphic Designer and the Herb Lubalin Study Center’s Flickr sets.

Strange Flowers goes to the movies with everyone’s favourite Bavarian king, Ludwig II.

The Sphinx’s Riddle: The Art of Leonor Fini at the Weinstein Gallery, San Francisco.

• More Teutonica: A Spacemusic Primer by Dave Maier.

Van Dyke Parks: return of a musical maverick.

Forty Posters for Forty Years at Pentagram.

Donovan’s Colours (1968) by Van Dyke Parks | Sailin’ Shoes (1972) by Van Dyke Parks | Clang Of The Yankee Reaper (1975) by Van Dyke Parks.

Weekend links 109

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Dreams before Surrealism: a sheet music cover from 1926 by René Magritte.

• The week in music: Listen to compositions by Annea Lockwood. | At the Free Music Archive: Uncomfortable Music, a tribute to David Lynch’s Eraserhead (and, it should be said, to Alan Splet’s unique soundtrack). | Alan Licht plays a track from Trout Mask Replica then loops some Donna Summer and improvises guitar noise over it. | Music Experiments with Terror: The Spooky Isles presents Joseph Stannard‘s list of recent eldritch sounds from British musicians.

Great art, or, let’s just say, more modestly, original art is never created in the safe middle ground, but always at the edge. Originality is dangerous. It challenges, questions, overturns assumptions, unsettles moral codes, disrespects sacred cows or other such entities. It can be shocking, or ugly, or, to use the catch-all term so beloved of the tabloid press, controversial. And if we believe in liberty, if we want the air we breathe to remain plentiful and breathable, this is the art whose right to exist we must not only defend, but celebrate. Art is not entertainment. At its very best, it’s a revolution.

Salman Rushdie on the censorship of art

• All Diamond, No Rough” says the School Library Journal about the first volume of The Graphic Canon. Volume two should be out in August.

Scientific American asks: Do Psychedelics Expand the Mind by Reducing Brain Activity?

• From 2010: A Dandy in Aspic – A letter from Derek Marlowe.

Tom Phillips and A Humument: how a novel became an oracle.

Timeline Maps at the David Rumsey Map Collection.

• Happy 50th birthday, A Clockwork Orange.

Jim Dandy (1956) by LaVern Baker | Larks’ Tongues in Aspic, part one (1972) by King Crimson, live on Beat Club.